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Reconstruction on Ground Zero – Musical Composition by Rodney Rawlings

Reconstruction on Ground Zero – Musical Composition by Rodney Rawlings

The New Renaissance Hat
Rodney Rawlings
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The Rational Argumentator again renders available Rodney Rawlings’s composition envisioning the rebuilding of the World Trade Center after the terrorist attacks. The beginning signifies quiet contemplation of the ruins; the hammering notes – the construction; the ending – the completed tower.

Listen to the MP3 file of the composition here.

Length: 4:05

Image below by Sailko – available via a Creative Commons Attribution 3.0 License here.

One World Trade Center Under Construction in New York City – January 22, 2014

Rodney Rawlings is a Toronto writer and composer/songwriter. He arrived at the concept of hypercomplex numbers independently, using Ayn Rand’s philosophy of Objectivism to guide him.  See his YouTube Channel

Score for Composition for Harpsichord and Piano, Op. 50 (2008) by G. Stolyarov II

Score for Composition for Harpsichord and Piano, Op. 50 (2008) by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
June 22, 2017
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By popular demand, the PDF score of Mr. Stolyarov’s Composition for Piano and Harpsichord, Op. 50, composed in 2008, has been released. It is available for free download here.

This experimental composition, Mr. Stolyarov’s first attempt at polyphony in 2008, explores the interplay between two instruments, including their potential to simultaneously play two different but complementary melodies. The mood of this piece also alternates between tense and jubilant.

This work was remastered using the Finale 2011 software, with the Steinway Grand Piano and Harpsichord instruments.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 57, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE the video above in order to spread rational high culture to others.

“To Venus and Mars” by Rodney Rawlings – Amanda Neal, Soprano – World Premiere

“To Venus and Mars” by Rodney Rawlings – Amanda Neal, Soprano – World Premiere

The New Renaissance Hat
Rodney Rawlings and Amanda Neal
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Soprano Amanda Noelle Neal performed Rodney Rawlings’s song “To Venus and Mars” at New Brew Chicago’s “A Warm Welcome” concert on May 16, 2017, at The Elbo Room, Chicago, Illinois. This was the first live, public performance of the full song.

Watch the video of Ms. Neal’s performance here


Description by Rodney Rawlings (March 22, 2004)

“To Venus and Mars (The Spaceman’s Lament)” is another song from my musical The Watcher on the Shore, offered in the hope of sparking interest in the play’s production. The theme of the song is the homesickness that would undoubtedly be felt at times by a lone explorer of deep space—especially if he thought he might never return to Earth. Utterly alone and impossibly far from one’s home planet, would the thought of perhaps never again experiencing earthly life be bearable?

Of course, many pioneering spirits would not be afflicted with thoughts like this; their deep-seated passion to explore and learn would overwhelm all other considerations. In fact, in the play, the song is sung by one who does not wholly identify with such spirits. But one must admit that the case of outer space is extreme, and I can’t help but think that even the strongest souls might now and then succumb to such a sentiment. Especially in the coming early years of interplanetary travel, travelers may have to contend with a new malady consisting in a soul-destroying longing and nostalgia.


Lyrics for “To Venus and Mars” (May 29, 2017)

While children down here in the fields
Catch fireflies in jars,
So grown men chase evening light …

… To Venus and Mars
Someday a brave man will go,
Someone who can bear to be launched
And leave us below.

But deep in the sky
He will lose sight of the earth
Ere catching that one final glimpse—
Stuff of memoirs—
Knowing he’s bound on a course
To Venus and Mars.

—-

Now he must seek other realms instead.
It was time for those last looks to end.
Echoes remind him of what they said
When he first heard their call to ascend:
“Do you find most of this globe absurd,
“With its throngs, restless passions, and tears?
“This world is vain, as we’ve often heard.
“Do you long for a mission that’s one-way
“To Venus and Mars—to Venus and Mars—?”

—-

Near Venus and Mars,
Yet might he grow ill at ease
To gaze on them, visions of Earth
Taint all that he sees?
This trav’ler may soon
Dream he will one day return
To mingle on streets full of life,
To chase falling stars
And quite serenely look up to Venus and Mars.

(Spoken:) And quite serenely look up
(Sung:) To Venus and Mars.


