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Living the Easy Life – Article by Doug Bandow

Living the Easy Life – Article by Doug Bandow

The New Renaissance Hat
Doug Bandow
November 24, 2014
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CAIRO — “I could be arrested when I leave here,” said a journalist I met at the tony Marriott near Cairo’s Tahir Square. A student activist acting as an interpreter observed that he, too, could be detained at any time. A veteran human rights activist calmly stated, “Some of our groups will be closed. Some of us will be imprisoned. It is inevitable.”

Most foreigners travel to Egypt to play tourist. I visited with a human rights delegation. As a result, I came away with a very different picture than do most foreigners of this fascinating nation.

I was also reminded how lucky Americans — and, indeed, most Westerners — are. Forget American exceptionalism or manifest destiny.

Most important are the basic characteristics of a free society. The rule of law. Civil liberties. Criminal procedures. Legal safeguards. Democratic processes. Obviously, even nations that purport to have all of these often fall short. However, few Americans, Europeans, or citizens of democratic Asian nations live in constant fear of arrest, imprisonment, and torture. Those in rule-oriented societies rarely see every authority figure as a threat.

In Egypt, the uncertainty began when I arrived. On both of my trips the government knew about me because my host organization had requested meetings on my delegation’s behalf. Both times I was pulled aside. The first time an entry guard took my passport and I waited for an hour before being waved on. The second time the delay was far shorter, with security officials formally welcoming me — after asking for my phone number and hotel destination.

Of course, the United States occasionally stops people from entering, but not typically because the visitors want to assess America’s human rights record. Most often, foreigners get blocked from visiting if officials believe they want to stay.

Even after leaving the arrivals area on my first trip, I had to wait again while the videographer joining us unsuccessfully tried to persuade officials to let him bring his camera into the country. The Egyptians said no. (He went on to rent a smaller one.) While there are places in the United States where you can’t film, no one’s going to stop you from having a camera of any sort.

Both visits were filled with interviews relating all sorts of harrowing stories. Most every society has injustice, and errors are sadly common in US jurisprudence. However, most Americans don’t expect a visit to a friend to turn into a stint in prison.

In Egypt, for reasons of political repression and personal revenge, people face arbitrary arrest, perpetual detention, fraudulent trials, and horrific imprisonment. No doubt, some of the accounts we heard could be exaggerated or even false, but reports from people in many walks of life and across the political spectrum were consistent and demonstrated that the slightest resistance to state authority risks freedom and even life. Indeed, being in the wrong place at the wrong time can be equivalent to a death sentence.

Moreover, those with whom we met were vulnerable to arrest. Students told us about classmates arrested at demonstrations. Journalists discussed colleagues detained after criticizing the regime. Attorneys reported on lawyers detained while representing defendants. Family members described the arrest of husbands and wives, brothers and sisters, fathers and mothers. No one is exempt from persecution.

Nor is there any effective oversight or appeal to limit official abuse. If you were tortured or suffered from inhumane prison conditions, you can complain only to the public prosecutor. But that government office seems strangely uninterested in following up on allegations against government officials. Accountability obviously is less than perfect in the United States, but here, at least, there are alternative channels of protest: private lawsuits, media coverage, public demonstrations. That’s one of the advantages of pluralistic societies. Authoritarian regimes rarely view themselves as bound by any rules.

While members of my delegation, largely Americans and Europeans, felt relatively secure, we knew other foreigners had been arrested for various offenses. At least in the United States no meeting other than one involving a criminal conspiracy could land a listener in jail.

In fact, on my second trip we found ourselves attacked by a pro-coup television talk show host (government critics long ago were driven off the air) and the head of a “human rights” council (sponsored by the regime) who cheerfully mixed fact and fantasy. No harm was done since I don’t plan on running for office in Egypt, but the regime obviously has tools short of prison for use against foreign critics.

Evidence of extreme force is everywhere. Tanks next to prisons; armored personnel carriers in city squares and on city streets; concrete blast barriers, barbed wire, and armed sentries around sensitive government installations; portable fences piled high near potential protest points; and a ubiquitous mix of uniformed and plain clothes security personnel.

It is unsettling enough to be stopped by a policeman in the United States. After hearing stories of dubious arrests followed by months of detention, no one wants to end up anywhere near an Egyptian cop. After clearing passport control to leave on my second trip, I waited with a friend for a couple of other members of our group to emerge. While we were talking, a border agent came over and asked us for our passports. I assume we were targeted since we were conveniently nearby. He gave our passports back after barely glancing at them. But I felt uneasy the entire time.

Egypt is a fascinating country with hospitable people. Although there was much to frustrate typical Westerners — for instance, we joked about being on “Egypt time” — the chaotic streets were a source of energy. The economic and social challenges facing Egypt would be enormous in the best of cases, but, tragically, the nation suffers under an unashamed military dictatorship. Consequently liberty is limited and frequently at risk.

Despite all of the problems faced by those in the West, even imperfectly free societies offer extraordinary advantages we should never forget and should work to protect. Walking the streets of Cairo, I thought: there but for the grace of God go I. With my US passport I can leave and return to a society that, despite enormous problems, generally respects people’s lives, liberty, and dignity.

Doug Bandow is a senior fellow at the Cato Institute and the author of a number of books on economics and politics. He writes regularly on military non-interventionism.

