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“Shattered” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier

“Shattered” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier

Laura Katrin Weston


Commentary by Gennady Stolyarov II: “Shattered” is a print by Dr. Laura Katrin Weston, a.k.a. Katrin Brunier, the original exemplar which I received in November 2017 due to my donation to the successful MouseAge crowdfunding campaign by Lifespan.io. Along with the three other artworks that I acquired from Dr. Weston – “Teeming”, “Graceful”, and “Squeak” – this print is featured as part of my Longevity Wall.

This work depicts how the forces of ruin can lead once-ornate and beautiful things to become eroded and deteriorated. This process, unfortunately, afflicts human organisms and minds as well, causing much of value to be lost or at least faded with time. Even with age, there remain in everything and everyone traces of the former splendor that can yet potentially be reclaimed – if humanity reconsiders its priorities and decisively commits to the war on ruin, including the quest to overcome aging and death.

Artist’s Description: “Time ravages even the greatest of minds, shattering them into a chaotic cloud of misfired potential. Once simple tasks become impossible, we become unable to live without aid, to live for ourselves any longer.

“I don’t know about you… But I don’t want that future. We have the power to change that. All we need is more support.”

You can find more work by Dr. Laura Katrin Weston at the Katrin Brunier Gallery, an Ethical Investment-Grade Art Gallery for the Neo-Renaissance Era (see its Instagram page). Proceeds from art sales at the Katrin Brunier Gallery will go to support causes such as medical research and conservation.

“Graceful” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier

“Graceful” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier

Laura Katrin Weston


Commentary by Gennady Stolyarov II, Chairman, United States Transhumanist Party: “Graceful” is a watercolor painting by Dr. Laura Katrin Weston, a.k.a. Katrin Brunier, the original exemplar which I received in November 2017 due to my donation to the successful MouseAge crowdfunding campaign by Lifespan.io. 

This vibrant watercolor image of a hawthorn tree in bloom illustrates that beauty and longevity are indeed compatible. Hawthorn trees can live for up to 700 years – another demonstration that there are no insurmountable obstacles to this kind of graceful longevity. Science and technology must, however, advance, to enable us to maintain vitality for centuries to come.

Artist’s Description: There is a cold, hard truth in humanity that we don’t often like to admit. There is no shame in wanting to remain beautiful, graceful, and vibrant for as long as we can. Yet these feelings are often belittled as being selfish or vain.

There is nothing wrong with being healthy for as long as possible. Perhaps we have grown so used to the frailties and sickness that come with time that we might not know how to react without it.


You can find more work by Dr. Laura Katrin Weston at the Katrin Brunier Gallery, an Ethical Investment-Grade Art Gallery for the Neo-Renaissance Era (see its Instagram page). Proceeds from art sales at the Katrin Brunier Gallery will go to support causes such as medical research and conservation.

“Squeak” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier

“Squeak” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier

Laura Katrin Weston



Commentary by Gennady Stolyarov II: “Squeak” is a print by Dr. Laura Katrin Weston, a.k.a. Katrin Brunier, the original exemplar of which I received in November 2017 due to my donation to the successful MouseAge crowdfunding campaign by Lifespan.io.

It is fitting for a project on mouse longevity to involve at least one image of mice – creatures whom life has unfortunately dealt a bad hand, due to their short lifespans (only 3 years for even long-lived mice in the absence of medical intervention), difficulty in getting along with humans, and unnecessary attrition due to disposal practices after lab experiments. “Squeak” invites the viewer to appreciate mice a bit more; if we can extend their lives significantly, we stand a decent chance of achieving dramatic extension of our own lifespans.  Perhaps we can also give some of the mice a break by using photographic markers of aging in experiments, as the MouseAge project seeks to do.

Here, the mice are depicted scurrying along a narrow circular path. The golden circle, with rays emanating outward represents perhaps the great hope that these creatures unknowingly provide to us. One may wonder, as I have done over many months of reflecting on this work, whether these are mutant, two-tailed mice, or whether they each just have their ordinary curly tails, and the track along which they move might simply be painted in the same colors and textures as their tails. (Well, in actuality it is indeed painted that way!) Mutant or not, these mice are rather extraordinary in having become emblems of a species that has added much to our understanding. Unlike most of their brethren to date, these mice have earned their extreme longevity through Laura Katrin Weston’s brush.

