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Month: July 2014

Ethical Lessons on Principled Parenthood in the Film “A Thousand Clowns” (2004) – Essay by G. Stolyarov II

Ethical Lessons on Principled Parenthood in the Film “A Thousand Clowns” (2004) – Essay by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
July 29, 2014
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Note from the Author: This essay was originally written in 2004 and published on Associated Content (subsequently, Yahoo! Voices) in 2007.  I seek to preserve it as a valuable resource for readers, subsequent to the imminent closure of Yahoo! Voices. Therefore, this essay is being published directly on The Rational Argumentator for the first time.  
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~ G. Stolyarov II, July 29, 2014

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Raising a child into a competent, intelligent human being is no light task. It is necessary to imbue the child with a sound system of values, but also to prevent his perpetual dependence on external authority for answers and guidance. The two aims need not be antagonistic and can reinforce one another, as the upbringing of Nick Burns by his uncle, Murray Burns, in the 1965 film A Thousand Clowns demonstrates. Murray is able to endow Nick with a moral framework that guides Nick’s further judgments, but he does so in a non-intrusive manner that suggests rather than commands. The plot of the film demonstrates how this approach can produce an integrated person who triumphs over the obstacles posed by the dominant society.

Nick’s entry into Murray’s home occurred at the age of five, when his reckless vagabond mother abandoned him there. Due to his presence under Murray’s guardianship since such an early age, Nick’s upbringing is almost entirely determined by Murray. This is not to say that Nick is stifled or deprived in any manner. Formerly a child living on the streets with his mother, Nick now enters a special school for talented children, and is able to retain his place there for many years. There is no doubt that Murray’s acumen, wit, spontaneity, insight, and individualistic courage permeated Nick’s experiences from an early age, and that Nick absorbed these qualities. Nick’s dialogue within the film is indicative of a sophistication that one does not typically find in a twelve-year-old. When Nick and Murray walk through New York City on Irving R. Feldman’s Birthday, a holiday that Murray had invented, Nick earnestly addresses Murray with respect to the latter’s unemployment. He presents realistic concerns about the future of his upbringing, Murray’s financial security, and the very ability of the two to remain in the same household. Nick has a foresight into matters of consequence that approaches that of an adult. While other kids his age would “live for today” and simply enjoy themselves during a day on which they had skipped school and were able to enjoy a walk across town, Nick is able to extract the best from both worlds. After he raises his concern, he is still able to visit the Statue of Liberty with Murray and enjoy the unique and magnificent sights that Murray is able to show him. Nick’s upbringing has allowed him to exhibit an integrated personality, combining serious thought with pleasure. He is not a young Albert Amundsen, who “talks as if he had written everything down beforehand,” but is unable to realize to a bond of joy can exist between two people, outside mere “practicality” and adherence to societal norms. At the same time, Nick is also more practical than Murray himself, as the latter tends to lean toward enjoying himself at the present moment while compromising long-term security.

How was Murray’s upbringing able to produce a person more adult and more reasonable than Murray himself? A part of the answer lies in Murray’s laissez-faire approach to parenthood. Unlike a majority of parents, who establish stringent guidelines for children with regard to the smallest minutiae, Murray allows Nick immense free rein. Until the age of thirteen, Nick is allowed to go by whatever name he pleases, as he tests varying roles and identities in order to find out which one will suit him best when he becomes “an actual person.” Murray does not want his nephew to become a mirror image of him; instead he “[wants] him to know the special thing that he is; [he wants] him to see the wild possibilities.” Since Murray recognizes the need to raise Nick as a unique and unprecedented individual, his approach is not one of domination, regulation, and imposition, but of suggestion, demonstration, and camaraderie. Murray does not intervene in Nick’s schooling; he is confident that Nick is capable of managing his own formal education. Indeed, Nick performs well in his special school without being unnecessarily obsessive about his learning. He is able to skip school on special days, such as Irving R. Feldman’s Birthday, in order to share much-valued time with his uncle. In the modern culture, the compartmentalization of education into a separate rigid sphere of existence prevents most typical students from spending adequate amounts of time with their family, but Nick has learned to “own his days and name them.” He will not permit schedules and routines to intervene with the people and things genuinely valuable to him.

Though Murray allows Nick’s schooling to follow its own path, Murray, too, acts as a teacher for Nick in vital matters of principle, ideas and phenomena that cannot necessarily be taught in a classroom. During Irving R. Feldman’s Birthday, Murray points out to Nick the gray masses of people rushing off to work, pushing to enter a bus, running desperately to catch the next train and meet someone else’s schedule, being mired in a routine that prevents them from living life on their own terms and in accordance to their own principles. Murray shows Nick a scenario and allows Nick’s observations to determine his conclusions; it is a far more effective method of teaching than the common “When I tell you something, believe it!” approach. Murray is able to share his values and impressions of the world with Nick without forcing Nick to adopt them. They merely become matters for Nick’s consideration, but Nick, like an adult, is given the authority to analyze them on their own merits. Because Nick is granted the responsibility typical of an adult, he is able to think like one and interact with the world as every man’s intellectual equal, not a subordinate.

The culmination of Murray’s upbringing of Nick manifests itself when Chuckles the Chipmunk enters their home in an attempt to persuade Murray to return to work. Rather than being tactful, Chuckles seeks to psychologically dominate Murray and Nick. He carries in a cardboard statue of himself and, when it falls, forcefully urges Murray to put it up once more. He thrusts corny and uninteresting remarks at Nick and expects Nick to laugh due to the sheer weight of Chuckles’ authority. Nick, however, frankly admits that Chuckles’ jokes and routines are not humorous. Though he wishes that Murray would find a job, he does not wish for Murray to take this one. Chuckles calls Nick a “freak” simply because Nick does not display the deference that Chuckles receives as a societal norm. But, after Nick resists the label placed upon him and nearly forces Chuckles out of the apartment, the Chipmunk begins to assume a more respectful posture. He informs Murray that his show has suffered without Murray’s writing, and that Murray would be an integral component of the program. Rather than acting with pseudo-superiority and condescension toward Murray, Chuckles begins to treat him as an equal, and Murray accepts the job offer. In the meantime, he can be content knowing that he has taught Nick the individuality and devotion to principle that he intended to transmit. Earlier, Murray states to Sandy Markowitz that he wants Nick to “understand the sneaky, subtle, important reason he was born a human being and not a chair.” Now, Nick has fully demonstrated his non-chairness. He will not be sat on by those who expect him to bear their burden. He will not feign his emotions or his moral sanction simply to be polite to those who do not give him the same courtesy in return. He will analyze each situation on its own merits, rather than on his society’s expectations of conformity to this social worker or that Chipmunk. And he will meet with courage and dignity whatever challenges the society poses to him.