This article was originally published by The Foundation for Economic Education.
The Great Fact: A Review of Deirdre McCloskey’s “Bourgeois Dignity” – Article by Bradley Doucet

The Great Fact: A Review of Deirdre McCloskey’s “Bourgeois Dignity” – Article by Bradley Doucet

The New Renaissance Hat
Bradley Doucet
September 20, 2014
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We live in astonishing times. We take it for granted, of course, which is good in a way because, well, we have to get on with the business of living and can’t spend every waking moment going, “Oh my God! This is amazing!” But it’s a good idea to stop and take stock from time to time in order to appreciate just how far we’ve come in the past 200 years or so—to show gratitude for just how much richer the average person is today thanks to the Industrial Revolution.
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“In 1800, the average human consumed and expected her children and grandchildren and great-grandchildren to go on consuming a mere $3 a day, give or take a dollar or two,” writes economist and historian Deirdre McCloskey in her excellent 2010 book, Bourgeois Dignity: Why Economics Can’t Explain the Modern World. That’s in modern-day, US prices, corrected for cost of living. Apart from a comparatively few wealthier lords, bishops, and the odd rich merchant, people were dirt poor, barely subsisting, unable to afford luxuries like elementary education for their kids—who had a 50% chance at birth of not making it past the age of 30. That’s the way it was, the way it had always been, and as far as anyone could tell, the way it always would be.

More Than 16 Times Richer

But thankfully, things turned out a little differently. There are seven times as many of us on the planet today, but we’re many times richer on average, despite pockets of enduring dire poverty here and there. According to McCloskey, “Real income per head nowadays exceeds that around 1700 or 1800 in, say, Britain and in other countries that have experienced modern economic growth by such a large factor as sixteen, at least.” And this is a very conservative estimate of material improvement, not taking into account such novelties as jet travel, penicillin, and smartphones.

This radical, positive change brought about by the Industrial Revolution is the “Great Fact” about the modern world. “No competent economist, regardless of her politics, denies the Great Fact,” writes McCloskey. But it does require explanation, and here there are many theories. What caused it? Why did it happen where and when it happened—starting in northern Europe around 1800—instead of in some other place, at some other time? And although modern economic growth has at least begun to reach most of the world, including now China and India, if we had a better understanding of its causes, perhaps we could do a better job of encouraging it to spread to the relatively few remaining holdouts.

What changed, argues McCloskey, is the way people thought about markets and innovation and the people who were engaged in the business of making new things and buying and selling them. “More or less suddenly the Dutch and British and then the Americans and the French began talking about the middle class, high or low—the “bourgeoisie”—as though it were dignified and free. The result was modern economic growth.” In other words, the material, economic fact has a non-material, rhetorical cause, which is why economics can’t explain the modern world. Our ideas changed, and we started innovating like never before, and an explosion of innovation drove the rapid economic growth of the past 200 years.

What Didn’t Cause the Industrial Revolution

Bourgeois Dignity is the second book of a trilogy. The first book, The Bourgeois Virtues (2006), which I have not read but now plan to, argued for the positive ethical status of a bourgeois life. The third book, Bourgeois Equality, due out in 2015, will present the positive case for the claim that it is a change in ideas and rhetoric that made the modern world—and that ideas and rhetoric could unmake it, too. As for this second book in the series, it presents the negative case by examining the materialist explanations for the Great Fact offered up by economists and historians from both the left and the right, and finding them all to be lacking.

Imperialism, for instance, did not bring about the modern world. The average European did not become spectacularly wealthy by historical standards simply by taking Africa’s and America’s wealth. Imperialism did happen, and it did make a few people rich and hurt a lot of people, especially in places like the Belgian Congo. But it did not raise the standard of living of average Europeans, who would have been better off if their leaders had allowed trade to flourish instead of supporting the subjugation of people in foreign lands. Besides which, empires had existed in other times and places without bringing about an Industrial Revolution. A unique effect cannot be the result of a routine cause. And it cannot either simply be the case that wealth was moved from one place to another, because there is much more wealth per person today than ever before, despite there being many more of us around.

International trade did not do it either, according to McCloskey. Trade is a good thing, as imperialism is a bad thing, but its effects are relatively small. And extensive trade, too, existed long before the 1800s, in places other than Europe and the United States, without launching the rapid material betterment of all. And for similar reasons, it wasn’t the case that people began saving more, or finally accumulated enough, or got greedier all of a sudden, or discovered a Protestant work ethic, or finally built extensive transportation infrastructure, or formed unions, or suddenly started respecting private property, or any of dozens of other explanations presented by economists and historians over the years.

Respect for Innovation and Making Money

Only innovation has the power to make people radically better off by radically increasing the output produced from given inputs, and only innovation was a truly novel cause, to the extent that it was taking place on an unprecedented scale two hundred years ago in northern Europe. And the reason that it began happening there and then like never before was a change in rhetoric—a newfound liberty, yes, but also a newfound dignity previously reserved for clergy and warriors. For the first time, in the 17th and 18th centuries, it became respectable, even honourable, to figure out new ways of doing things and to make money selling those innovations to other people, and so innovation and business were encouraged, and much of humanity was lifted out of dire poverty for the first time in history starting in the 19th century.