You can find more work by Dr. Laura Katrin Weston at the Katrin Brunier Gallery, an Ethical Investment-Grade Art Gallery for the Neo-Renaissance Era (see its Instagram page). Proceeds from art sales at the Katrin Brunier Gallery will go to support causes such as medical research and conservation.

“Teeming” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier

“Teeming” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier

Laura Katrin Weston



Commentary by Gennady Stolyarov II:
“Teeming” is a print by Dr. Laura Katrin Weston, a.k.a. Katrin Brunier, the original exemplar which I received in November 2017 due to my donation to the successful MouseAge crowdfunding campaign by Lifespan.io.

Although some may consider the plants depicted in this print to be weeds, Laura Katrin Weston has painted their flowers beautifully. Such plants proliferate in a teeming, but ultimately ephemeral manner – yet this print presents a view that can be enjoyed indefinitely, in effect taming the weeds and presenting their best imagined attributes for our appreciation.

You can find more work by Dr. Laura Katrin Weston at the Katrin Brunier Gallery, an Ethical Investment-Grade Art Gallery for the Neo-Renaissance Era (see its Instagram page). Proceeds from art sales at the Katrin Brunier Gallery will go to support causes such as medical research and conservation.

Abstract Orderism Fractals 68, 69, 70, 71, and 72 – Art by G. Stolyarov II

Abstract Orderism Fractals 68, 69, 70, 71, and 72 – Art by G. Stolyarov II

G. Stolyarov II

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Abstract Orderism Fractals 68, 69, 70, 71, and 72 were created in December 2017 as gifts for individuals who were instrumental to advancing the work of the United States Transhumanist Party or who have otherwise assisted me in profound ways. Each fractal communicates an aspect of the personality, values, and work of the person to whom it is dedicated.

Navigate to Individual Fractals

Abstract Orderism Fractal 68
Abstract Orderism Fractal 69
Abstract Orderism Fractal 70
Abstract Orderism Fractal 71
Abstract Orderism Fractal 72

Abstract Orderism Fractal 68

Abstract Orderism Fractal 68 – by G. Stolyarov II

Note: Left-click on this image to get a full view of this digital work of fractal art.

Abstract Orderism Fractal 68 is dedicated to Adeel Khan – a polymath whose never-ending curiosity and willingness to engage in discourse on a myriad of topics are just the attitudes that are necessary to achieve meaningful progress and make sense out of a complex world. Many of Adeel’s ideals align closely with mine, and he appreciates the multiple facets of the mindset needed to bring humankind into its next era – from the embrace of scientific reasoning to the support of the individual’s liberty to innovate.

Like Adeel’s interests, this fractal branches out in many different directions, but there are common overarching themes of improving our species! The path(s) toward a better world may be spiral in nature, but let all of us earnest thinkers explore them or forge our own.

Abstract Orderism Fractal 69

Abstract Orderism Fractal 69 – by G. Stolyarov II

Note: Left-click on this image to get a full view of this digital work of fractal art.

Abstract Orderism Fractal 69 is dedicated to B.J. Murphy, who has been a steadfast ally and a major contributor to the success of the U.S. Transhumanist Party, of which he serves as the Director of Social Media.

This fractal is gear-like in shape and in the impression of rotation it conveys. The gears at many scales symbolize the technologies that will form the backbone of the new transhuman civilization. B.J. extensively monitors, writes about, and contributes insights to the development of new technologies and entrepreneurial ventures, both on a large scale (for instance, space colonization) and on a small one (for instance, genetic engineering or cryptocurrencies, which exist as bits of code inhabiting physically tiny computer storage drives). The coppery orange color of this fractal is, of course, fitting for gears, but it also completes the color scheme for the U.S. Transhumanist Party, whose colors are orange and black. Orange, in particular, depicts the new political paradigm we seek to bring about. On the visible-light spectrum, orange is between red and yellow. In conventional politics, red has often been associated with socialism, while yellow has often found uses in libertarian symbols. B.J. has a history of involvement with socialist ideas and causes, while I have a (small “l”) libertarian background and sympathies (although the world and life are complicated!) – and yet the future cannot be won by either socialism or libertarianism as such. Rather, the orange color evokes our attempt to take the best aspects of these movements, leave behind ideas that did not anticipate the technological future, and invite all thinkers of good will to participate in the creation of the new era, whose political ideology will differ immensely from anything that came before. One reason why the Transhumanist Party has remained ecumenical and diverse – without being able to be pigeonholed as either “right” or “left” – is because B.J., like me and the rest of our Officer team, has understood and embraced the desirability of keeping it out of the political trenches and, instead, focused toward the stars.