Indeed, challenges to Murray’s relationship with Nick abound. When Albert Amundsen enters Murray’s home, accompanied by Sandy Markowitz, he already carries orders from the Child Welfare Board to confiscate Nick from Murray. His job is merely to inform Murray that this is the case, not to give Murray any authority in deciding otherwise or interacting with Amundsen on an equal level. But rather than be the quiet, complacent, and somewhat miserable child that Amundsen expects Nick to be, Nick acts jovially, telling jokes and stories about his genuinely satisfying relationship with Murray. Sandy, despite Albert’s strict reprimands against such conduct, begins to laugh, as she is genuinely entertained by Nick’s conduct and personality. She becomes convinced that there is no reason to separate Nick from Murray, as both seem to be satisfied with their relationship.

The audience is moved to ponder the idea that a dominant paradigm’s expectations of a “good” household may not hold or be necessary in every individual case. A “parent” need not work from 9 to 5 in order to provide a beneficent environment for his child. And if he does work, he need not grovel before authority in order to receive his paycheck. Moreover, elements outside the financial realm play a crucial role in the sound upbringing of a child. Nick is able to receive both learning and leisure, work and play, under Murray’s care. Amundsen informs Murray that his “is a distorted picture of this world.” However, when comparing Nick to a self-evidently absurd character like Chuckles, who “keeps touching [himself] to make sure that [he] is real,” but who would likely fit Amundsen’s characterization of a “sound” member of society, one must seriously question the validity of Amundsen’s statement. While Chuckles is not even sure of his own existence, and Sandy, when she is under Albert’s aegis of “societal respectability,” has not “the slightest idea of who [she is],” Nick moves firmly toward establishing a unique, colorful, principled identity. Nick, no matter what name he will go by, is sure never to become just a series of different facades put before each person he meets, devoid of personality and self-esteem. The individual that is Nick does exist; this is not a matter of doubt either for Nick or for the viewers of the film.

The ending of A Thousand Clowns is indicative of victory for Murray’s relationship with Nick. Murray returns to work, which foretells his ability to continue to provide for Nick materially, while not compromising his principles intellectually. Because Nick has refused to show deference to Chuckles, the latter agreed to approach Murray as a human being and not a chair. Murray is thus able to work on his own terms, and to be certain that Nick has become his own person. The objections of the Child Welfare Board to Murray’s continued guardianship over Nick have now become null and void, as Murray, with Nick’s indispensable help, has demonstrated that one need not conform to the norms of conduct put before him in order to live and prosper, soaring like an eagle far above the realm of the mundane, mediocre, and perfunctory.

Tim O’Brien’s Collectivist Psyche as His Arch-Nemesis in “The Things They Carried” (2004) – Essay by G. Stolyarov II

Tim O’Brien’s Collectivist Psyche as His Arch-Nemesis in “The Things They Carried” (2004) – Essay by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
July 29, 2014
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Note from the Author: This essay was originally written in 2004 and published on Associated Content (subsequently, Yahoo! Voices) in 2007.  The essay earned over 1,400 page views on Associated Content/Yahoo! Voices, and I seek to preserve it as a valuable resource for readers, subsequent to the imminent closure of Yahoo! Voices. Therefore, this essay is being published directly on The Rational Argumentator for the first time.  
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~ G. Stolyarov II, July 29, 2014

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Why does an avid opponent of the Vietnam War, with the opportunity to flee from fighting it, voluntarily succumb to the draft? Why, being so close to the Canadian border, does he lack the courage to jump into the water and swim across? Tim O’Brien’s moral opposition to the Vietnam War is clouded by his desire to be accepted by others in his community, and this demon of adherence to the collective will is his prime antagonist in The Things They Carried, and the source of all his further woes and crises.

Had O’ Brien dodged the draft, this would have been a sign of moral fortitude, rather than the weakness it is commonly portrayed to be. O’Brien clearly recognizes this at the time of his attempt to flee to Canada. He knows that the motives behind the war are questionable, and states his belief that “when a nation goes to war, it must have reasonable confidence in the justice and imperative of its cause” (41).

Moreover, O’Brien recognizes himself to be physically and psychologically unfit for war, referring to himself as one whom “the sight of blood made… queasy, and [who] couldn’t tolerate authority” (41). Enlisting in the U.S. Army is a betrayal of O’Brien’s objective self-interest and his own recognition of the nature of his individual character. Consenting to the draft is O’Brien’s tacit allowance of a great moral evil perpetrated by the United States government, a government that would claim the right to employ him as cannon fodder and subject him to all of his subsequent shocking experiences during the Vietnam War. Thus, such a decision is at the root of all of his further struggles.

O’Brien recognizes that his decision to obey his draft notice is a moral travesty on all counts, and, even twenty years later, describes it as a shameful act, which had tarnished his very belief in man’s capacity for heroic, principled action. Rather than adhere to his own understanding of morality, O’Brien gives in to the prevailing perception in his community of draft dodging as cowardly, unpatriotic, and scandalous. When imagining the entirety of his community staring at him as he tries to swim for Canada, O’Brien’s psyche magnifies the impact of this collective superstition far beyond the ability of the people espousing it. O’Brien is physically distant from the ignoramuses who would wantonly sacrifice his life, and they cannot affect his decisions, if he does not let them. O’Brien, however, is so maniacally afflicted with the desire for acceptance at any cost that his very physiology revolts against him. He recalls, “I did try. It just wasn’t possible” (59).

Despite O’Brien’s professed disgust with the simplistic platitudes of the collective with which he lives, his collectivist psychological malady is pervasive enough to place these platitudes in full control of even this, the most critical decision he would ever face. O’Brien’s desire for acceptance is irrational, suicidal, and perverse. His safety, his intellect, his understanding, and his future all stand in opposition to his society, yet, he selects his society over them. There is neither excuse nor justification for this act of moral weakness. O’Brien’s community, the draft board, the Viet Minh, and the routine physical hardships of war, would never have harmed him at all, if only he had the internal consistency to follow the course dictated by considerations of reason and justice.

Because O’Brien’s perceived exaggeration of the importance of the opinions of others in his community motivates his decision to heed his draft notice, O’Brien’s greatest foe is that part of him which impels him to act against himself.

How Collectivism Destroys Friendships and Relationships: Examples from India (2003) – Article by G. Stolyarov II

How Collectivism Destroys Friendships and Relationships: Examples from India (2003) – Article by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
July 28, 2014
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Note from the Author: This essay was originally written in 2003 and published on Associated Content (subsequently, Yahoo! Voices) in 2007.  The essay earned over 900 page views on Associated Content/Yahoo! Voices, and I seek to preserve it as a valuable resource for readers, subsequent to the imminent closure of Yahoo! Voices. Therefore, this essay is being published directly on The Rational Argumentator for the first time.  
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~ G. Stolyarov II, July 28, 2014

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Collectivism is not only a primary motivation for oppression and persecution; it also precludes friendship among people despite their individual compatibility. Caste-based prejudices in India provide an optimal illustration of this tendency.

