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The White-Owned-Restaurant Outrage Is Wildly Misplaced – Article by Liz Wolfe

The White-Owned-Restaurant Outrage Is Wildly Misplaced – Article by Liz Wolfe

The New Renaissance Hat
Liz Wolfe
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The latest political correctness outcry is a series of “white-owned appropriative restaurants” in Portland. While there are legitimate grievances to be made against white people who mock other cultures and then use them to profit once they become trendy, tirades like this list don’t level the economic playing field. More often than not, they breed resentment as political-correctness fights tend to back people into their respective partisan corners.

I read all the articles listed on the first page of the list –I should educate myself about hardships other people face while I remain immune. I’ll give credit where it’s due: many of these articles center around the idea that systemic disadvantage creates poverty, and many people of color don’t have the same financial resources to open restaurants that their white counterparts have. It follows, then, that white people get to profit from rich cultural traditions while the people who have claim to that origin don’t. I see how that feels viscerally unfair.

But are white entrepreneurs really the culprits here, or is it a larger system of historic disadvantage that has created these differences in wealth? Which system should we rebel against?

Appropriating Tortillas and Hip-Hop

Portland’s Kooks Burritos food truck, one of the restaurants listed, recently closed their doors for good, presumably as a result of all the hate they’d been getting. In a profile by the Willamette Week, founders describe being entranced by the tortillas they had on a trip to Mexico. This inspired them to ask local ladies about the ingredients, but they would only reveal part of the recipe, not the techniques, leading the two Kooks founders to peek into windows of nearby restaurants attempting to learn the art of tortilla-making. Two white women spying on resistant Mexican cooks to open a trendy food truck sparked outrage.

There’s a tough balance between co-opting traditions and voluntarily sharing customs. Perhaps the owners of Kooks Burrito erred too far on the side of co-opting, as they attempted to steal recipes from locals instead of engaging in voluntary exchange. But demonizing them is yet another foolish battle that won’t right the wrongs of the past or teach fruitful lessons to white restaurant owners.

Cultural sharing isn’t something to be intrinsically discouraged. Appropriation, as a concept, often seems logically inconsistent. When an American university fraternity tried to throw a theme party with a play on the song “Bad and Boujee,” administrators objected, citing “cultural appropriation” as the problem. But which culture are we talking about? Which people are being subjugated and what is the true origin? “Latin, French, Marxist, Urban hip-hop?” suggested Catherine Rampell at The Washington Post. In other words, is any iteration apart from the true origin an offensive act?

I doubt it. When we wade down the slippery slope of condemning people for well-intentioned practices, we often create enemies and become a culture where people are brutally shamed for their missteps, never learning from their mistakes.

How does this work when practices like yoga come under fire? Is yoga a less heinous thing to take part in because the origin is often explained more thoroughly? Perhaps yoga classes in US-based ashrams should continue to exist, but what about my less-conscious local YMCA? And still, who should make these judgment calls?

Using these Opportunities for Good

There seems to be a lot of gray area, and I doubt attempts to exercise more control over the individual would create good outcomes. Generally speaking, let’s reserve use of authority and force for the direst situations in which people are directly harming one another.

A hardline reaction either way is misguided. The truth likely lies somewhere in the middle – marginalized groups have been historically disadvantaged, and that disadvantage often remains for many decades. But cultural appropriation isn’t necessarily bad, nor is it as easily defined, as social-justice advocates might hope. It’s through cultural sharing, in its many forms, that people are able to make a living, spread knowledge of a particular topic, and advance current practices.

If a white business owner is spreading popularity of Burmese food, for example, and creating more demand for it, could that be a good thing for hopeful Burmese immigrants intent on entering the industry?

I went to a white-owned Burmese restaurant in Thailand where the owners had pamphlets on current events – namely the ethnic cleansing that has gripped much of the country. Although my appetite was reduced, exposure to Burmese culture made me more invested in Burmese current events. Now, headlines stick out to me. I remind traveler friends that they should be conscious of where their tourism money goes, as much of it unintentionally ends up lining the pockets of corrupt government officials.

White ownership isn’t the problem in Portland. Instead, it’s a complex web of systemic disadvantage, fear of ignorance on the part of proprietors, and worries that hard-working immigrants will be shoved out of the market. Those are more than worth fixing, but filing this cleanly under the “cultural appropriation” label doesn’t give proper weight to the many sides of this important issue.

Let’s stop condemning the wrong practices.

Author’s Note: I reached out to the creators of the “white-owned restaurants” spreadsheet with several questions. They said, “We can answer questions off the record to further your own understanding, but we are uncomfortable providing a statement due to the news media’s tendency to offer racist counterpoints in the name of ‘fairness.’ Let us know if that is agreeable.”

Liz Wolfe

Liz Wolfe is managing editor of Young Voices. You can follow her on Twitter: @lizzywol.

 

This article was originally published on FEE.org and may be freely distributed, subject to a Creative Commons Attribution 4.0 International License, which requires that credit be given to the author. Read the original article.