Abstract Orderism Fractal 70

Abstract Orderism Fractal 70 – by G. Stolyarov II

Note: Left-click on this image to get a full view of this digital work of fractal art.

Abstract Orderism Fractal 70  is dedicated to Kim Bodenhamer Smith, who is herself an artist and combines a unique and extensive variety of passions and activities. One of these activities is unicycling in caves. (I am not sure just how she does it, but she does!) If you follow the progression of the circles in the center of this fractal, you will see the resemblance to a time-lapse of a unicycle wheel entering a cavernous tunnel. Of course, I made this fractal more colorful than the typical cave, because that would convey Kim’s personality more accurately.

In addition to sharing a commitment to truth and justice, Kim also has a highly creative mind and thinks outside of conventional parameters to seek solutions to today’s problems and ways to improve life on both large and small scales. She contributed great insights to our recent Discussion Panel on Art and Transhumanism, and she embraces technology and the innovative use of media in ways that get people thinking about how the world might be changed for the better. She has been a great ally to the U.S. Transhumanist Party as we seek these new paths that will lift humankind into its new era of advancement.

Abstract Orderism Fractal 71

Abstract Orderism Fractal 71 - by G. Stolyarov IIAbstract Orderism Fractal 71 – by G. Stolyarov II

Note: Left-click on this image to get a full view of this digital work of fractal art.

Abstract Orderism Fractal 71 is an example of what happens when an artificial intelligence is fed desserts. I started out with a fractal that somewhat resembled an ornate display dish on which desserts might be served. Then I used the Google Deep Dream Generator to sequentially feed it images of cakes and cupcakes by Tiffany Henderson Bateman, who has a thriving baking business. As the AI was “dreaming” of delicious treats, the fractal was transformed! J

Abstract Orderism Fractal 72

Abstract Orderism Fractal 72 - by G. Stolyarov IIAbstract Orderism Fractal 72 – by G. Stolyarov II

Note: Left-click on this image to get a full view of this digital work of fractal art.

Abstract Orderism Fractal 72 is dedicated to John Marlowe, whose staunch advocacy for patients of rare diseases is greatly needed in today’s medical system. In spite of his own struggles, John has found the time and energy to contribute to the transhumanist movement and has been a great friend of the U.S. Transhumanist Party, which embraces any and all efforts to increase medical research and funding toward combating as many rare diseases as possible. John has offered excellent insights on films and science fiction at the Discussion Panel on Art and Transhumanism, and I also enjoyed conversing with him at length at the Super Longevity Holiday Party in Newport Beach. John has been there for our movement and for me personally when we needed both a thoughtful and encouraging voice. We will be there for him and for everyone who needs the public, entrepreneurs, and officials alike to recognize the urgency of fighting every disease with the resources at our disposal.

This fractal might be best interpreted as a view from the top down of an upward spiral of progress, from which luminous flames fan out. This can be seen as an illustration that, from the advancement of medical science in general, specific insights and breakthroughs will arise to cure one disease after another – including rare ailments with no known cures today. We do not always know what the breakthroughs will be or which diseases will be defeated when – but the combination of scientifically informed hope and the ceaseless outward pushing of the boundaries of knowledge will improve the chances of as many people as possible. We have a long struggle ahead to win the war against disease and death, but with John as an ally, the Transhumanist Party will strive to make concrete differences for as many people as possible along the way.

About the Abstract Orderism Fractals

Each fractal above is a digital artwork that was created by Mr. Stolyarov in Apophysis, a free program that facilitates deliberate manipulation of randomly generated fractals into intelligible shapes.

This fractal is an extension of Mr. Stolyarov’s artistic style of Abstract Orderism, whose goal is the creation of abstract objects that are appealing by virtue of their geometric intricacy — a demonstration of the order that man can both discover in the universe and bring into existence through his own actions and applications of the laws of nature.

