{"id":7523,"date":"2017-10-09T05:56:44","date_gmt":"2017-10-09T05:56:44","guid":{"rendered":"http:\/\/www.rationalargumentator.com\/index\/?p=7523"},"modified":"2017-10-09T06:04:36","modified_gmt":"2017-10-09T06:04:36","slug":"come-down-o-maid","status":"publish","type":"post","link":"https:\/\/www.rationalargumentator.com\/index\/blog\/2017\/10\/come-down-o-maid\/","title":{"rendered":"&#8220;Come Down, O Maid&#8221; &#8211; Music for Tennyson&#8217;s &#8220;The Princess&#8221; by Rodney Rawlings"},"content":{"rendered":"<div>\n<div>\n<div><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/rationalbusinessjournal.rationalargumentator.com\/tophatwhitesm.jpg\" alt=\"The New Renaissance Hat\" width=\"150\" height=\"150\" \/><\/div>\n<\/div>\n<\/div>\n<div style=\"text-align: center;\"><strong><big><big><span style=\"color: #000080;\">Rodney Rawlings<\/span><br \/>\n<\/big><\/big><\/strong><\/div>\n<div style=\"text-align: center;\">******************************<\/div>\n<div style=\"text-align: left;\">The Rational Argumentator is pleased to feature the most current arrangement of Rodney Rawlings&#8217;s musical adaptation of lyrics from Lord Alfred Tennyson&#8217;s 1847 poem, <em>The Princess. <\/em>This is a piano rendition, following up on Mr. Rawlings&#8217;s <a href=\"http:\/\/rationalargumentator.com\/Come.Down.O.Maid.mp3\">2004 version<\/a> of this piece for string orchestra.<\/div>\n<div><span style=\"color: #ffffff;\">\u00a0***<\/span><\/div>\n<div><strong>Composer&#8217;s Description: <\/strong>In the link below I present a piano rendition of my song \u201cCome Down, O Maid.\u201d<\/div>\n<div><span style=\"color: #ffffff;\">\u00a0***<\/span><\/div>\n<p>The song is my musical setting of a Tennyson lyric that appears in his long poem<em> The Princess<\/em> (1847). Those much-loved verses, which I have presented at the very bottom of this post, have been <a href=\"http:\/\/www.litencyc.com\/php\/sworks.php?rec=true&amp;UID=7455\">described<\/a> as \u201ca summons to the valleys of domestic affection, away from the heights of idealism and abstraction.\u201d<\/p>\n<p><strong><em>MP3 file for piano rendition (left-click to listen, right-click to download):<\/em><\/strong> <a href=\"http:\/\/rationalargumentator.com\/music_rawlings\/Rodney_Rawlings_Come_Down_O_Maid.mp3\"><strong><u>\u201cCome Down, O Maid\u201d<\/u><\/strong><\/a><\/p>\n<p><strong>Length: <\/strong>4:46<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/BcbIZU-RNgc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>If the reader is looking at my lyrics here while listening, it should be borne in mind that, because the vocal part is also represented by a piano sound, in a couple of sections it is harder to distinguish the two aurally:<\/p>\n<p>&nbsp;<\/p>\n<p><em>Away below the frozen mountain<\/em><\/p>\n<p><em>Deep in the valley was a shepherd,<\/em><\/p>\n<p><em>And he sang:<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Come down, O maid, come from yonder mountain:<\/p>\n<p>What pleasure lives in height and cold? Come down, and cease<\/p>\n<p>To sit a star on the sparkling spire.<\/p>\n<p>Love is of the valley, O come thou down<\/p>\n<p>&nbsp;<\/p>\n<p>And find him there,<\/p>\n<p>Hand in hand with Plenty;<\/p>\n<p>Nor cares for Death and Morning on the silver horns,<\/p>\n<p>Nor firths of ice, furrow-cloven falls;<\/p>\n<p>Let them dance thee do-own<\/p>\n<p>To find him there.<\/p>\n<p>&nbsp;<\/p>\n<p><em>(Transitional musical passage)<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>O maid, come down;<\/p>\n<p>Leave the monstrous ledges<\/p>\n<p>To spill their wreaths<\/p>\n<p>That like a broken purpose waste:<\/p>\n<p>So waste not thou;<\/p>\n<p>All the vales await thee-ee;<\/p>\n<p>Azure pillars arise to thee.<\/p>\n<p>&nbsp;<\/p>\n<p>My shepherd pipe, children too, are calling,<\/p>\n<p>Sweeter thy voice, but every sound is sweet;<\/p>\n<p>The rivulets so clear hur\u2019ying through the la-awn,<\/p>\n<p>The moan of doves,<\/p>\n<p>And murmuring of innumerable bees.<\/p>\n<p>&nbsp;<\/p>\n<p><em>The maiden lived in splendoured height <\/em><\/p>\n<p><em>And deep in the valley there the shepherd<\/em><\/p>\n<p><em>Sang to her.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>\u00a9 2011 Rodney Rawlings<\/p>\n<p>&nbsp;<\/p>\n<p>Here are Tennyson\u2019s actual verses:<\/p>\n<p>&nbsp;<\/p>\n<p>COME down, O maid, from yonder mountain height:<\/p>\n<p>What pleasure lives in height (the shepherd sang),<\/p>\n<p>In height and cold, the splendour of the hills?