In his memoirs, Indian author Shashi Tharoor recalls, upon a childhood visit to an ancestral village, an untouchable boy by the name of Charlis, who was eager to converse, engage in athletic activity, and share sweets with the higher-caste boys. However, the latter rejected Charlis’s company and threatened Tharoor with a beating to relinquish to the confines of the dirt heap the dessert that Charlis had generously provided him with.

Collectivism curtails both an already existing mutual affinity between two individuals, such as the one between Tharoor and Charlis, and one that would have flourished absent the stereotype, such as that between Charlis and the village boys.

Even the most intimate bonds of all, marriages, are tragically disrupted by the Indian caste system. Several cases have emerged in recent years when upper-caste females married lower-caste males without parental consent. The parents of the upper-caste females responded by lynching the newlyweds and encouraging their village neighbors to publicly humiliate their corpses.

Parents, who would have normally approved of a partnership between two people decently endowed and capable of fending for themselves, are impelled by collectivism to monstrously cut short young lives due to the absurdity of collectivist perception.

Caste is thoroughly ingrained in the general culture of India and in the power-mongering calculus of Indian officials. Hence, despite laws prohibiting caste-based hate crimes, enforcement is scant, and violators of individual rights are granted tacit government sanction for their misdeeds. As violence flares up, the government, instead of coordinating an extensive police and judicial effort to bring the criminals to justice, merely augments the multilateral resentment of India’s caste conflict by reserving further strategic positions for one group at the expense of another.

The atrocities for which the absurdity of collectivism can be held liable extend to stifle the realms of individual aspiration, interpersonal relationships, and  justice, all due to the perception of individuals as entirely determined by circumstantial group status and incapable of altering any of their “inclinations” via volitional efforts.

It is essential for the residents of a peaceful, harmonious, and rights-respecting society to comprehend that, just as a circumstance cannot think for an individual, it cannot deterministically manipulate his actions, that birth or skin color are just as irrelevant to an individual’s character and potential as the color of a building’s bricks is to its structural integrity. Only then can each individual achieve the utmost heights within his capacity and establish profound and productive relationships with others. Justice and liberty are possible where even a single individual carries the rejection of collectivism to its logical extreme.

 

The Emersonian Qualities of Lucas Jackson in the Film “Cool Hand Luke” (2003) – Essay by G. Stolyarov II

The Emersonian Qualities of Lucas Jackson in the Film “Cool Hand Luke” (2003) – Essay by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
July 28, 2014
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Note from the Author: This essay was originally written in 2003 and published on Associated Content (subsequently, Yahoo! Voices) in 2007.  The essay earned over 1,000 page views on Associated Content/Yahoo! Voices, and I seek to preserve it as a valuable resource for readers, subsequent to the imminent closure of Yahoo! Voices. Therefore, this essay is being published directly on The Rational Argumentator for the first time.  
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~ G. Stolyarov II, July 28, 2014

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Lucas Jackson, the protagonist of the 1967 film Cool Hand Luke, displays the kind of conviction in his own worth that Ralph Waldo Emerson recommends in Self-Reliance. From cutting off the heads of parking meters to encouraging his friends in prison to tar a road at an impressive rate, Luke rebels and rises above the oppression imposed on him.

Within the opening scene of Cool Hand Luke, the parking meters are symbolic of societal restraint on individual freedom and choice. By arbitrary fiat of local government, the meters place a limit on the duration of time for which an individual can place his car at a particular location, thus limiting the amount of time an individual can spend going about his own business outside the car in the vicinity and diverting an individual’s funds into the stagnant coffers of bureaucracy.

Luke’s destruction of the parking meters is symbolic of the individualist’s attempt to defy societal restrictions. Though he is drunk and semi-conscious, he nevertheless directs his actions not toward some wanton spree of murder or theft but toward the elimination of a nuisance to individual liberty. In return, to paraphrase Ralph Waldo Emerson’s Self-Reliance, society “whips him with its displeasure,” as he is apprehended, arrested, and locked in a facility where his own liberty becomes virtually nil.

Self-Reliance has further relevance to Luke’s demeanor in prison. Emerson writes, “I cannot consent to pay for a privilege where I have intrinsic right. Few and mean as my gifts may be, I actually am, and do not need for my own assurance or the assurance of my fellows any secondary testimony.”

Luke epitomizes this philosophy when he neglects to degrade himself to the level of the standard “new meat” prison novice. He proudly asserts his name as “Lucas Jackson” during Carl’s declaration of the rules and refuses to submit his dignity to Dragline’s decision to recognize him as a significant member of the prison community. He realizes that he does not need the recognition of others in order to exhibit his self-worth or actualize his potential, but rather that those characteristics flow from within himself.

Later, when the prisoners are forced to tar an extensive stretch of road in oppressive heat, Luke encourages his comrades to labor to their fullest capacity and finish the tarring job at a far swifter pace than had been expected of them. He realizes that an intelligent approach that facilitates coordinated activity among the members of the group would both accomplish the task and frame it as a challenge to be aspired toward in the minds of the prisoners.

Luke transcends what has been assigned to him and transforms the dull routine into a search for his own objective, leisure time that is immensely difficult to acquire in a road prison. Once he establishes the tempo of work, all the other members of his gang gravitate toward his approach and undertake a lively, motivated effort. This is reminiscent of Emerson’s proposition that men will come to admire and uphold the man of intrinsic determination and self-reliance. Ultimately, not only is the ardor of the assignment alleviated by the workers’ internal drive, but they receive additional leisure afterward to use as they please.

How Collectivism Leads to Violence: Examples from India (2003) – Article by G. Stolyarov II

How Collectivism Leads to Violence: Examples from India (2003) – Article by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
July 28, 2014
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Note from the Author: This essay was originally written in 2003 and published on Associated Content (subsequently, Yahoo! Voices) in 2007.  The essay earned over 1,500 page views on Associated Content/Yahoo! Voices, and I seek to preserve it as a valuable resource for readers, subsequent to the imminent closure of Yahoo! Voices. Therefore, this essay is being published directly on The Rational Argumentator for the first time.  
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~ G. Stolyarov II, July 28, 2014

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A devastating effect of the collectivist mindset is the emergence of massive societal turmoil and heinous crimes. Collectivists often unleash brutal force against people who are not of “their” kind and instead belong to some “inferior” group.

In the Indian state of Uttar Pradesh, an untouchable man once slapped a higher-caste thief for stealing beans from his field. The self-righteously offended community responded by stripping the man’s mother and parading her through the village amid a hail of stones and mud hurled in her direction.

In a society which upholds the collectivist premise, even when a hierarchically-designated inferior is legitimately wronged, he will not be dealt justice, and his attempt to obtain it on his own accord will be met with vehement reprisal.