Ideas matter. Supported by bourgeois dignity, and despite the betrayal of a portion of the intellectual elite as of around 1848, we have continued to innovate and make money and lift more and more people out of poverty. There have been significant setbacks due to communism and fascism and two world wars, but almost everyone is much better off today than anyone dreamed was possible just a few short centuries ago. In order to continue spreading the wealth, and the opportunities for human flourishing that go with it, we need to defend the idea that business and innovation deserve to be free and respected, as Deirdre McCloskey herself has so admirably done in this fine volume.

Bradley Doucet is Le Québécois Libre‘s English Editor and the author of the blog Spark This: Musings on Reason, Liberty, and Joy. A writer living in Montreal, he has studied philosophy and economics, and is currently completing a novel on the pursuit of happiness. He also writes for The New Individualist, an Objectivist magazine published by The Atlas Society, and sings.
The Emersonian Qualities of Lucas Jackson in the Film “Cool Hand Luke” (2003) – Essay by G. Stolyarov II

The Emersonian Qualities of Lucas Jackson in the Film “Cool Hand Luke” (2003) – Essay by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
July 28, 2014
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Note from the Author: This essay was originally written in 2003 and published on Associated Content (subsequently, Yahoo! Voices) in 2007.  The essay earned over 1,000 page views on Associated Content/Yahoo! Voices, and I seek to preserve it as a valuable resource for readers, subsequent to the imminent closure of Yahoo! Voices. Therefore, this essay is being published directly on The Rational Argumentator for the first time.  
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~ G. Stolyarov II, July 28, 2014

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Lucas Jackson, the protagonist of the 1967 film Cool Hand Luke, displays the kind of conviction in his own worth that Ralph Waldo Emerson recommends in Self-Reliance. From cutting off the heads of parking meters to encouraging his friends in prison to tar a road at an impressive rate, Luke rebels and rises above the oppression imposed on him.

Within the opening scene of Cool Hand Luke, the parking meters are symbolic of societal restraint on individual freedom and choice. By arbitrary fiat of local government, the meters place a limit on the duration of time for which an individual can place his car at a particular location, thus limiting the amount of time an individual can spend going about his own business outside the car in the vicinity and diverting an individual’s funds into the stagnant coffers of bureaucracy.

Luke’s destruction of the parking meters is symbolic of the individualist’s attempt to defy societal restrictions. Though he is drunk and semi-conscious, he nevertheless directs his actions not toward some wanton spree of murder or theft but toward the elimination of a nuisance to individual liberty. In return, to paraphrase Ralph Waldo Emerson’s Self-Reliance, society “whips him with its displeasure,” as he is apprehended, arrested, and locked in a facility where his own liberty becomes virtually nil.

Self-Reliance has further relevance to Luke’s demeanor in prison. Emerson writes, “I cannot consent to pay for a privilege where I have intrinsic right. Few and mean as my gifts may be, I actually am, and do not need for my own assurance or the assurance of my fellows any secondary testimony.”

Luke epitomizes this philosophy when he neglects to degrade himself to the level of the standard “new meat” prison novice. He proudly asserts his name as “Lucas Jackson” during Carl’s declaration of the rules and refuses to submit his dignity to Dragline’s decision to recognize him as a significant member of the prison community. He realizes that he does not need the recognition of others in order to exhibit his self-worth or actualize his potential, but rather that those characteristics flow from within himself.

Later, when the prisoners are forced to tar an extensive stretch of road in oppressive heat, Luke encourages his comrades to labor to their fullest capacity and finish the tarring job at a far swifter pace than had been expected of them. He realizes that an intelligent approach that facilitates coordinated activity among the members of the group would both accomplish the task and frame it as a challenge to be aspired toward in the minds of the prisoners.

Luke transcends what has been assigned to him and transforms the dull routine into a search for his own objective, leisure time that is immensely difficult to acquire in a road prison. Once he establishes the tempo of work, all the other members of his gang gravitate toward his approach and undertake a lively, motivated effort. This is reminiscent of Emerson’s proposition that men will come to admire and uphold the man of intrinsic determination and self-reliance. Ultimately, not only is the ardor of the assignment alleviated by the workers’ internal drive, but they receive additional leisure afterward to use as they please.

Courageous Individualism in Ralph Waldo Emerson’s “Self-Reliance” and the Film “Cool Hand Luke” (2003) – Essay by G. Stolyarov II

Courageous Individualism in Ralph Waldo Emerson’s “Self-Reliance” and the Film “Cool Hand Luke” (2003) – Essay by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
July 28, 2014
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Note from the Author: This essay was originally written in 2003 and published on Associated Content (subsequently, Yahoo! Voices) in 2007.  The essay earned over 6,300 page views on Associated Content/Yahoo! Voices, and I seek to preserve it as a valuable resource for readers, subsequent to the imminent closure of Yahoo! Voices. Therefore, this essay is being published directly on The Rational Argumentator for the first time.  
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~ G. Stolyarov II, July 28, 2014

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“For nonconformity the world whips you with its displeasure,” writes Ralph Waldo Emerson in his renowned treatise, Self-Reliance. For nonconformity, the world also forces you to pave roads in the scorching heat, dig ditches only to fill them again later, and, of course, spend nights in the box. Both Emerson and the 1967 film Cool Hand Luke emphasize the repression and intimidation that a man of greatness encounters in a regimented, entrenched society. Yet both Emerson’s vision of the self-reliant man and the integrity of Lucas Jackson persevere through any and all barriers imposed upon them by the dictates of others. The lessons of individual dignity and the autonomy of one’s mind can be applied to the creator man who seeks to triumph amid the atmosphere of today’s world as well.