Fractal art is based on the idea of the spontaneous order – which is pivotal in economics, culture, and human civilization itself. Now, using computer technology, spontaneous orders can be harnessed in individual art works as well.

See the index of Mr. Stolyarov’s art works.

Spiral Villa – Art by G. Stolyarov II

Spiral Villa – Art by G. Stolyarov II

G. Stolyarov II
December 11, 2017

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The Spiral Villa was created in mid-2017 to continue the beautification of the Aqueduct Plaza of the Minecraft Imperial City. The villa is situated on the shores of the river running through the center of the city. From multiple balconies, it offers views of grand edifices of various architectural styles in all directions. Inside, it has two ornate domes and one spire from which it derives its name. An external staircase enables one to climb to the top of the spire, which also serves as a beacon to illuminate this party of the city at nighttime.

The Spiral Villa completes the framing of the Aqueduct Plaza – which consists of the Aqueduct Compound and Stripes Building on the sides, and a massive staircase (which also doubles as the roof of a building) leading to a rehabilitated palazzo of the Venetian style at the top – on the other side of the plaza from the villa (to be shown in a subsequent post).

The Minecraft Imperial City was originally a collaborative project coordinated by users Rigolo and Comeon, and freely downloadable here.

The most current version of the Imperial City, as expanded by Mr. Stolyarov, is downloadable here.

See the collection of images of Minecraft buildings by Mr. Stolyarov here.

Left-click for a full-image view of each screenshot. Right-click to download the image.

Space Seascape – Painting by Ekaterinya Vladinakova

Space Seascape – Painting by Ekaterinya Vladinakova

Ekaterinya Vladinakova


“Space Seascape” by Ekaterinya Vladinakova

Left-click on the image for a fuller view. You can also download this painting (4846 by 7000 pixels) here.

Tranquil and contemplative, this painting of an alien moon seascape by Ekaterinya Vladinakova evokes worlds that humans could one day discover or create through terraforming. The vivid colors and stunning imagery of Vladinakova’s work inspire us to strive toward a future where the exploration of these worlds could become a reality.

Ekaterinya Vladinakova is an accomplished digital painter. See her gallery here and her DeviantArt page here.

U.S. Transhumanist Party Discussion Panel on Art and Transhumanism

U.S. Transhumanist Party Discussion Panel on Art and Transhumanism

G. Stolyarov II
Emanuel Iral
Rachel Lyn Edler
John Marlowe
R. Nicholas Starr
Leah Montalto
Kim Bodenhamer Smith
Laura Katrin Weston
Ekaterinya Vladinakova


On November 18, 2017, the U.S. Transhumanist Party invited leading artists in a variety of media and styles to a two-hour discussion, moderated by Chairman Gennady Stolyarov II and Director of Visual Art Emanuel Iral, on the subject of Art and Transhumanism, delving into how and which works of art can help inspire humans to pursue the next era of our civilization – through promoting the advancement of science and technology, rationality, and/or a more hopeful vision of the future. The panel also explored various interactions between art and technology and ways in which art can improve human connection and understanding, while also comprising the very improved functionality that emerging technologies provide.

Panelists

Emanuel Iral

Emanuel Iral is Director of Visual Art for the U.S. Transhumanist Party.

Emanuel’s artwork ranges from traditional paint and pencil work to 3D digital work. Currently he is working on his VFX and animation skills, as he is producing short films for his music. He encompasses his art under the term Prismatis – Latin for prism.  A prism refracts white light into the three primary colors: yellow, magenta, and cyan. Prismatis is all about the aesthetic of human expression, which can be separated into the art, audience, and artist.

Rachel Lyn Edler

RachelLyn Edler is an accomplished graphic designer with over 20 years of creative experience. Rachel comes from a diverse background of product development, packaging and web design. In her free time she volunteers for several scientific and secular organizations including the Planetary Society, Richard Dawkins Foundation for Reason & Science and the Secular Coalition for America.