This tragic event also portrays another element of collectivist perception: the delusion that all members of a group are accountable for an alleged misdeed of one, with no link of those individuals to the “crime” but the accident of their birth or relation. Since one untouchable had “wronged” a higher-caste member, thought the villagers, all untouchables must be seditious vermin. Hence the fact that the brutal punitive humiliation was directed at the man’s mother instead of the man himself.

More widespread turmoil based on caste occurs throughout modern India. In Bihar state, skirmishes between lower-caste peasants and landlords have resulted in over one hundred deaths on both sides in 1998. The peasants involved considered themselves perpetually oppressed by the merciless group on top, and hence perceived no means of resolving their land dispute peacefully.

Likewise, the landlords involved approached the peasants in arrogant contempt, perceiving every single one of them as unintelligent vermin whose grievances are to be suppressed rather than addressed. The economic antagonism between the two groups was not irreconcilable, but the caste-based antagonism, so long as it festered in their minds, was. When one is viewed as inherently evil due to circumstantial characteristics, naught but the brute employment of force can be directed toward one.

Yet some grounds exist for the hope that the menace of collectivism might play less of a role in India’s future. In modern India, individuals involved in high-tech urban professions are beginning to act on the profit motive instead of age-old stereotypes and to regard caste as irrelevant in a marketplace where professional skills and a dedicated work ethic are the overwhelming considerations. Where institutional compulsion does not prohibit individuals from associating across circumstantially erected lines or damage their livelihoods for doing so, courageous persons of sound moral premises will rise to dethrone the behemoth of collectivism and lead to a more peaceful, tolerant society.

Courageous Individualism in Ralph Waldo Emerson’s “Self-Reliance” and the Film “Cool Hand Luke” (2003) – Essay by G. Stolyarov II

Courageous Individualism in Ralph Waldo Emerson’s “Self-Reliance” and the Film “Cool Hand Luke” (2003) – Essay by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
July 28, 2014
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Note from the Author: This essay was originally written in 2003 and published on Associated Content (subsequently, Yahoo! Voices) in 2007.  The essay earned over 6,300 page views on Associated Content/Yahoo! Voices, and I seek to preserve it as a valuable resource for readers, subsequent to the imminent closure of Yahoo! Voices. Therefore, this essay is being published directly on The Rational Argumentator for the first time.  
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~ G. Stolyarov II, July 28, 2014

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“For nonconformity the world whips you with its displeasure,” writes Ralph Waldo Emerson in his renowned treatise, Self-Reliance. For nonconformity, the world also forces you to pave roads in the scorching heat, dig ditches only to fill them again later, and, of course, spend nights in the box. Both Emerson and the 1967 film Cool Hand Luke emphasize the repression and intimidation that a man of greatness encounters in a regimented, entrenched society. Yet both Emerson’s vision of the self-reliant man and the integrity of Lucas Jackson persevere through any and all barriers imposed upon them by the dictates of others. The lessons of individual dignity and the autonomy of one’s mind can be applied to the creator man who seeks to triumph amid the atmosphere of today’s world as well.

Through cultural norms and stigmatization, as well as outright coercive actions, certain societies seek to shackle the men of creativity and initiative. Lucas Jackson is imprisoned in a “corrective road prison” for the grievous crime of cutting off the heads of several public parking meters. The parking meters themselves are symbolic of societal restraint on individual freedom and choice. By arbitrary fiat of local government, the meters place a cap on the duration of time for which an individual can place his car at a particular location, thus limiting the amount of time an individual can spend going about his own business in the vicinity and diverting an individual’s funds into the stagnant coffers of bureaucracy. Luke’s destruction of the parking meters reflects the individualist’s attempt to defy societal restrictions. Though he is drunk and semi-conscious, he nevertheless directs his actions not toward some wanton spree of murder or theft but toward the elimination of a nuisance to individual liberty. In return, society lashes at him with the fullest extent of its brute force, as he is apprehended, arrested, and locked in a facility where his own liberty becomes virtually nil. Even had he murdered, Luke’s ultimate punishment would likely not have been as severe, for the totalitarian environment of the prison will eventually kill him for his adamant individualism.

Luke’s genuine trials begin when he no longer faces the law as applied to free citizens, but the petty whims of his prison bosses. Emerson’s work analyzes the consequences of such a transformation of environment. “It is easy enough for a firm man who knows the world to brook the rage of the cultivated classes. But… when the unintelligent brute force that lies at the bottom of society is made to growl and mow, it needs the habit of magnanimity… to treat it godlike as a trifle of no concernment.” Emerson’s statement was meant as a general social commentary. The dominant-paradigm-entrenched academic or big government advocate may treat the freethinker with aversion, stigma, and heated criticism, which amount to mere grumbling at the sidelines of the individualist’s path. But when the men who wallow and revel in ignorance, sloth, and brutality are invested with the capacity to direct a better man’s fate, the man of reason and initiative will encounter the most infernal conditions possible.

The prison bosses are the most uncultured and sadistic of men outside the Gestapo. Boss Godfrey’s hobby is, put plainly, to shoot things. After Luke’s first escape, Godfrey, with a grim equanimity, blows the head off a rattlesnake in the grass. In the final showdown of the bosses with Luke near the church, Godfrey will with a similarly unperturbed conscience launch a bullet through Luke’s chest. Boss Paul is a man who loves to bring about and witness the writhing and suffering of the prisoners; after Luke’s second escape, Paul orders him to dig a ditch only to conspire with another boss for the latter to periodically come by and inform Luke that forming the ditch is against prison rules. These frequent recurrences of contradictory instructions are accompanied by beatings intended to force Luke down on his knees in utter submission, pleading for mercy. They are ultimately aimed not at his body, but at his spirit, thrusting a rational, aspiring man into a realm of the chaotic, incompatible, unknowable, and savage. This is the lowest of the unintelligent brute force that Emerson addresses, worse than even the hollers and threats of the rabble that occasionally befall a free man.

The unlivable realm of the prison is rendered even more so by the Captain’s mocking friendliness, a façade, with the essence of despotism lying hidden not too deeply underneath. The Captain regularly speaks with a deliberately soothing voice, informing the prisoners that “We are trying to help you here. We are doing this for your own good.” Emerson, viewing the matter from the perspective of the individualist, realizes the gross fallacy of such a claim. He writes, “What I must do is all that concerns me, not what the people think. This rule, equally arduous in actual and in intellectual life, may serve for the whole distinction between greatness and meanness. It is the harder, because you will always find those who think they know what is your duty better than you know it.” The Captain is such a man, who holds that the ultimate good is the blind obedience of a regimented automaton to his social engineers. But the Captain’s philosophy on its own is a wobbly construct that would crumble upon meeting the first wind of greatness, were it not reinforced by the fist, the rifle, and the sweat and blood of its prey. When Luke objects to the Captain’s mentality, stating, “You shouldn’t be so kind to me, Captain,” thereby rejecting the Captain’s idea of “help,” he is struck violently to the ground. Then the Captain resumes his tone of mocking kindness, pronouncing, “What we’ve had here is a failure to communicate.” According to the Captain, the man of independence must either renounce it willingly or renounce it through the imposition of societally legitimized brute force. In any case, renounce it he must, and if pseudo-polite paternalistic exhortations fail, the growl and lunge of the worst elements possible in man will bring about the social engineers’ aim.