Through cultural norms and stigmatization, as well as outright coercive actions, certain societies seek to shackle the men of creativity and initiative. Lucas Jackson is imprisoned in a “corrective road prison” for the grievous crime of cutting off the heads of several public parking meters. The parking meters themselves are symbolic of societal restraint on individual freedom and choice. By arbitrary fiat of local government, the meters place a cap on the duration of time for which an individual can place his car at a particular location, thus limiting the amount of time an individual can spend going about his own business in the vicinity and diverting an individual’s funds into the stagnant coffers of bureaucracy. Luke’s destruction of the parking meters reflects the individualist’s attempt to defy societal restrictions. Though he is drunk and semi-conscious, he nevertheless directs his actions not toward some wanton spree of murder or theft but toward the elimination of a nuisance to individual liberty. In return, society lashes at him with the fullest extent of its brute force, as he is apprehended, arrested, and locked in a facility where his own liberty becomes virtually nil. Even had he murdered, Luke’s ultimate punishment would likely not have been as severe, for the totalitarian environment of the prison will eventually kill him for his adamant individualism.

Luke’s genuine trials begin when he no longer faces the law as applied to free citizens, but the petty whims of his prison bosses. Emerson’s work analyzes the consequences of such a transformation of environment. “It is easy enough for a firm man who knows the world to brook the rage of the cultivated classes. But… when the unintelligent brute force that lies at the bottom of society is made to growl and mow, it needs the habit of magnanimity… to treat it godlike as a trifle of no concernment.” Emerson’s statement was meant as a general social commentary. The dominant-paradigm-entrenched academic or big government advocate may treat the freethinker with aversion, stigma, and heated criticism, which amount to mere grumbling at the sidelines of the individualist’s path. But when the men who wallow and revel in ignorance, sloth, and brutality are invested with the capacity to direct a better man’s fate, the man of reason and initiative will encounter the most infernal conditions possible.

The prison bosses are the most uncultured and sadistic of men outside the Gestapo. Boss Godfrey’s hobby is, put plainly, to shoot things. After Luke’s first escape, Godfrey, with a grim equanimity, blows the head off a rattlesnake in the grass. In the final showdown of the bosses with Luke near the church, Godfrey will with a similarly unperturbed conscience launch a bullet through Luke’s chest. Boss Paul is a man who loves to bring about and witness the writhing and suffering of the prisoners; after Luke’s second escape, Paul orders him to dig a ditch only to conspire with another boss for the latter to periodically come by and inform Luke that forming the ditch is against prison rules. These frequent recurrences of contradictory instructions are accompanied by beatings intended to force Luke down on his knees in utter submission, pleading for mercy. They are ultimately aimed not at his body, but at his spirit, thrusting a rational, aspiring man into a realm of the chaotic, incompatible, unknowable, and savage. This is the lowest of the unintelligent brute force that Emerson addresses, worse than even the hollers and threats of the rabble that occasionally befall a free man.

The unlivable realm of the prison is rendered even more so by the Captain’s mocking friendliness, a façade, with the essence of despotism lying hidden not too deeply underneath. The Captain regularly speaks with a deliberately soothing voice, informing the prisoners that “We are trying to help you here. We are doing this for your own good.” Emerson, viewing the matter from the perspective of the individualist, realizes the gross fallacy of such a claim. He writes, “What I must do is all that concerns me, not what the people think. This rule, equally arduous in actual and in intellectual life, may serve for the whole distinction between greatness and meanness. It is the harder, because you will always find those who think they know what is your duty better than you know it.” The Captain is such a man, who holds that the ultimate good is the blind obedience of a regimented automaton to his social engineers. But the Captain’s philosophy on its own is a wobbly construct that would crumble upon meeting the first wind of greatness, were it not reinforced by the fist, the rifle, and the sweat and blood of its prey. When Luke objects to the Captain’s mentality, stating, “You shouldn’t be so kind to me, Captain,” thereby rejecting the Captain’s idea of “help,” he is struck violently to the ground. Then the Captain resumes his tone of mocking kindness, pronouncing, “What we’ve had here is a failure to communicate.” According to the Captain, the man of independence must either renounce it willingly or renounce it through the imposition of societally legitimized brute force. In any case, renounce it he must, and if pseudo-polite paternalistic exhortations fail, the growl and lunge of the worst elements possible in man will bring about the social engineers’ aim.

