Tag Archives: rational

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Theme and Variations #1, Op. 61 (2009) – Video by G. Stolyarov II

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This 2009 composition was written in a theme-and-variations format, with the main theme being presented, then varied five times, then repeated in its original form. The melody is played by a harpsichord with piano accompaniment, and a second harpsichord provides additional accompaniment in the first variation.

This composition has been remastered in Finale 2011 software and is played by two harpsichords and a piano.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 25, available for download here and here.

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The Run, Op. 64 (2009) – Video by G. Stolyarov II

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This 2009 composition is quite modern in its structure and harmonies, but manages to remain free of unresolved dissonance and maintain a melodic dynamism. The piece conveys rapid motion — as in a fast run — as well as a sense of exertion and onward momentum. It intensifies toward the end and reaches a sudden, rapid conclusion — as a runner might do upon completing a predetermined distance.

The entire work is built upon four chords in C minor, which are arranged in a variety of ways — with the main melody (A) being interspersed with related but structurally different melodies and becoming more intense, powerful, and rapid with each repetition. The structure of the piece is ABA’CA”DA”’E, where E is the conclusion.

All the notes of this piece are either sixteenth notes or thirty-second notes, making it quite difficult for a human musician to perform. As such, it is another example of Mr. Stolyarov’s genre of superclassical music — composed using traditional harmonies but in tempos and instrumental arrangements that only a computer is likely to be able to execute.

This composition has been remastered for two harpsichords, a piano, and strings and played in Finale 2011 software.

The main image for this video was designed by Wendy Stolyarov and is used with unrestricted permission.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

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Light Quartet, Op. 62 (2009) – Video by G. Stolyarov II

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This composition’s harmonies resemble those found in music of the late 18th-century Classical period, while some of the devices used — including the lengthy trills for the flute and the harp — are more extensive than could be found in that era, as no human flute player could maintain a trill for as long as a computer program can. There are three basic melodies in this piece, and their orchestration is varied over time. The mood of the composition is light, cheerful, and playful — although, it is to be hoped, not frivolous.

This work, originally composed in 2009, has been re-mastered in Finale 2011 software for four parts: piano, flute, bassoon, and harp.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 29, available for download here and here.

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Exertion, Op. 51 (2008) – Video by G. Stolyarov II

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This composition by Mr. Stolyarov attempts to convey the sensation of struggling through a difficult task or an adverse situation which requires the use of numerous faculties simultaneously. It is another exercise in creating polyphony and multi-instrumental composition. This piece is for two pianos, with an organ making a brief appearance at the end.

This composition is played using Finale 2011 software.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 36, available for download here and here.

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Fanfare of Perseverance, Op. 58 (2008) – Video by G. Stolyarov II

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This is a composition for two brass sections and timpani. The first brass section introduces the main melody of the piece, while the second brass section comes in once the melody is repeated; it introduces considerable ornamentation and tension into the work. The timpani provides steady, fast, omnipresent accompaniment throughout the length of the composition. The entirety of the piece is meant to reflect a determined attempt to overcome an obstacle — a push forward despite hardship and resistance. The composition is written in the key of A minor, but transitions to C major in the final two measures to represent the successful triumph over adversity.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 14, available for download here and here.

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Deliberation, Op. 27 (2002-2003) – Video by G. Stolyarov II

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Mr. Stolyarov began composing this work in 2002 and finalized it in 2003. A waltz-like composition with numerous major-minor shifts, it expresses a mood suited to profound, serious contemplation.

This version is played using Finale 2011 software, the Steinway Grand Piano instrument, and the “Human Playback” feature.

Download the MP3 file of this composition here and here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 42, available for download here and here.

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Piano Composition #5, Op. 8 (2002) – Video by G. Stolyarov II

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Composition by Mr. Stolyarov from early 2002, played in 2011 Finale Software using the Steinway Grand Piano instrument. This composition combines waltz-like and march-like elements. Be alert for a surprising turn around 45 seconds into the piece.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 27, available for download here and here.

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Piano Composition #4, Op. 7 (Industry) (2001) – Video by G. Stolyarov II

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Mr. Stolyarov composed “Industry” in 2001. The present version is played using Finale 2011 software and the Steinway Grand Piano instrument. This piece employs a rapid tempo, large numbers of massive chords, and periodic variations on the main theme. As the work progresses, the intensity and degree of ornamentation increase; this is intended to represent the accelerating effects of industrial progress.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 21, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

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When Will The End-of-the-World Nonsense End? – Article by Edward Hudgins

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Categories: Culture, Tags: , , , , , , , , , , , , , , , ,

The New Renaissance Hat
Edward Hudgins
December 26, 2012
Recommend this page.
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Yawn! The world ended again, this time on December 21, 2012, as predicted by the Mayan calendar. Seems few of the actual Mayans in the Yucatan today were particularly concerned about this.

It was folks in the most advanced industrialized countries who shivered in fear of the apocalypse, who flooded NASA with phone and email messages asking whether the prophecy was true, and who headed for the hills in attempts to survive or perhaps to be taken up into heaven, the Mother Ship, or whatever.

Okay, this particular doomsday might have been mostly hype by the media meant to titillate sensationalist-seeking audiences. But these doomsday fears pop up on a regular basis and too many people actually take them seriously.