Few men less deserving than Luke had ever been thrust into such hostile surroundings, from which physical escape will be met with pursuit and mental dissent with the box or the fist. Yet even there, Luke, and Emerson’s vision of the independent spirit, are able to persevere. From the beginning, when Carl lists all the innumerable infractions for which one can be put in the box, Luke is not intimidated. He responds with a relaxed shrug and presents his characteristic Luke smile, then anticipates that Carl’s next sentence will end with “a night in the box.” Carl notices that Luke is not the typical “new meat” prisoner and asks with an authoritative voice, “Well, what have we got here?” Unflinchingly, Luke responds, “We got a Lucas Jackson.” Luke possesses a firm pride in his identity and inherent human dignity, qualities that he will not permit a regimented environment to shatter. Emerson writes: “I cannot consent to pay for a privilege where I have intrinsic right. Few and mean as my gifts may be, I actually am, and do not need for my own assurance or the assurance of my fellows any secondary testimony.” Luke epitomizes this philosophy when he neglects to degrade himself to the level of the standard “new meat” prison novice. He refuses to subordinate the fact of his existence to Dragline’s decision to recognize him as a significant member of the prison community. He realizes that he needs not the recognition of others in order to exhibit his self-worth or actualize his potential, but rather that those characteristics flow from within himself.

Initially, Luke’s open defiance of a long-standing prison tradition is met with great indignation and outright aggression on the part of his peers and Dragline. Luke adheres to the expression of the truth as observed by his mind, no matter how controversial, displeasing, or unconventional such honesty may be. Emerson writes, “I ought to go upright and vital, and speak the rude truth in all ways,” and Luke agrees. When Luke does not hesitate to assert his reason in regard to Dragline’s needless lust-filled commentary concerning a woman he had spotted during a round of work, he encounters the climax of Dragline’s rage. Luke is challenged to a fight, and repeatedly pummeled to the ground. Yet he remains adamant and continues to stand every time, not intending to devastate Dragline so much as to assert that such tactics of brute aggression will not conquer him. Luke recovers from every failure, ever-ready to recover and fight another round. Like the Emersonian man of all professions and opportunities, Luke “always like a cat falls on his feet. He has not once chance, but a hundred chances.” And, using one of those chances, Luke wins the fight in a far more meaningful way than would have been if Dragline were physically subdued. He is able to earn Dragline’s deepest respect through his resiliency, as Dragline realizes that this man of persistence, conviction, and integrity is not a cynical upstart, but rather a valuable potential friend.

Through the firm exercise of his creativity and autonomy, Luke is able to beautify the social conditions of his circle of fellow inmates and earn a general, profound, lasting respect. In order to do this, Luke implicitly recognizes another Emersonian insight: “Do that which is assigned you, and you cannot hope too much or dare too much.” If Luke had merely fallen in line with “the way things had always been done” in the prison, he would have encountered the same arduous, scorching, monotonous routine, a condition deliberately intended to stunt his ambitions and aspirations. When the prison bosses “reward” Luke’s gang for exemplary work by delegating to it a colossal road tarring job, Luke encourages his comrades to labor to their fullest capacity and finish the endeavor at a far swifter pace than had been expected of them. He realizes that an intelligent approach that facilitates coordinated activity among the members of the group would both accomplish the task and frame it as a challenge to be aspired toward in the minds of the prisoners. Luke transcends what has been assigned to him and transforms the dull routine into a search for his own objective, leisure time that is immensely difficult to acquire in a road prison. One he establishes the tempo of work, all the other members of his gang gravitate toward his approach and undertake a lively, motivated effort. This is reminiscent of Emerson’s proposition that men will come to admire and uphold the man of intrinsic determination and self-reliance, that, in the grand scheme of events, every institution is but “the lengthened shadow of one man,” the man who dared to introduce a radical change in the way a given matter was approached. Ultimately, not only is the ardor of the assignment alleviated by the workers’ internal drive, but they receive additional leisure afterward to use as they please.

Even as prison conditions become intolerable, Luke does not surrender his will to freedom up to the inevitable climax of the life-or-death struggle between him and his totalitarian overlords. Upon the death of Luke’s mother, the bosses seek to amplify his misery by sentencing him to three nights in the box, intended to decisively strike at his mind while it was still recovering from a blow. Luke realizes that no amount of ingenious coping, no invention of lively leisure activities of poker games, road tarring races, and egg-eating events will conceal the grim realities of the inhuman, whimsical, arbitrary condition imposed upon him. He must, and he will, liberate his body and his mind. After a failed escape attempt, he does not hesitate to stage another, despite the increased vigilance of the bosses. Man of reason that he is, he is able to spot the deficiencies of every one of his plans. The first escape, he is apprehended by a policeman due to the suspicious appearance of his prison clothes. During the second escape, he largely evades “civilized” roadways until he is able to remove his chains and mislead the prison dogs. Nevertheless, he is unable to fully disable his abusers’ means of pursuit. His third escape, co-orchestrated with Dragline, is a brilliantly executed theft of all the prison vehicles’ keys and use of one of the trucks to drive considerably far away from the prison prior to continuing the journey on foot. Every time, Luke is able to, through his autonomous thought, revise his errors and fall on his feet once more. Had he grasped but one more key Emersonian insight, he might have survived in body. “It is only as a man puts off all foreign support, and stands alone, that I see him to be strong and to prevail. He is weaker by every recruit to his banner.” Luke’s escape jointly with Dragline is his crucial mistake, for Dragline remains unable to fend for himself when necessity compels the two of them to split up. He lacks Luke’s tactical ingenuity and quickly falls into the hands of the search parties from the prison, leading them to Luke, misled into believing that Luke’s voluntary surrender, and the sparing of his life, could be achieved. Dragline, however well-intentioned, remains a follower, subject to the mercy of higher forces, be it the positive influence of Luke, or the soothing promises of the Captain. Dragline is not of the “class of great men,” in that his longings and hopes had all been derived from his admiration of Luke, not the products of his own mind.

Dragline does not expect his compliance to bring about Luke’s demise, but Luke, true to his nature, cannot bear to accept confinement once more. Instead of blindly subverting himself to the bosses, he proudly steps to the window of the church and announces, echoing the Captain’s one-time words, that “what we’ve had here is a failure to communicate.” Mr. Jackson recognizes that he is not to blame for not falling in line with prison impositions, but rather that the bosses had grossly misjudged his nature by seeking to stifle it “for his own good.” Yet the bosses come not in pursuit of communication, but of blood. Realizing that the individualist always shall overcome every form of degradation and every barrier, the bosses, with Godfrey as their agent, seek to render it impossible for Luke to ever rise again.