Few men less deserving than Luke had ever been thrust into such hostile surroundings, from which physical escape will be met with pursuit and mental dissent with the box or the fist. Yet even there, Luke, and Emerson’s vision of the independent spirit, are able to persevere. From the beginning, when Carl lists all the innumerable infractions for which one can be put in the box, Luke is not intimidated. He responds with a relaxed shrug and presents his characteristic Luke smile, then anticipates that Carl’s next sentence will end with “a night in the box.” Carl notices that Luke is not the typical “new meat” prisoner and asks with an authoritative voice, “Well, what have we got here?” Unflinchingly, Luke responds, “We got a Lucas Jackson.” Luke possesses a firm pride in his identity and inherent human dignity, qualities that he will not permit a regimented environment to shatter. Emerson writes: “I cannot consent to pay for a privilege where I have intrinsic right. Few and mean as my gifts may be, I actually am, and do not need for my own assurance or the assurance of my fellows any secondary testimony.” Luke epitomizes this philosophy when he neglects to degrade himself to the level of the standard “new meat” prison novice. He refuses to subordinate the fact of his existence to Dragline’s decision to recognize him as a significant member of the prison community. He realizes that he needs not the recognition of others in order to exhibit his self-worth or actualize his potential, but rather that those characteristics flow from within himself.

Initially, Luke’s open defiance of a long-standing prison tradition is met with great indignation and outright aggression on the part of his peers and Dragline. Luke adheres to the expression of the truth as observed by his mind, no matter how controversial, displeasing, or unconventional such honesty may be. Emerson writes, “I ought to go upright and vital, and speak the rude truth in all ways,” and Luke agrees. When Luke does not hesitate to assert his reason in regard to Dragline’s needless lust-filled commentary concerning a woman he had spotted during a round of work, he encounters the climax of Dragline’s rage. Luke is challenged to a fight, and repeatedly pummeled to the ground. Yet he remains adamant and continues to stand every time, not intending to devastate Dragline so much as to assert that such tactics of brute aggression will not conquer him. Luke recovers from every failure, ever-ready to recover and fight another round. Like the Emersonian man of all professions and opportunities, Luke “always like a cat falls on his feet. He has not once chance, but a hundred chances.” And, using one of those chances, Luke wins the fight in a far more meaningful way than would have been if Dragline were physically subdued. He is able to earn Dragline’s deepest respect through his resiliency, as Dragline realizes that this man of persistence, conviction, and integrity is not a cynical upstart, but rather a valuable potential friend.

Through the firm exercise of his creativity and autonomy, Luke is able to beautify the social conditions of his circle of fellow inmates and earn a general, profound, lasting respect. In order to do this, Luke implicitly recognizes another Emersonian insight: “Do that which is assigned you, and you cannot hope too much or dare too much.” If Luke had merely fallen in line with “the way things had always been done” in the prison, he would have encountered the same arduous, scorching, monotonous routine, a condition deliberately intended to stunt his ambitions and aspirations. When the prison bosses “reward” Luke’s gang for exemplary work by delegating to it a colossal road tarring job, Luke encourages his comrades to labor to their fullest capacity and finish the endeavor at a far swifter pace than had been expected of them. He realizes that an intelligent approach that facilitates coordinated activity among the members of the group would both accomplish the task and frame it as a challenge to be aspired toward in the minds of the prisoners. Luke transcends what has been assigned to him and transforms the dull routine into a search for his own objective, leisure time that is immensely difficult to acquire in a road prison. One he establishes the tempo of work, all the other members of his gang gravitate toward his approach and undertake a lively, motivated effort. This is reminiscent of Emerson’s proposition that men will come to admire and uphold the man of intrinsic determination and self-reliance, that, in the grand scheme of events, every institution is but “the lengthened shadow of one man,” the man who dared to introduce a radical change in the way a given matter was approached. Ultimately, not only is the ardor of the assignment alleviated by the workers’ internal drive, but they receive additional leisure afterward to use as they please.

Even as prison conditions become intolerable, Luke does not surrender his will to freedom up to the inevitable climax of the life-or-death struggle between him and his totalitarian overlords. Upon the death of Luke’s mother, the bosses seek to amplify his misery by sentencing him to three nights in the box, intended to decisively strike at his mind while it was still recovering from a blow. Luke realizes that no amount of ingenious coping, no invention of lively leisure activities of poker games, road tarring races, and egg-eating events will conceal the grim realities of the inhuman, whimsical, arbitrary condition imposed upon him. He must, and he will, liberate his body and his mind. After a failed escape attempt, he does not hesitate to stage another, despite the increased vigilance of the bosses. Man of reason that he is, he is able to spot the deficiencies of every one of his plans. The first escape, he is apprehended by a policeman due to the suspicious appearance of his prison clothes. During the second escape, he largely evades “civilized” roadways until he is able to remove his chains and mislead the prison dogs. Nevertheless, he is unable to fully disable his abusers’ means of pursuit. His third escape, co-orchestrated with Dragline, is a brilliantly executed theft of all the prison vehicles’ keys and use of one of the trucks to drive considerably far away from the prison prior to continuing the journey on foot. Every time, Luke is able to, through his autonomous thought, revise his errors and fall on his feet once more. Had he grasped but one more key Emersonian insight, he might have survived in body. “It is only as a man puts off all foreign support, and stands alone, that I see him to be strong and to prevail. He is weaker by every recruit to his banner.” Luke’s escape jointly with Dragline is his crucial mistake, for Dragline remains unable to fend for himself when necessity compels the two of them to split up. He lacks Luke’s tactical ingenuity and quickly falls into the hands of the search parties from the prison, leading them to Luke, misled into believing that Luke’s voluntary surrender, and the sparing of his life, could be achieved. Dragline, however well-intentioned, remains a follower, subject to the mercy of higher forces, be it the positive influence of Luke, or the soothing promises of the Captain. Dragline is not of the “class of great men,” in that his longings and hopes had all been derived from his admiration of Luke, not the products of his own mind.