Rodney Rawlings is a Toronto writer and composer/songwriter. He arrived at the concept of hypercomplex numbers independently, using Ayn Rand’s philosophy of Objectivism to guide him.  See his YouTube Channel

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Amanda Noelle Neal is a Chicago-based lyric soprano with degrees in Vocal Performance from Roosevelt University’s Chicago College of Performing Arts and Loyola University New Orleans. While pursuing her Master’s Degree at CCPA, Amanda performed the roles of Genovieffa in “Sour Angelica”, Ariadne in “The Abandonment of Ariadne”, and The Unseen Voice in “The Deliverance of Theseus”, both by Darius Milhaud.

Amanda has sung lead and supporting vocals in multiple bands in Chicago. She is a member of the all-female opera-improv troupe Forte Chicago. See her YouTube channel.

Song of 2016, Op. 84 – Musical Composition and Video by G. Stolyarov II

Song of 2016, Op. 84 – Musical Composition and Video by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II

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2016 was a bleak year for human decency and has brought a major erosion of the core values of civilization: liberty, reason, honesty, and peace. This tragic composition mourns the manifold loss of life, senseless destruction of property, rampant misinformation, tribalism, xenophobia, and cultural degeneration that swept much of the Western and non-Western world alike during the most regressive year of this millennium thus far.

This composition is played using the Symphonic Orchestra in the Ludwig 3.0 Premium Software.

Download the MP3 file of this composition here.

This composition and video may be freely reproduced using the Creative Commons Attribution Share-Alike International 4.0 License.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

Waltz #11, Op. 83 (2016) – Musical Composition by G. Stolyarov II

Waltz #11, Op. 83 (2016) – Musical Composition by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
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A grand waltz for piano, cello, string section, oboe, and timpani, composed in the key of C# major, with interspersed major and minor passages. The two main themes are varied throughout the piece using different orchestrations and an increase in ornamentation.

This waltz was composed by Mr. Stolyarov on June 16-18, 2016, and is played using the Finale 2011 software.

Download the MP3 file of this composition here.

This composition and video may be freely reproduced using the Creative Commons Attribution Share-Alike International 4.0 License.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

Art Reference:
Abstract Orderism Fractal 67 by G. Stolyarov II – Available for free download here and here.
Robotic Rag, Op. 82 (2015) – Musical Composition and Video by G. Stolyarov II

Robotic Rag, Op. 82 (2015) – Musical Composition and Video by G. Stolyarov II

The New Renaissance HatG. Stolyarov II
July 8, 2015
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This ragtime composition by Mr. Stolyarov celebrates all of the helpful automata in our present and future (including the program that performs it). It is played in Finale 2011 software using the Steinway Grand Piano instrument.

Download the MP3 file of this composition here.

This composition and video may be freely reproduced using the Creative Commons Attribution Share-Alike International 4.0 License.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is “Ragbot” by Wendy Stolyarov – available for free download here.
Variations on a Randomly Generated Minuet and Trio by Wolfgang Amadeus Mozart, Op. 81 (2015) – Musical Composition and Video by G. Stolyarov II

Variations on a Randomly Generated Minuet and Trio by Wolfgang Amadeus Mozart, Op. 81 (2015) – Musical Composition and Video by G. Stolyarov II

The New Renaissance HatG. Stolyarov II
June 23, 2015
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Mr. Stolyarov composes four variations for piano and harpsichord, based on a minuet and trio that were randomly generated – most likely for the first time – using the rules in Wolfgang Amadeus Mozart’s Musikalisches Würfelspiel (Musical Dice Game, K. 516f).

Wolfgang Amadeus Mozart was one of the pioneers of algorithmic composition. In 1787 he developed his Musikalisches Würfelspiel (Musical Dice Game, K. 516f), which could generate unique minuets and trios by associating specific measures with rolls of dice (2 6-sided dice for the minuet, 1 6-sided die for the trio). Following Mozart’s table of rules, it is possible to generate (11^16)*(6^16) = 66^16 = 129,629,238,163,050,258,624,287,932,416 unique minuet/trio combinations. This means that any given iteration of the Musikalisches Würfelspiel has most likely never been heard before and, if preserved, adds to the available musical variety derived from Mozart’s compositional technique.

Download the MP3 file of this composition here.

See the rules for the Musikalisches Würfelspiel and hear the individual measures in MIDI format here.

Download “Musikalische Würfelspiele” – a free German-language program by Peter Baumann that can generate full MIDI files for compositions created using the musical dice games of Wolfgang Amadeus Mozart and Johann Philipp Kirnberger.