Thus ends the life of Lucas Jackson, but not the integrity that characterized it. Dragline realizes that no negotiation, no compromise, between freedom and submission are possible, and lunges at Godfrey, leading to the destruction of the boss’s grim and concealing sunglasses. Before he is imprisoned once more, Dragline at last rises to the level of grasping that, which is beyond persecution. “What the man acquires is living property, which does not wait the beck of rulers, or mobs, or revolutions, or fire, or storm, or bankruptcies, but perpetually renews itself wherever the man breathes.” The dauntless innovation and longing for liberty in the autonomous man cannot be dethroned by any physical means; it can only be diminished by a voluntary subordination of the individual’s mind to tyranny, which Luke had refused to accommodate. The legacy of Luke thus lingers on, as he remains, in Dragline’s words, “a natural born world shaker,” whose radiant smile and confident posture remain vivid in the prisoner’s minds. In its own characteristic way, Luke’s greatness has been released from the box and into eternity, as “the triumph of his principles” has at last granted him peace. What remains for the living prisoners is to discover on their own what Luke had known, and rely on his example as a steppingstone, but not a definitive standard, for their autonomous development.

The relevance of Luke’s example and Emerson’s message to the political situation today is of greater magnitude than it has ever been. Today, if parking meters were the only restriction placed on our autonomy, or if a mere widespread facetiousness in human interactions, of the manner that Emerson denounced, had afflicted our society, we would have been living in a comparatively promising and free world. Alas, the scope of our current confinement by far exceeds this.

The government of this country has usurped almost every sphere of human activity, shackling the creative entrepreneurial innovators through “antitrust” laws, restricting the amount of market share a business may through its owners’ skill and the quality of its product acquire. It has erected barriers to the advancement of thoughtful freethinkers by the imposition of affirmative action initiatives that prevent their attainment of education for faults not their own. It has presumed to dictate to businessmen and settlers what forms of land usage are permissible by standard of societal sanction, through laws of eminent domain and environmental preserves that force men to “absolve themselves in the reflex way” not only to their neighbors and the community, but the bureaucrats, the lobbyists, the endangered spotted slugs and numb lifeless rocks. It has imposed a quasi-prison environment on the young people of this country through the encouragement of forced volunteerism, in menial tasks similar to road tarring, within the schools, and the impending fear of the military draft that will make Godfreys of our officers and “new meat” of our boys, which the politicians implicitly advocate by maintaining draft registration. And all disagreement is reduced to virtually naught, since the freethinkers (often prosperous, industrious men) are extorted for gargantuan sums of their income to fund this socialist behemoth. Some of this income is expended in false philanthropy, becoming the “wicked dollar” that Emerson did not wish to give, that is used to uphold in a state of prison-like dependency hordes of welfare recipients who can be counted on to vote in their overlord incumbents and by the sheer volume of their holler overrule all dissent in the passage of the next statist subversion of liberty. And if any of these intelligent voices dissents by refusing to sacrifice his money for causes that will do him harm, the full weight of government retaliation is borne upon him. What can a man of independent convictions and self-reliant disposition do in such a setting, that grows more restrictive by the day?

Henry David Thoreau, Emerson’s friend and fellow thinker, tried the tactic of civil disobedience in defiance of a tax that was used to fund what was in his opinion an unjustified Mexican War. Thoreau was thrown in prison and, though he demonstrated considerable fortitude of conviction, he did not defeat the tax. Emerson’s fellow abolitionist and friend John Brown attempted to, through an armed raid on Harper’s Ferry, unseat an institution of slavery, which was backed by the coercive hand of big government, with only a handful of arms and supporters. He was executed for the attempt, and, though he became a martyr for the abolitionist cause, he did not defeat slavery. Lucas Jackson confronted the nuisance of parking meters with the saw and the cruelties of the prison with escapes. He, too, received a bullet in the chest in the end and failed to eradicate the root of his sufferings. Though all three of those men preserved their dignity intact through their punishments, they did not accomplish their aims, for they overlooked the fact that the complete triumph of individualism requires another approach.

Of the individualist, Emerson writes that “the moment he acts from himself, tossing the laws, the books, idolatries, and customs out of the window, we pity him no more, but thank and revere him, — and that teacher shall restore the life of man to splendor, and make his name dear to all history. It is easy to see that a greater self-reliance must work a revolution in all the offices and relations of men; in their religion; in their education; in their pursuits; their modes of living; their association; in their property; in their speculative views.” Emerson advocates not an armed revolution, nor even overt disobedience of the law, but rather a mode of living that exemplifies a man who loves, and takes advantage of, the freedom to use his mind. Emerson did not go to prison for tax evasion; nor did he start a slave revolt; nor would he have decapitated parking meters today. Nevertheless, his ideas and influence have spread to the present day in precisely the manner that he intended. He did not wish to be worshipped as an idol or regarded as an unquestionable sage, but rather to give men a stimulus to more closely examine their habits and the capacities that only they can unleash from within. Rather, he is a thinker who should be analyzed with a critical intelligence, and whose views should serve as useful tools and steppingstones, but not finished products or ends-in-themselves.

Emerson’s key proposition in regard to self-reliance as a vehicle for reform is that voluntary persuasion and personal example can eliminate a societal peril. In a man’s every implicit gesture, he reveals a certain mode of function that is inextricably tied to his nature. “Your genuine action will explain itself and will explain your other genuine actions. Your conformity explains nothing.”

A man who opposes the usurpations of government, or the spread of cultural decadence, or the increasing “faraway escapes” that many modern men seek from their lives, must speak firmly and act firmly for the establishment of a freer world where individual creativity is left unbridled. He should not cower for fear that the public will reject his claims simply because he does not hold two and half Ph. Ds in the subject that he addresses. The Ph. Ds themselves are too often handed out by the zealous guardians of the current political and cultural paradigm, the entrenched academic elites who endlessly cite Marx, Roosevelt, and Keynes, and preach “of my obligation to put all poor men in good situations.” If deference to authority and the miserable record of the ages in the political sphere is abandoned, and the clarity and logic of the advocates of freedom is exposed, then, as the fellow inmates reached toward Luke, the public will gravitate toward the new, original, promising thinkers who uphold as their highest value the individual’s intrinsic right to exist and to be let alone. The politicians will abandon their pragmatic give-and-take approach to matters where liberty is at stake, and will realize that only the triumph of solid, uncompromising principles within them will maintain them the support of a reformed constituency.