Dragline does not expect his compliance to bring about Luke’s demise, but Luke, true to his nature, cannot bear to accept confinement once more. Instead of blindly subverting himself to the bosses, he proudly steps to the window of the church and announces, echoing the Captain’s one-time words, that “what we’ve had here is a failure to communicate.” Mr. Jackson recognizes that he is not to blame for not falling in line with prison impositions, but rather that the bosses had grossly misjudged his nature by seeking to stifle it “for his own good.” Yet the bosses come not in pursuit of communication, but of blood. Realizing that the individualist always shall overcome every form of degradation and every barrier, the bosses, with Godfrey as their agent, seek to render it impossible for Luke to ever rise again.

Thus ends the life of Lucas Jackson, but not the integrity that characterized it. Dragline realizes that no negotiation, no compromise, between freedom and submission are possible, and lunges at Godfrey, leading to the destruction of the boss’s grim and concealing sunglasses. Before he is imprisoned once more, Dragline at last rises to the level of grasping that, which is beyond persecution. “What the man acquires is living property, which does not wait the beck of rulers, or mobs, or revolutions, or fire, or storm, or bankruptcies, but perpetually renews itself wherever the man breathes.” The dauntless innovation and longing for liberty in the autonomous man cannot be dethroned by any physical means; it can only be diminished by a voluntary subordination of the individual’s mind to tyranny, which Luke had refused to accommodate. The legacy of Luke thus lingers on, as he remains, in Dragline’s words, “a natural born world shaker,” whose radiant smile and confident posture remain vivid in the prisoner’s minds. In its own characteristic way, Luke’s greatness has been released from the box and into eternity, as “the triumph of his principles” has at last granted him peace. What remains for the living prisoners is to discover on their own what Luke had known, and rely on his example as a steppingstone, but not a definitive standard, for their autonomous development.

The relevance of Luke’s example and Emerson’s message to the political situation today is of greater magnitude than it has ever been. Today, if parking meters were the only restriction placed on our autonomy, or if a mere widespread facetiousness in human interactions, of the manner that Emerson denounced, had afflicted our society, we would have been living in a comparatively promising and free world. Alas, the scope of our current confinement by far exceeds this.

The government of this country has usurped almost every sphere of human activity, shackling the creative entrepreneurial innovators through “antitrust” laws, restricting the amount of market share a business may through its owners’ skill and the quality of its product acquire. It has erected barriers to the advancement of thoughtful freethinkers by the imposition of affirmative action initiatives that prevent their attainment of education for faults not their own. It has presumed to dictate to businessmen and settlers what forms of land usage are permissible by standard of societal sanction, through laws of eminent domain and environmental preserves that force men to “absolve themselves in the reflex way” not only to their neighbors and the community, but the bureaucrats, the lobbyists, the endangered spotted slugs and numb lifeless rocks. It has imposed a quasi-prison environment on the young people of this country through the encouragement of forced volunteerism, in menial tasks similar to road tarring, within the schools, and the impending fear of the military draft that will make Godfreys of our officers and “new meat” of our boys, which the politicians implicitly advocate by maintaining draft registration. And all disagreement is reduced to virtually naught, since the freethinkers (often prosperous, industrious men) are extorted for gargantuan sums of their income to fund this socialist behemoth. Some of this income is expended in false philanthropy, becoming the “wicked dollar” that Emerson did not wish to give, that is used to uphold in a state of prison-like dependency hordes of welfare recipients who can be counted on to vote in their overlord incumbents and by the sheer volume of their holler overrule all dissent in the passage of the next statist subversion of liberty. And if any of these intelligent voices dissents by refusing to sacrifice his money for causes that will do him harm, the full weight of government retaliation is borne upon him. What can a man of independent convictions and self-reliant disposition do in such a setting, that grows more restrictive by the day?

Henry David Thoreau, Emerson’s friend and fellow thinker, tried the tactic of civil disobedience in defiance of a tax that was used to fund what was in his opinion an unjustified Mexican War. Thoreau was thrown in prison and, though he demonstrated considerable fortitude of conviction, he did not defeat the tax. Emerson’s fellow abolitionist and friend John Brown attempted to, through an armed raid on Harper’s Ferry, unseat an institution of slavery, which was backed by the coercive hand of big government, with only a handful of arms and supporters. He was executed for the attempt, and, though he became a martyr for the abolitionist cause, he did not defeat slavery. Lucas Jackson confronted the nuisance of parking meters with the saw and the cruelties of the prison with escapes. He, too, received a bullet in the chest in the end and failed to eradicate the root of his sufferings. Though all three of those men preserved their dignity intact through their punishments, they did not accomplish their aims, for they overlooked the fact that the complete triumph of individualism requires another approach.