John Marlowe

John Marlowe was educated in film theory and trained in film production at UC Berkeley.  His outlook on film as a vehicle for social messaging has been largely influenced by his lifelong struggle with a genetic inborn error of metabolism, a type of disease that – until recently – was beyond the scope of medicine.  Consequently, John feels it is his onus to emphasize the artist’s responsibility in shaping the conversation regarding medical research, to create a society more amenable to scientific progress, rather than one fearful of change.

Leah Montalto

Leah Montalto is a painter based in New York City and has maintained a successfully operating painting studio in New York for the past 12 years.  Her paintings have been exhibited at the National Academy Museum of Fine Art in New York, and have been reviewed in the New York Times and the Providence Journal.  Leah’s paintings have received awards including the National Academy Museum of Fine Art’s Hallgarten Prize in Painting and the NYC Cultural Commission arts grant.  Leah is a former professor at Sarah Lawrence College, and has an MFA in Painting from Rhode Island School of Design.  Leah is not affiliated with the Transhumanist Party, but her paintings explore related themes.

Kim Bodenhamer Smith

Kim Bodenhamer Smith is a single mother of two boys living in Chattanooga, TN. She is a founding member of Southside Abbey, a Lay Missioner in The Episcopal Church, and an Outdoor Wear Business owner of Chilliheads. She is a caver, unicycler, and an aviation enthusiast and creator of #helichurch. She has a BFA in Metals and also studied Graphic Design and Political Science. *She also has many Tesla Tales to tell and is a Social Media Manipulator (different from a troll)!

R. Nicholas Starr

R. Nicholas Starr is an audio engineer and multimedia artist whose work focuses on Earth’s dystopias of past, present, and future. Also a biohacker, researcher, and theorist, he immerses himself in the subjects surrounding these worlds and has published several non-fiction articles and interviews. With an education in electronic signals intelligence from the United States Air Force, and 15 years of digital art and audio production in the US and abroad, he has become a unique voice for science fiction, the U.S. Transhumanist Movement, and American policy.

Ekaterinya Vladinakova

Ekaterinya Vladinakova is an accomplished digital painter and professional freelance illustrator. Vladinakova specializes in fantasy and science fiction work, but is also interested in editorial illustration. Vladinakova spends most of the day painting in Photoshop, creating scenes related to fantasy, or science fiction, as well as brushing up older works. Vladinakova’s paintings have been featured by the U.S. Transhumanist Party – including the “City of New Antideath” – a vision of the future which was commissioned for Mr. Stolyarov’s 30th Birthday.

Laura Katrin Weston

Dr Laura Katrin Weston is from England and studied Fine Art before going on to studying Medicine. She is a trained pathologist with a specialism in medical biochemistry and inflammation-related disease. She has used her medical knowledge and professional painting career to support Lifespan.io – one of the biggest life-extension research and advocacy charities. Laura is also vocalist for symphonic metal band Cyclocosmia – a music act that will be trying to raise awareness of transhumanist and human mortality issues in their next upcoming album.

The YouTube question/comment chat for this Q&A session has been archived here and is also provided below.

Visit the U.S. Transhumanist Party Facebook page here.

See the U.S. Transhumanist Party FAQ here.

Become a member of the U.S. Transhumanist Party for free, no matter where you reside.

Become a Foreign Ambassador for the U.S. Transhumanist Party.

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Terraforming of Mars – Painting by Ekaterinya Vladinakova

Terraforming of Mars – Painting by Ekaterinya Vladinakova

Ekaterinya Vladinakova


“Terraforming of Mars” by Ekaterinya Vladinakova

Left-click on the image for a fuller view. You can also download this painting (3200 by 800 pixels) here.

This piece was painted by Ekaterinya Vladinakova in January 2016 as a tribute to Space X’s reusable rocket success. As a result of these pioneering steps, perhaps humankind will someday, hopefully during our lengthened lifetimes, establish settlements on Mars like the ones depicted in this painting. This painting is available for viewing and download on Ekaterinya Vladinakova’s DeviantArt page here.

Artist’s Comments: Being able to re-use a rocket has the potential to make space travel MUCH cheaper, by a factor of a hundred. The reason is because the fuel costs something around 200,000 dollars, while the rocket costs millions. The problem with today’s rockets is we use them once, and then they are thrown away. An analogy would be using a 747 aircraft for only one trip; think of just how expensive it would be.  The significance of SpaceX’s second launch was that it was done on a floating platform. The benefit of such a platform is that it would save more fuel for the rocket, since the ocean platform can move, and less fuel overall is spent navigating the rocket back to base.