The Brotherhood’s Anti-Individualistic View of History in Ralph Ellison’s “Invisible Man” (2005) – Essay by G. Stolyarov II

The Brotherhood’s Anti-Individualistic View of History in Ralph Ellison’s “Invisible Man” (2005) – Essay by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
July 28, 2014
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Note from the Author: This essay was originally written in 2005 and published on Associated Content (subsequently, Yahoo! Voices) in 2007.  The essay earned over 11,500 page views on Associated Content/Yahoo! Voices, and I seek to preserve it as a valuable resource for readers, subsequent to the imminent closure of Yahoo! Voices. Therefore, this essay is being published directly on The Rational Argumentator for the first time.  
***
~ G. Stolyarov II, July 28, 2014

**

In Ralph Ellison’s Invisible Man, the Brotherhood subscribes to a view of history that inherently and deliberately disregards the individual personalities and interests of the Narrator and the people of Harlem whom the narrator seeks to inspire to action.

The Brotherhood’s theory of history is that of an impersonal force, in which individuals are mere actors fulfilling purposes far larger than themselves. Upon introducing the Narrator to the Brotherhood, Brother Jack explains this theory to him: “So it isn’t a matter of whether you wish to be the new Booker T. Washington, my friend. Booker Washington was resurrected today… He came out from the anonymity of the crowd and spoke to the people” (307).

According to Jack, the Narrator was speaking not for himself, but as a mouthpiece for Washington’s historical legacy, which “the people” continue to require under the present circumstances. The speech, suggests Jack, was made not with the narrator’s private interests in mind but as a response to “the people’s appeal” (307). Thus, the Brotherhood theory states that history is shaped by an enormous collective agent, “the people.” Somebody has to provide a “scientific” understanding of this determining force, however, and such a role is conveniently fulfilled by the Brotherhood itself.

Jack reveals the true implication of this role when he states of the Brotherhood committee’s purpose, “We do not shape our policies to the mistaken and infantile notions of the man in the street. Our job is not to ask them what they think but to tell them” (473). The Brotherhood defines history as a force shaped by the people’s will, while the Brotherhood defines “the people’s will” and thereby shapes history. Due to the strict hierarchical organization of the Brotherhood, its central committee, by this theory, is the principal definer and mover of history. Thus, the Brotherhood’s theory of history is doubly layered. On face, it seems to reflect the people’s desires, but, in its underlying essence, it is but a means of asserting the committee’s power over the people.

If history is whatever the committee chooses it to be, all others, be they working for the brotherhood or outside it, are mere instruments to this end. Once the Narrator dares challenge this view by taking initiative to organize Clifton’s funeral, Brother Jack unapologetically reveals the idea’s core: “For all of us, the committee does the thinking. For all of us. And you were hired to talk” (470). Jack and the committee do not permit their subordinates even a marginal degree of autonomy in actually determining the goals and purposes which the people, and thus history, will be animated by. The Narrator is only allowed to shape means, not ends, and only to a highly limited extent.

By inculcating the creed of sacrifice and denouncing “opportunists” and “petty individualists” (400-1), the committee hopes that its subordinates will voluntarily and systematically forego their personal ambitions and ideas, no matter how justified, in favor of the committee’s wishes, simply because the committee wished them. Since others are not allowed to shape history, the committee is thus able to hold firmly onto its reins and convince its Brotherhood minions that the only way to be “within history” is to follow the Brotherhood. The Narrator falls fully into this trap when questioning the motives for Clifton’s departure from the Brotherhood, asking, “Why should a man deliberately plunge outside of history and peddle an obscenity… Why should he choose to disarm himself, give up his voice and leave the only organization offering him a chance to ‘define’ himself?” (438).

The very notion that the only manner in which an individual can define his identity and act efficaciously within the context of history is to serve the Brotherhood can only follow from the Brotherhood’s own idea of history as defined by the Brotherhood. The irony that befalls the Narrator and other loyal Brotherhood subjects is that, in thinking that serving the Brotherhood’s idea is the sole way to preserve their historical agency, they in fact renounce the only true historical agency anyone can have, the agency of autonomous, self-directing individuals.

Superstitions Kill: An Analysis of Witch Hunts in Europe During 1480-1700 (2005) – Essay by G. Stolyarov II

Superstitions Kill: An Analysis of Witch Hunts in Europe During 1480-1700 (2005) – Essay by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
July 28, 2014
******************************
Note from the Author: This essay was originally written in 2005 and published on in six parts on Associated Content (subsequently, Yahoo! Voices) in 2007.  The essay earned over 21,500 page views on Associated Content/Yahoo! Voices, and I seek to preserve it as a valuable resource for readers, subsequent to the imminent closure of Yahoo! Voices. Therefore, this essay is being published directly on The Rational Argumentator for the first time.  
***
~ G. Stolyarov II, July 28, 2014

**

The Factors, Motivations, and Superstitions Behind Witch Hunts

 

The persecution of “witches” in Europe was a horrid practice during a time when the modern values of toleration, reason, due process, and gender equality were far more seldom manifested than today.

When examining the causes of the witch craze from 1480 to 1700, consideration must be given to those attitudinal conditions which, in later eras of European history, were far less prominent. Among these were the expectation of religious orthodoxy and behavioral uniformity, the lack of restraints on politicians’ desires to thrive at the expense of their subjects and competitors, and a widespread distrust of women and the aged.

During the Pre-Enlightenment era, the ideas of individual intellectual and religious freedom were largely anathema to mainstream thought, and opposed by a both a Catholic church striving to re-assert its temporal authority and the leaders of the Protestant Reformation attempting to aggressively gain control over mass followings.

Pope Innocent VIII wrote “The Witch Bull” in 1484, during the late Renaissance, when the Catholic Church was infamous for its pomp, love of worldly wealth, political scheming, and economic corruption. Part of the motive for this edict may have been the restoration of the Church’s prestige in the eyes of many fervent Christians, who held great disappointment and frustration at the Church’s perceived departure from spiritual matters.

By embarking the Church on a quest to purge spiritually “tainted” individuals, the Pope might have hoped to restore the image of his organization’s intense religiosity, while the Church’s political and worldly authority only increased. Indeed, the Holy Inquisition, which was just beginning to arise during this time, was greatly empowered by The Witch Bull to spread its physical power to all places where suspicions of witchcraft were present, effectively giving the Church the doctrinal means to implement a near-absolute ideological stranglehold over the Catholic world.

The tremendous success of both the Catholics and the Protestants at using the fear of witches to entrench their domination over the masses could only have been made possible by the masses’ tremendous susceptibility to such irrational superstition. A diary from a young Protestant boy illustrates a child’s fear of supernatural terrors, such as the devils that perpetually tormented his mind. Children, not yet having had adequate exposure to the workings of reality, are even today often pervaded by fears of monsters and other bizarre harms emerging from the unknown, but this boy lived in an age when the adults did not discredit such worries.