Of the individualist, Emerson writes that “the moment he acts from himself, tossing the laws, the books, idolatries, and customs out of the window, we pity him no more, but thank and revere him, — and that teacher shall restore the life of man to splendor, and make his name dear to all history. It is easy to see that a greater self-reliance must work a revolution in all the offices and relations of men; in their religion; in their education; in their pursuits; their modes of living; their association; in their property; in their speculative views.” Emerson advocates not an armed revolution, nor even overt disobedience of the law, but rather a mode of living that exemplifies a man who loves, and takes advantage of, the freedom to use his mind. Emerson did not go to prison for tax evasion; nor did he start a slave revolt; nor would he have decapitated parking meters today. Nevertheless, his ideas and influence have spread to the present day in precisely the manner that he intended. He did not wish to be worshipped as an idol or regarded as an unquestionable sage, but rather to give men a stimulus to more closely examine their habits and the capacities that only they can unleash from within. Rather, he is a thinker who should be analyzed with a critical intelligence, and whose views should serve as useful tools and steppingstones, but not finished products or ends-in-themselves.

Emerson’s key proposition in regard to self-reliance as a vehicle for reform is that voluntary persuasion and personal example can eliminate a societal peril. In a man’s every implicit gesture, he reveals a certain mode of function that is inextricably tied to his nature. “Your genuine action will explain itself and will explain your other genuine actions. Your conformity explains nothing.”

A man who opposes the usurpations of government, or the spread of cultural decadence, or the increasing “faraway escapes” that many modern men seek from their lives, must speak firmly and act firmly for the establishment of a freer world where individual creativity is left unbridled. He should not cower for fear that the public will reject his claims simply because he does not hold two and half Ph. Ds in the subject that he addresses. The Ph. Ds themselves are too often handed out by the zealous guardians of the current political and cultural paradigm, the entrenched academic elites who endlessly cite Marx, Roosevelt, and Keynes, and preach “of my obligation to put all poor men in good situations.” If deference to authority and the miserable record of the ages in the political sphere is abandoned, and the clarity and logic of the advocates of freedom is exposed, then, as the fellow inmates reached toward Luke, the public will gravitate toward the new, original, promising thinkers who uphold as their highest value the individual’s intrinsic right to exist and to be let alone. The politicians will abandon their pragmatic give-and-take approach to matters where liberty is at stake, and will realize that only the triumph of solid, uncompromising principles within them will maintain them the support of a reformed constituency.

A Review of the Penny Marshall Film “Awakenings” (2004) – Article by G. Stolyarov II

A Review of the Penny Marshall Film “Awakenings” (2004) – Article by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
July 26, 2014
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Note from the Author: This essay was originally written in 2004 and published on Associated Content (subsequently, Yahoo! Voices) in 2007.  The essay earned over 2,600 page views on Associated Content/Yahoo! Voices, and I seek to preserve it as a valuable resource for readers, subsequent to the imminent closure of Yahoo! Voices. Therefore, this essay is being published directly on The Rational Argumentator for the first time.  
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~ G. Stolyarov II, July 26, 2014

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Today, films about handicaps and diseases occur occasionally. One example is A Beautiful Mind, which features schizophrenia. Certainly, this is not a topic that is featured as often as the common themes of war/action, romance, and comedy, perhaps due to the greater subtlety involved in the dignity of characters who exhibit serious illnesses and the supreme mastery needed of film directors and actors who would wish to convey it. Too often a majority of individuals tend to be repulsed by the sight of individuals on screen whose bodily functions so evidently and so seriously deviate from health. A film about a disease would need to overcome this ingrained repulsion and portray the patients as genuinely attractive, important, and interesting individuals.

Penny Marshall does this with Awakenings (1990) through her depiction of Leonard as an eager connoisseur of books and toy models, as well as Leonard’s intellectual deliberations about the nature of life. Leonard’s mind is exposed in a manner that welcomes the audience to explore his personality, rather than be repelled by his defects.

The various plots of the film are integrated skillfully. For example, the conflict between Dr. Sayer and the hospital establishment constantly undermines his relationship with his patients, as the hospital always holds and often acts on its financial reservations, and, in the ultimate escalation of its insensitivity, denies Leonard’s harmless request to take a walk alone. This brings about Leonard’s deep spite and his orchestration of a rebellion of the patients against both the hospital and Dr. Sayer. Additionally, Leonard’s conversations with Dr. Sayer and his ultimate relapse into immobility convince Sayer to finally express his affections for Eleanor Costello and take advantage of the opportunity to enjoy a caring relationship in full health. Another plot concerns Leonard’s relationship with his mother, who had been his principal caretaker, and who becomes dismayed by Leonard’s interest in and association with Paula. This tension is resolved when Leonard is incapacitated once again, as both his mother and Paula attend to his welfare.

My primary exposure to Robin Williams has been through comedy films such as Mrs. Doubtfire, while Robert De Niro is familiar from action films like The Untouchables. The roles played by both actors in this film are unusual for them, but this is necessitated by the very nature and content of the film. Nevertheless, De Niro did resemble his Al Capone role when, as Leonard, he orchestrated the uprising of patients in the hospital and recruited a ganglike following for himself, endangering and humiliating Dr. Sayer with it. This may have been a deliberate decision on Penny Marshall’s part, as De Niro is known to play well the roles of gang bosses, but that episode was without question an exception to Leonard’s personality rather than the rule. De Niro has been put into a role of an admirable, thoughtful individual, which he has shown to play as well as that of a detestable gangster.

