Gennady Stolyarov II
Art Ramon Garcia, Jr.
The U.S. Transhumanist Party Virtual Enlightenment Salon with Zach Richardson, Jason Geringer, and Ben Ballweg of July 25, 2021, is now available for viewing on Odysee here.
On Sunday, July 25, 2021, at 4 p.m. U.S. Pacific Time, the U.S. Transhumanist Party invited its new Officers, Zach Richardson (Director of Publication), Jason Geringer (Legislative Director), and Ben Ballweg (Director of Longevity Outreach), to discuss some of their ideas, planned initiatives, and perspectives on the current condition of the transhumanist movement. The discussion focused on improving the internal functions of the U.S. Transhumanist Party, attracting volunteers, and raising the visibility of transhumanist projects and causes. An interactive discussion transpired about ways to bolster the publication and legislative-tracking activities of the USTP. The conversation also extended to subjects of general interest to transhumanists, futurists, and those seeking to learn about the transhumanist movement.
Read about Zach Richardson here.
Read about Jason Geringer here.
Read about Ben Ballweg here.
NOTE: Even though the U.S. Transhumanist Party is staunchly pro-vaccine and expressed such views during the Virtual Enlightenment Salon, YouTube algorithmically censored the video, most likely with no serious human involvement, and algorithmically rejected our appeal as well. The U.S. Transhumanist Party strongly condemns such censorship but also sees an opportunity here by encouraging people to watch and spread this video for the purpose of overcoming arbitrary barriers put forth by unintelligent and unaccountable algorithms.
Louis Moreau Gottschalk – Weber’s Oberon Overture, J. 306 – Transcription for Piano, 4 Hands, Op. 83 – Recording by Gennady Stolyarov II
Louis Moreau Gottschalk’s piano transcription of Carl Maria von Weber’s 1826 Oberon Overture for four hands has seldom been performed in public, and no known recording existed of it until now. Gottschalk (1829-1869) created it in 1857, and the last documented public performance was by Eugene List (1918-1985) in Spring 1979, as briefly mentioned in a May 4, 1979, New York Times article by Joseph Horowitz.
While there exist many transcriptions of the Oberon Overture, Gottschalk’s is absolutely, monumentally unique in its extent of ornamentation, thunderous intensity, and virtuosic passages (which will be unmistakable to the listener). Perhaps the demands that this piece would place on human performers explain the rarity of any attempts to play it. It is likely that only a few remarkable pianists throughout history, including Gottschalk himself, would have had the skill, endurance, and proto-transhuman mental processing power needed to carry it out without fail.
Fortunately, with musical notation and composition software, combined with increasingly realistic digital instruments, the limitations of the human hands can be transcended, and this work can be made available to listeners as Gottschalk intended it to be heard. This recording was created using the MuseScore 3.0 by Gennady Stolyarov II between June and December 2021; the transcription itself required approximately 36 hours of meticulous work, spread out over half a year. However, elevating this piece into public awareness is certainly worth the effort. This is heroic music showing the impressive heights to which human achievement, ingenuity, and virtuosity can rise, and it is a marvelous gift from Gottschalk in 1857 to our era.
Watch the score video on YouTube here and on Odysee here.
Download the MP3 file of this composition for free here.
Download the score (published in 1901 – now in the public domain) here.
Louis Moreau Gottschalk – Pensée Poétique – Nocturne, Op.18 – Recording by Gennady Stolyarov II
Commentary by Gennady Stolyarov II: This Pensée Poétique (Poetic Thought) was composed by Louis Moreau Gottschalk (1829 – 1869) in 1852-1853. It is a short nocturne – Gottschalk’s Opus 18, different from Gottschalk’s more famous Pensée Poétique, Op. 62.
To my surprise, I am unaware of any readily available recording of this quite interesting nocturne with some strong Chopin influences. Therefore, I created a rendition using MuseScore 3.0. This video follows the original Gottschalk score, to which I hope to have done justice. The last third appears to be rather virtuosic (as is much of Gottschalk’s work), and I am glad that we live in an era where programs allow us to experience these kinds of compositions in spite of the difficulty for a human to learn them.
Watch the video with the score on YouTube here and on Odysee here.
Download the MP3 rendition by Gennady Stolyarov II here.
The sheet music is in the public domain and is available here. (IMSLP page.)
“Rather ‘classical’ piece with a beautiful lyrical line. Found by John Doyle in Brazil. (‘A bibliographic study and catalog of works’). Published by Chabal, Paris; it can also be found at the Biblioteca Nacional de Madrid, from where it was extracted.”