Ekaterinya Vladinakova is an accomplished digital painter. See her gallery here and her DeviantArt page here.  

City of New Antideath – Painting by Ekaterinya Vladinakova, Commissioned by Gennady Stolyarov II

City of New Antideath – Painting by Ekaterinya Vladinakova, Commissioned by Gennady Stolyarov II

The New Renaissance Hat
Art by Ekaterinya Vladinakova
Painting Commissioned by Gennady Stolyarov II
June 28, 2017
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City of New AntideathCity of New Antideath – Painting by Ekaterinya Vladinakova
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Commentary by Gennady Stolyarov II, Editor-in-Chief of The Rational Argumentator, Chairman of the United States Transhumanist Party

For my coming thirtieth birthday, I have commissioned a colossal cityscape depicting my vision and hope for the future progress of humankind. Artist Ekaterinya Vladinakova, a long-time supporter of transhumanism and life extension, was the evident best choice for this project.

The City of New Antideath represents a future society which has overcome death, disease, and today’s principal sources of material scarcity and discomfort. This city contains more than ample living space in ornate, radiantly illuminated skyscrapers. Smaller villas, domed towers, and other luxuriously ornamented buildings adorn the central walkways. There is ample room for pedestrian traffic and plant growth sculpted into geometrically complex patterns – including on the rooftop terraces of many of the mega-skyscrapers.

Flying cars and autonomous drones appear as streaks of light from the ground level. There is so much room for aerial transportation that no more traffic jams exist on the ground. One can opt for efficient transport, or for open-ended leisurely walking, and the two modes will not collide.

Over the years I have created a large number of building models using Sketchup, Minecraft, and even LEGO bricks. In my quest for permanence, they – or images of them – have been preserved and provided to the artist for inspiration. The first City of Antideath consisted of my Sketchup models. The City of New Antideath was not intended to be an exact replica, but rather a successor inspired by the prospect of juxtaposing the best architectural elements of all eras – past and yet to come.

I conveyed to Ekaterinya Vladinakova that the skyscrapers should exhibit a variety of bold colors and geometric shapes – but also be orderly and ornate. I have a great admiration for historical architecture from the 16th through 19th centuries – so while some of the buildings are geometric and futuristic, others borrow significant elements from Renaissance, Baroque, Neoclassical, or Victorian styles. Russian and Eastern architectural traditions find their manifestations in this cityscape as well. The idea is to portray a future of extreme diversity, where all of these elements will exist side by side and interact with one another in interesting ways. Far from cultural separatism or tribalism, the future needs to borrow and develop upon the best elements from all cultures, times, and places. The culture of New Antideath is rational, scientific, progress-oriented, universalist, cosmopolitan, and at the same time hyperpluralist and welcoming of all peaceful individuals.

The most significant vision I have for this artwork is that it will become the iconic vision of a techno-positive future. Accordingly, I am rendering it available for free download and distribution via a Creative Commons Attribution Share-Alike License so that it might be used by others who seek illustrations of a future we can all aspire for.

I still hope that I was not born too soon – that I may someday personally witness and experience a future of this sort. But for now, although the third decade of my life did not see such a future emerge, I am happy at least to have enabled its depiction so that others can be inspired to strive toward it. Given that our immediate world has become suffused by a pervasive, destructive malaise over the past two years, we will need visions such as this to overcome it and achieve better ways to be.

There are three versions of this digital painting available for free download (left-click on the links to open, right-click to download):

Small (1200 by 1931 pixels)

Medium (2400 by 3861 pixels)

Original Size (11250 by 18100 pixels – a vast canvas with immense detail. Note: This file size is immense as well – but you will be able to zoom in to view individual buildings and regard them as smaller-scale paintings in their own right.)

For those seeking musical accompaniment in viewing this painting, I recommend my Transhumanist March, Op. 78 (2014) (MP3 and YouTube)  or Man’s Struggle Against Death, Op. 58 (2008) (MP3 and YouTube).

Find out more about Mr. Stolyarov here.

Ekaterinya Vladinakova is an accomplished digital painter. See her gallery here and her DeviantArt page here.