Cultural Appropriation Is Love – Article by T.J. Brown

Cultural Appropriation Is Love – Article by T.J. Brown

The New Renaissance HatT.J. Brown
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I’ve never been able to get into the Halloween spirit. Maybe that’s because most of my childhood’s trick-or-treating consisted of candy corn. But as I’ve grown, I’ve gained a new appreciation for this holiday. It’s an exhibition and embrace of cultural diversity through costumes and tog.

Honoring the Other  

When I see a beautiful Caucasian woman dressing up as a Salsa Dancer, or a group of Asian college students dressed as the Jackson Five, it resonates with me in a very positive way. The Salsa Dancer dressed as such because she sees the beauty of the culture, attire, and people that are associated. She adores this culture so much that she’s willing to spend her own money to embody it for a single night. The Asian kids dressing up as the Jackson Five clearly have not only knowledge of the legendary African-American pop sensation, but have also been impacted by the cultural talents they delivered to the market.

This is why I see Cultural Appropriation as a gesture of love within humanity. It’s a refreshing deviation from conventional US ethnocentric patriotism and isolation. I’m thrilled to see people dressing up as diverse identities from around the globe, and not just wearing American Flag trucker hats and Confederate bikinis.

As our culture becomes more and more politically correct and censorious of “offensive” displays of cultural mimicry, diversity has become less about expressions of humanistic cooperation, and more about competitive oppression.

In PC parlance, that Salsa Dancer costume is actually insensitive to the economic suffering of Hispanic women who had to subject themselves to patriarchal theater. That Jackson Five getup ignores the capitalist exploitation by the music industry of black artists during the American Civil Rights movement. This is the narrative you will commonly hear pushed on many progressive university campuses and blog sites.

Some find this to be annoying, but I’d actually go as far as to call it outright insulting and abusive. Who are you to tell someone that they aren’t allowed to express their love for another culture because you arbitrarily hold exclusive claim to it? Who are you to micromanage identity and dictate what types of multiculturalism is tolerable and intolerable?

In the attempt made by progressives to socially abolish what they rule as problematic cultural appropriation, the actual effect is to make harmonious ethnic relations less likely to occur.

That Which Separates Us

Once a white man dressing up as an Arabian Sheik or a black man dressing up as an Irish bagpiper was met with excitement and interest. Now there exists a mob to ridicule them into hiding for being racist bigots. Basically they are saying to these men, “You are different and should stick to your own kind.”

How is that helpful to advancing equality or association? Now these two men are intellectually isolated, likely fostering resentment for diversity. This is dangerous for everyone, especially cultural minorities.

The far left and the Alt-Right have become enablers of each other. While the Alt-Right shames whites for abandoning their heritage and culture and demands that non-whites appropriate European culture, the far left shames whites (primarily) for embracing and adopting cultural differences and contrasts and demands they NOT appropriate.

Neither side wants to break down polarities; neither side wants a free and natural marketplace of voluntary inclusivity and association. I oppose both these factions, which is why I endorse more cultural appropriation not only on Halloween, but every day.

A world without cultural appropriation is a world without learning, emulation, aspiration, celebration, and progress. It is a frozen and dull world of isolation and insularity.

You don’t have to be an assimilative glob of clay to be properly molded by the right or a self-hating ally of the left. Culture is spontaneous, and your expression of it should be as well. So to the white girls, wear box braids if you want. To the black girls, don’t let haters stop you from rocking that blonde relaxer. Dress up as cowboys and Indians, black and white celebrities.

If you’re trans and want to dress as a cis person or visa-versa, do it. Your life is not present to be ordered and manipulated by central planners, governments, fascists, or social justice warriors. Your life is present to pursue your own self-interests and to find what makes you happy. Accusations of degeneracy or racism be damned.

tj-brown-01-edited

TJ Brown

Taleed J. Brown is a content intern at the Foundation for Economic Education (FEE) and hosts the popular YouTube channel “That Guy T“.

This article was originally published on FEE.org. Read the original article.

If the Word “Liberal” Is Up for Grabs, Can We Have It Back? – Article by Jeffrey A. Tucker

If the Word “Liberal” Is Up for Grabs, Can We Have It Back? – Article by Jeffrey A. Tucker

The New Renaissance Hat
Jeffrey Tucker
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A spectacular column in The New York Times by novelist Lionel Shriver makes the point. The new literary and academic establishment in the humanities has become so illiberal, particularly in its preposterous condemnation of “cultural appropriation,” that even the word liberal itself is falling out of fashion.

It’s so bad that Shriver was denounced and condemned for arguing that it is just fine for novelists to write characters into their work that are not of the same cultural, racial, and demographic background of the writer. Not very controversial, right?

Explosion followed. Yes, that’s how bad it’s gotten out there. The literary habit that built civilization, the musical tactic that brought us the Nutcracker and Carmen, the technological tendency that build modernity from the Middle Ages to the present, the political rhetoric that ended slavery and emancipated women, the artistic strategy that has brought the world together in mutual understanding and in unprecedented ways, now stands condemned as the micro-aggression of cultural appropriation.

She writes:

How did the left in the West come to embrace restriction, censorship and the imposition of an orthodoxy at least as tyrannical as the anti-Communist, pro-Christian conformism I grew up with? Liberals have ominously relabeled themselves “progressives,” forsaking a noun that had its roots in “liber,” meaning free. To progress is merely to go forward, and you can go forward into a pit.