Last year fundamentalist fruitcake Harold Camping predicted The End, using his 66 radio stations to get the word out. Many of his followers gave away their possessions in preparation for the Rapture. A woman who believed him wanted to avoid the horrors of fire and brimstone so she slit her 11- and 14-year-old daughters’ throats with a box cutter and then slit her own. (All survived.)

Clear-thinking individuals often don’t understand why folks with even a minimum of intelligence and education can fall for this stuff.

First, culture matters. In the twenty-first century most folks appreciate the products that come from the rational mind, everything from advanced medical devices to the iPad. But t reason itself is hardly venerated. Rather, indulgence of undisciplined impulses saturates our culture with the most idiotic and pernicious products, spiritual as well as material. New Age cults are one of these products, manifested in people wasting what few functioning neurons they still have worrying about whether primitive peoples half a millennium ago predicted the end of the world.

Second, the virtue of rationality is an attribute of individuals. We must exercise it, each of us, one mind and one brain at a time. And it takes an effort to think. A culture that values the virtue of reason as well as its products is important. But you develop that virtue through practice, not through osmosis.

Third, to be rational doesn’t simply mean to memorize the forms of the syllogism or to master the knowledge and technical skills needed to be successful in some narrow field or profession. Most of the 39 Heaven’s Gate cult members who committed mass suicide in 1997 earned money as website developers. Rationality means always being honest with one’s self. It means always asking, “Am I trying to get at the truth or simply to rationalize some prejudice or convenient belief that bears little resemblance to reality?” It means practicing self-reflection, monitoring one’s thoughts and emotions to make sure they are not clouding one’s mind. It means practicing the virtue of integrity, of making certain that one’s thinking and actions are in sync. And it means exercising one’s independent judgment and not letting one’s beliefs be determined by group-think and popular opinion.

Those who fall for predictions of Armageddon certainly don’t practice the virtue of rationality.

Those who laughed at the foolish fears over the Mayan doomsday should take a mental step back and understand the cause of this and so much else that’s wrong with our culture today. And they should understand that a commitment to reason and rationality will both guide one to a happy and flourishing life and help create a wonderful world as it can be and should be.

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Dr. Edward Hudgins directs advocacy and is a senior scholar for The Atlas Society, the center for Objectivism in Washington, D.C.

Copyright, The Atlas Society. For more information, please visit www.atlassociety.org.

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Be a Patron of a New Classical Composition: Melody, Harmony, and Dignity Guaranteed!

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Categories: Announcements, Business, Music, Tags: , , , , , , , , , , , , , , , , , , , , , ,

I am initiating an ambitious new experiment for funding new rational classical composition via Kickstarter. Please see the Kickstarter page for this project here.

For a combined pledge of $150, I will create a new classical composition of at least 3 minutes in length. The person contributing the plurality of funds will be able to have the composition bear his/her name. (For instance, if your name is Smith, and I compose a rondo, it would be called the Smith Rondo, Op. 70 – or you could choose a different name of appropriate dignity.) Any donor would be able to recommend whether the composition be predominantly in a major or a minor key – as well as the key itself (e.g., C major, A minor, etc.). (Note: Secondary themes or variations on the main theme may depart from the main key if this would reinforce the integrity and develop the intricacy of the composition.) If a majority of donors favors a particular key, I will write the piece in that key.

Once composed, the work would be released online for free download and streaming and would be licensed as Creative Commons. The creation of art and music through distributed patronage, as well as the subsequent free availability of such work, can liberate both creators and the consuming public and unleash a new era of high culture for vast numbers of people. No matter who you are, you can be a patron of classical music in this electronic age.

The composition will be created electronically using Finale 2011 software – probably using several pianos, but other instruments may be incorporated as well. Finale 2011 can create sound quality closely resembling a human performance on a traditional instrument. At the same time, electronic playback can enable the composition to possess speed and virtuosity beyond the abilities of a human performer.

I am asking for combined donations of $150 as compensation for the time in composing this work. I anticipate that the process will take about 5 hours of complete focus, and so I would be compensated at $30 per hour. I can create the composition within at most one week after the funding goal has been reached.

If you have any questions or recommendations about this project, please feel free to e-mail me at gennadystolyarovii@yahoo.com.

Background

I have composed 69 works to date and have developed a distinctive style that respects centuries of Western musical tradition while taking advantage of the new possibilities of electronic composition. My philosophy of composition holds that music must be (i) orderly and rational, (ii) pleasant to the ear, and (iii) elevating in its content and in the motivation it confer upon the listener.

I can promise the following:

- A directed, rational, thought-provoking, and pleasant melody.

- Sophisticated accompaniment and variation.

- Harmonies that please: No unresolved dissonance, “shock value,” expressionism, debasement, or noise.

You can find some of my freely available compositions on this YouTube playlist.

I particularly recommend my most recent works:

Rondo #2, Op. 65

Progress Amidst a Crisis, Op. 66

Rondo #3, Op. 67

Rondo #4, Op. 68

Baroque Composition for Piano and Organ, Op. 69

All of my compositions are available for free download as MP3 files on this page.

Thank you for your consideration and, hopefully, your patronage.

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