<\/p>\n<p>But cease to move so near the Heavens, and cease<\/p>\n<p>To glide a sunbeam by the blasted Pine,<\/p>\n<p>To sit a star upon the sparkling spire;<\/p>\n<p>And come, for Love is of the valley, come,<\/p>\n<p>For Love is of the valley, come thou down<\/p>\n<p>And find him; by the happy threshold, he,<\/p>\n<p>Or hand in hand with Plenty in the maize,<\/p>\n<p>Or red with spirted purple of the vats,<\/p>\n<p>Or foxlike in the vine; nor cares to walk<\/p>\n<p>With Death and Morning on the silver horns,<\/p>\n<p>Nor wilt thou snare him in the white ravine,<\/p>\n<p>Nor find him dropt upon the firths of ice,<\/p>\n<p>That huddling slant in furrow-cloven falls<\/p>\n<p>To roll the torrent out of dusky doors:<\/p>\n<p>But follow; let the torrent dance thee down<\/p>\n<p>To find him in the valley; let the wild<\/p>\n<p>Lean-headed Eagles yelp alone, and leave<\/p>\n<p>The monstrous ledges there to slope, and spill<\/p>\n<p>Their thousand wreaths of dangling water-smoke,<\/p>\n<p>That like a broken purpose waste in air:<\/p>\n<p>So waste not thou; but come; for all the vales<\/p>\n<p>Await thee; azure pillars of the hearth<\/p>\n<p>Arise to thee; the children call, and I<\/p>\n<p>Thy shepherd pipe, and sweet is every sound,<\/p>\n<p>Sweeter thy voice, but every sound is sweet;<\/p>\n<p>Myriads of rivulets hurrying thro\u2019 the lawn,<\/p>\n<p>The moan of doves in immemorial elms,<\/p>\n<p>And murmuring of innumerable bees.<\/p>\n<p>&nbsp;<\/p>\n<p>As can be seen, this stunningly beautiful work was freely adapted to form the lyrics of my song. As well, I composed a musical framing theme providing context for the thoughts and feelings expressed.<\/p>\n<p><strong>Rodney Rawlings is a Toronto writer and composer\/songwriter. He\u00a0<a href=\"http:\/\/www.prleap.com\/pr\/102679\/\">arrived at the concept of hypercomplex numbers independently<\/a>, using Ayn Rand\u2019s philosophy of Objectivism to guide him. \u00a0See his <a href=\"https:\/\/www.youtube.com\/channel\/UC4UklzPdmzVm0tDc7coz5tw\">YouTube Channel<\/a>.\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rodney Rawlings ****************************** The Rational Argumentator is pleased to feature the most current arrangement of Rodney Rawlings&#8217;s musical adaptation of lyrics from Lord Alfred Tennyson&#8217;s 1847 poem, The Princess. This is a piano rendition, following up on Mr. Rawlings&#8217;s 2004 version of this piece for string orchestra. \u00a0*** Composer&#8217;s Description: In the link below I present a piano rendition of my song \u201cCome Down, O Maid.\u201d \u00a0*** The song is my musical setting of a Tennyson lyric that appears in&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/www.rationalargumentator.com\/index\/blog\/2017\/10\/come-down-o-maid\/\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,5354],"tags":[5356,3960,276,5358,5215,5355,5357],"class_list":["post-7523","post","type-post","status-publish","format-standard","hentry","category-music","category-poetry","tag-alfred-tennyson","tag-lyrics","tag-piano","tag-poem","tag-rodney-rawlings","tag-tennyson","tag-the-princess"],"_links":{"self":[{"href":"https:\/\/www.rationalargumentator.com\/index\/wp-json\/wp\/v2\/posts\/7523","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rationalargumentator.com\/index\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rationalargumentator.com\/index\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rationalargumentator.com\/index\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rationalargumentator.com\/index\/wp-json\/wp\/v2\/comments?post=7523"}],"version-history":[{"count":6,"href":"https:\/\/www.rationalargumentator.com\/index\/wp-json\/wp\/v2\/posts\/7523\/revisions"}],"predecessor-version":[{"id":7532,"href":"https:\/\/www.rationalargumentator.com\/index\/wp-json\/wp\/v2\/posts\/7523\/revisions\/7532"}],"wp:attachment":[{"href":"https:\/\/www.rationalargumentator.com\/index\/wp-json\/wp\/v2\/media?parent=7523"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rationalargumentator.com\/index\/wp-json\/wp\/v2\/categories?post=7523"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rationalargumentator.com\/index\/wp-json\/wp\/v2\/tags?post=7523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}