Protecting freedom of speech involves protecting the voices of people with whom you may violently disagree. In my youth, liberals would defend the right of neo-Nazis to march down Main Street. I cannot imagine anyone on the left making that case today.

It’s right. The people who stole the word liberal  – gradually circa 1900-1933 – seem to be in the process of tossing out the last modicum of respect for liberty they had even as recently as ten years ago. If you are considered a thief for showing appreciation for other cultures, learning from people unlike yourself, using art and literature to draw attention to certain human universals, there is really nothing left of liberty.

If these are your views, you really should relinquish the word liberal. And the truly great thing is that this is happening right now thus leaving it, perhaps, to be reappropriated by actual lovers of liberty.

Do Not Talk about Beyoncé’s Lemonade!

I experienced the intolerance for disruptive ideas earlier this year in the strangest way. Beyoncé’s Lemonade – a feature-length pop operetta about betrayal and forgiveness –  had just come out. I devoured it, was challenged by it, learned from it, and found themes within it that I was ready to write about: particularly the Hayekian themes I found in the work.

However, just as I started putting together my thoughts, the Internet filled up with dire warnings: if you are a white man, do not write about Beyoncé’s Lemonade!

I can’t write about Beyoncé’s Lemonade? Really? Why not? Because it is a story about the experience of black women in America, and it would be disrespectful to appropriate this experience and this art to serve your own private desire to interpret the work.

Others took a more moderate position: do not yet write about Beyoncé’s Lemonade. Give it a few days, a few weeks, a few months, so as to allow women of color to at least have the first chance to comment and write.

Now, I can’t say I was entirely intimidated to silence by this demand. However, I did hesitate, maybe briefly perceiving some plausibility to the claim. It makes some sense that the intended audience would become the dominant voice of interpretation. I’m ok with that, but would my adding my voice somehow prohibit this? I doubt it, seriously.

Still, I was thinking. So I let it go. The next day, I actually asked a “woman of color” who is a friend, and she said, “that’s the dumbest thing I’ve ever heard. I want to know what you as a white man have to say about this!” That was cool, but I felt the moment passing.

Did I really relish hurling myself into the meat grinder of leftist fanaticism, being condemned as a racist cultural appropriator because I dared to say something about Beyoncé’s Lemonade? Not much. It is always easier not to speak than to speak.

As I look back, this was a mistake on my part, but it does illustrate how illiberalism and dogmatic demands to keep your thoughts to yourself can have a chilling effect on public culture.

Who Is Against Freedom of Speech Today?

In the postwar period, the mantle of principle on the matter of free speech moved from left to right. Recall that William F. Buckley’s God and Man at Yale (1953) was essentially an argument against academic freedom. It said that leftists were invoking this principle to advocate for ideas (atheism and Keynesianism) that contradict the values of the donating alumni to Yale itself. It was due to this erudite but essentially illiberal treatise that the postwar right gained the impression of being “anti-intellectual.”

What a difference sixty years make. Today the organizations most passionately for academic freedom and freedom of speech are the Young Americans for Liberty, the Students for Liberty, and the Foundation for Individual Rights in Education – three organizations that, rightly or wrongly, are considered to be on the right side of the political debate. At this very time, the other side has developed a kind of allergy to the demand for free speech. Everyone is triggered by everyone else.

Around the same time, Leonard Read and his circle deeply regretted the loss of the term liberal. With some reservations and lingering doubts, they revived the term libertarian as a substitute. It was supposed to be a synonym. But IMHO, it’s not nearly as good because it lacks the history, the broadness of mind, the high aspiration for society as a whole.

The True Meaning of Liberal

There really is only one way forward. That is the way offered by the liberal tradition – a tradition variously and pragmatically sampled by the left and the right but not really believed in full by either. After all, if your ambition is to control society, you can’t really claim the mantle.

It’s a beautiful thing that the word itself seems to have been abandoned by all modern political players, who prefer other terms. Fine. Liberalism has the most brilliant heritage in every language. It means individual rights, freedom of expression and enterprise and association, suspicion of government, and a confidence that society can organize itself better on its own without any institution making and enforcing a central plan.

Liberalism built civilization. It makes sense that the word would be abandoned when the dominant players in politics today have every interest in tearing it down by circumscribing freedom. But therein lies an opportunity.

In 2015 I made a commitment to stop using the term liberal in a derogatory way. I think I’ll complete this year by committing to using it in a completely positive way. Will you join me? We might be the only self-described liberals in the United States, and, perhaps then, we can make a contribution to regaining the term’s true meaning.

Or we might just say, reappropriate it.

Jeffrey TuckerJeffrey Tucker

Jeffrey Tucker is Director of Content for the Foundation for Economic Education and CLO of the startup Liberty.me. Author of five books, and many thousands of articles, he speaks at FEE summer seminars and other events. His latest book is Bit by Bit: How P2P Is Freeing the World.  Follow on Twitter and Like on Facebook. Email

This article was originally published on FEE.org. Read the original article.