The most memorable secondary character in the film is the female doctor on the hospital board who stated to Leonard when he sought permission to go for a walk, “Are you aware that you are expressing a subconscious disdain for us?” To this Leonard replied, in demonstration of his mental autonomy, “How can I be aware of it if it is subconscious?” This doctor, to me, symbolized a hospital establishment that did not view Leonard and other post-encephalitic patients as fully human and employed pseudo-intellectual sophisms to justify restrictions placed on the patients from some of the most rudimentary and innocent undertakings of human existence.

The visit to an earlier setting of the 1920s presents a stark contrast in appearance and lifestyles with the main setting of the film. The clothing and vehicle styles of Leonard’s childhood are far different from the era of his awakening, and bring about the need for Leonard to adapt to an entirely new world and “catch up” on forty years of change. The effect of this is the creation of an understanding within the audience of just how long Leonard had been incapacitated and how torturous this period had been for him. The historical setting of the 1960s is in itself expressed well through the screams of anti-war protesters near the hospital area, as well as the ragged and often suggestive fashions of people encountered on the streets. One particular scene, of Dr. Sayer and Leonard passing by a dazed bum on the street poses an intense contrast between Leonard, who, having been separated from life for so long, is eager to savor every moment of health and competence, and this apparently young hippie who is deliberately ruining his health and viewing life with a dull contempt.

Leonard awakens literally, from decades of immobility, but also intellectually, being able to reveal his insights and values to the world with immense expressive power which he had hitherto lacked. Dr. Sayer awakens to the idea of enjoying health and competence while they are still available and opening oneself to new opportunities rather than shying away from them. The hospital staff and the sponsors of the project to treat the patients are guided by Leonard and Dr. Sayer into understanding the patients’ full humanity and dignity, as well as appreciating the ability to perform rudimentary life-affirming tasks, such as taking walks or merely speaking, that patients such as Leonard have been deprived of and yearned for greatly. The lesson derived across the board, especially by the audience, is that living must be performed deliberately, without allowing boredom with mundane routine to overshadow an appreciation for and actualization of one’s fundamental ability to extract the most from one’s relationships and undertakings. The audience can awaken to the fact that life is far more colorful than it is often portrayed in a culture that stresses routine, and much more of it can be explored than is customarily taken advantage of.

Noble Aspirations, Op. 42 (2005) – Video by G. Stolyarov II

Noble Aspirations, Op. 42 (2005) – Video by G. Stolyarov II

This 2005 composition by Mr. Stolyarov illustrates the virtue and reward of striving for truth, beauty, and accomplishment in all things.

This work was remastered using the SynthFont2 software, with the Evanescence 2 and GMR Basico 1.1 instrument packs.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 53, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

Be a Patron of a New Classical Composition: Melody, Harmony, and Dignity Guaranteed!

Be a Patron of a New Classical Composition: Melody, Harmony, and Dignity Guaranteed!

I am initiating an ambitious new experiment for funding new rational classical composition via Kickstarter. Please see the Kickstarter page for this project here.

For a combined pledge of $150, I will create a new classical composition of at least 3 minutes in length. The person contributing the plurality of funds will be able to have the composition bear his/her name. (For instance, if your name is Smith, and I compose a rondo, it would be called the Smith Rondo, Op. 70 – or you could choose a different name of appropriate dignity.) Any donor would be able to recommend whether the composition be predominantly in a major or a minor key – as well as the key itself (e.g., C major, A minor, etc.). (Note: Secondary themes or variations on the main theme may depart from the main key if this would reinforce the integrity and develop the intricacy of the composition.) If a majority of donors favors a particular key, I will write the piece in that key.

Once composed, the work would be released online for free download and streaming and would be licensed as Creative Commons. The creation of art and music through distributed patronage, as well as the subsequent free availability of such work, can liberate both creators and the consuming public and unleash a new era of high culture for vast numbers of people. No matter who you are, you can be a patron of classical music in this electronic age.

The composition will be created electronically using Finale 2011 software – probably using several pianos, but other instruments may be incorporated as well. Finale 2011 can create sound quality closely resembling a human performance on a traditional instrument. At the same time, electronic playback can enable the composition to possess speed and virtuosity beyond the abilities of a human performer.

I am asking for combined donations of $150 as compensation for the time in composing this work. I anticipate that the process will take about 5 hours of complete focus, and so I would be compensated at $30 per hour. I can create the composition within at most one week after the funding goal has been reached.

If you have any questions or recommendations about this project, please feel free to e-mail me at gennadystolyarovii@yahoo.com.

Background

I have composed 69 works to date and have developed a distinctive style that respects centuries of Western musical tradition while taking advantage of the new possibilities of electronic composition. My philosophy of composition holds that music must be (i) orderly and rational, (ii) pleasant to the ear, and (iii) elevating in its content and in the motivation it confer upon the listener.

I can promise the following:

– A directed, rational, thought-provoking, and pleasant melody.

– Sophisticated accompaniment and variation.

– Harmonies that please: No unresolved dissonance, “shock value,” expressionism, debasement, or noise.

You can find some of my freely available compositions on this YouTube playlist.

I particularly recommend my most recent works:

Rondo #2, Op. 65

Progress Amidst a Crisis, Op. 66

Rondo #3, Op. 67

Rondo #4, Op. 68

Baroque Composition for Piano and Organ, Op. 69

All of my compositions are available for free download as MP3 files on this page.

Thank you for your consideration and, hopefully, your patronage.