This composition and video may be freely reproduced using the Creative Commons Attribution Share-Alike International 4.0 License.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

References
– “Musikalisches Würfelspiel” – Wikipedia
– “Mozart’s Musikalisches Würfelspiel” – Page by John Chuang
Portrait of Gennady Stolyarov II – by Wendy Stolyarov
Abstract Orderism Fractal 5 – G. Stolyarov II
Abstract Orderism Fractal 7 – G. Stolyarov II
Abstract Orderism Fractal 48 – G. Stolyarov II
Abstract Orderism Fractal 66 – Floral Fractal – G. Stolyarov II

Variations on a Theme by WolframTones, Op. 80 (2015) – G. Stolyarov II

Variations on a Theme by WolframTones, Op. 80 (2015) – G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
June 10, 2015
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This experimental composition showcases the combined creative potential of man and machine. Mr. Stolyarov takes an algorithmically generated theme by WolframTones –  one of inexhaustibly many possibilities – and gives it a human touch with ten distinct orchestral variations that draw out orderly, harmonious melodies from the motifs present in the WolframTones theme.

This composition is written for a string section, three harps, and two pianos. It is played using the Finale 2011 software and the Steinway Grand Piano, Harp KS, and Full Strings Arco instruments.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

Art References:
Fractal Art Swirl by Ralph Langendam (Public Domain)
– Abstract Orderism Fractal 63 by G. Stolyarov II – Available here and here.
– Abstract Orderism Fractal 64 by G. Stolyarov II – Available here and here.
– Abstract Orderism Fractal 65 by G. Stolyarov II – Available here and here.

This composition and video may be freely reproduced using the Creative Commons Attribution Share-Alike International 4.0 License.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

Spiral Tower, Op. 79 (2015) – Musical Composition and Video by G. Stolyarov II

Spiral Tower, Op. 79 (2015) – Musical Composition and Video by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
May 25, 2015
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This piano composition by Mr. Stolyarov evokes an ascent up a spiral skyscraper. Each passage builds and introduces variations upon the last while remaining within the overall pattern describing the climb. The spiral ascent can be seen as a metaphor for incremental but rigorous and goal-directed progress toward a brighter future.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

Photographs in this video are of the F&F Tower in Panama City and were taken by Muribeg, Mariordo (Mario Roberto Durán Ortiz), and Rubydiazmendez. They can be downloaded here and are licensed under the Creative Commons Attribution Share-Alike Unported 3.0 License or the Creative Commons Attribution Share-Alike International 4.0 License.

This composition and video may also be freely reproduced using the Creative Commons Attribution Share-Alike International 4.0 License.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

“Death is Wrong” Rap and Book Giveaway #3 – Videos by Roen Horn

“Death is Wrong” Rap and Book Giveaway #3 – Videos by Roen Horn

This week I was delighted to find out that Death is Wrong is charting new territory once again.

This is the first rap inspired by a children’s book on indefinite life extension. Thank you to Roen Horn of the Eternal Life Fan Club!

LYRICS by Roen Horn:

I know a book that every kid should read.
Death is Wrong has the wisdom they need.

There is nothing worse than not being alive.
And if we find the cure aging then we CAN SURVIVE.

Death is wrong because life is right.
If we want to live forever , well, then we need to fight.

Death is our enemy and aging is our foe!
This book has truth that every child should know.

There is real hero named Aubrey de Grey.
If you wanna save lives, then he has the way.

Aging kills more people than any other cause,
but lucky for us we have our wizard of Oz.

Evolution doesn’t care if we live or die.
Once you get old, you’re just pushed aside.

Nothing’s gonna change unless we get mad.
If you wanna save yourself, your mom and your dad,

Here’s a little wisdom you won’t hear in church.
If you want eternal life, then we need aging research.

I think death is a FAILURE, and I don’t want to lose.
We should be able to live for as long as we choose!

The world should admit that aging really sucks.
Until we cure aging, we’re all like sitting ducks.

We have no time to waste, so let’s get busy like the bees.
We gotta make haste to avoid disease.

The cure is gonna come, but will it come in time for us?
Our eternal life is way too important to miss this bus.

Eternal life fans know that we have to persist.
Because our life is meaningless if we CEASE TO EXIST.

***

Roen has also done magnificent work giving away copies of Death is Wrong to children and filming the occasions.

Watch this skillfully produced video by Roen – the third in his series.