Indeed, because one church or another exerted a monolithic control over people’s intellectual lives, an individual would grow up in an environment where his childhood fears would only be further fed and fueled by the messages emanating from the religious orthodoxy. Entire generations would grow up in this manner, convinced since their earliest days that any individual oddity, coincidence, or uncommon occurrence was a sign of supernatural evil. Such masses were willing audiences to whatever ideological craze churches would concoct to extend their authority over individuals’ lives.

Anti-Female Prejudices Displayed in The Malleus Maleficarum

 

The 1486 book, The Malleus Maleficarum (The Hammer of Witches) was among the most violently prejudiced writings in history; it claimed the inferiority of women to males in every respect and blamed on this inferiority women’s alleged susceptibility to witchcraft. This book’s teachings inspired a bloody series of witch hunts that ravaged Europe for the next two centuries.

According to Heinrich Kramer and Jacob Sprenger in The Malleus Maleficarum, female susceptibility to superstition and witchcraft has among its causes women’s excessive credulity. The devil prefers to target the more credulous since “the chief aim of the devil is to corrupt faith, therefore he rather attacks them” (1). Kramer and Sprenger thus imply that the devil seeks to destroy religious integrity in the largest number of souls, and that his odds of success at this are greatest when targeting women. Women’s impressionability, defined by Kramer and Sprenger as the readiness “to receive the influence of a disembodied spirit” (1), renders their souls wide open to the devil’s manipulations.

Moreover, according to Kramer and Sprenger, women’s general inability to keep a secret, illustrated by their “slippery tongues” (1), is claimed to be a cause for the frequent public exposure of their witchcraft. Continuing their presentation, Kramer and Sprenger assert that women are intellectually inferior to males, and in this respect analogous to children, devoid of the knowledge of such fine disciplines as philosophy, which could have shielded them from maleficent influences. Furthermore, women are portrayed as being more motivated by bodily lust than males, and are, throughout the text, characterized as having insatiable carnal demands. This is derived from the inherent nature of woman, who obtained this defect as a result of her formation from an improperly bent rib.

Kramer and Sprenger claim that “The Malleus Maleficarum portrays the vices of deviousness and envy as pervasive in women. Kramer and Sprenger contend that women’s displays of emotion are insincere, since “[w]hen a woman weeps, she labours to deceive a man” (2). Women’s constant conniving and treachery are due to the jealousy that even the best women exhibit toward both their female counterparts and males. Even among the holy women of the Bible, Kramer and Sprenger find numerous examples of this trend, and assert that its harm will be magnified even further if it is directed against males. Female witchcraft, then, is the material manifestation, by means of manipulation and treachery, of the rampant envy that women exhibit.

Though Kramer and Sprenger assert that women are susceptible to irrational superstition, it is they, the authors of The Malleus Maleficarum, who fell prey to the most disastrous of superstitions: superstitions that enabled the killing of thousands of innocent people.

Witch Hunts as a Form of Anti-Female Discrimination

 

The witch hunts that took place from 1480 to 1700 were in part facilitated by the negative perceptions of women during the time period of their occurrence. Alan Macfarlane’s statistics reveal that females typically comprised about 80% of the total amount of “witches” executed, implying that, for every male victim, four females lost their lives.

Writing The Hammer of Witches (Malleus Maleficarum),the monks Heinrich Kramer and Jacob Sprenger entrenched this misogynist bend into official witch-hunting doctrine. Kramer and Sprenger describe a woman as inherently more fallible than her male counterpart, and from her very nature as one originating from an improperly bent rib, prone to evil. However, Kramer and Sprenger also write that, though women are susceptible to evil influences, they can also be “very good” when they use their impressionable qualities in a certain manner.

Given the heavily patriarchal nature of their time period, the monks may have been suggesting that the proper place of a woman is to obey male influences, so that her imperfections may be compensated for by the males’ lack of such fallibilities. The threat of being branded a witch more readily than a male would be might have served as a deterrent for women from defying the commonplace expectations imposed on them by the social and religious paradigms surrounding them.

Women like Alice Prabury, who diverged from the expected role of a woman as a mundane housekeeper and instead obtained uncommon skills to cure people and animals of diseases, were targets for persecution. The Churchwardens of Gloucestershire may have filed their accusation of witchcraft against Prabury due to their disapproval of the excessive independence that the woman manifested, as exemplified in her refusal to tell others, including the representatives of the dominant paradigm, the unique means by which she went about to performing work.

Additionally, women, like Walpurga Hausmannin, who exercised initiative in romantic relationships, were suspect of being in league with the Devil. In the patriarchal society of that age, romantic advances by females were considered highly improper and threatening to the social order. Perhaps Hausmannin’s death was a result of the dominant paradigm’s attempt to criminalize such behavior under the guise of witchcraft, but with the true purpose of enforcing male domination in relationships.

The creative, individualistic, and independent women were most often the targets of the two-century-long spree of witch hunts. Such persecution unfortunately destroyed many talented individuals who could have lived fulfilling lives and made tremendous advances in the arts and sciences.

How Martin Luther and John Calvin Conducted Witch Hunts and Persecuted Dissenters

 

The early 16th-century Protestant reformers Martin Luther and John Calvin were not enlightened, forward-thinking individuals. They were brutal, superstitious, intolerant, and repressive individuals who exploited popular stereotypes of “witches” in order to persecute those who disagreed with their views.

The Protestants’ use of the witch craze to enforce religious orthodoxy was no less dramatic than that of the Catholics. One of Martin Luther’s tools for attracting a mass following to his breakaway movement from the Catholic Church was the use of powerful emotional imagery. Just as he compared Rome to Babylon and the Pope to the Antichrist following his rejection of papal authority during the Leipzig debate in 1519, Luther was ready to brand eccentric or ideologically divergent individuals as “the Devil’s whores.”

Luther, in his 1522 sermon, charged the “witches” with a litany of supernatural behaviors, including transformation into different animals, accusations which, to the rationally thinking mind, would be ludicrous indeed. This further demonstrates that Luther’s motive for breaking away from the Catholic Church was not to defend freedom of individual thought, but to establish a religious orthodoxy of his own.

Luther, in addition to his intense anti-Semitism, strived to encourage the adoption of his version of Protestantism as the state-sponsored religion of numerous German principalities, at the expense of the religious freedoms of those principalities’ citizens. His intolerance extended even to the Zwinglians in Switzerland, with whom he exhibited only a minor disagreement over transubstantiation. Luther would undoubtedly have been eager to use the fear of witches as yet another weapon to direct mass hostility against those whose views diverged with his own.

John Calvin’s description of witches in the Institutes of the Christian Religion even more transparently revealed his true motives of combating dissension from his version of Protestantism. Calvin draws, from his passage on witchcraft, the conclusion that “we have to wage war against an infinite number of enemies.” Calvin might have included under this category anyone who did not conform to the dicta of his strict church government in Geneva.

Calvin’s policy was to stringently oversee people’s private lives, church attendance, and intellectual expression, and ensure that nothing they said or did would displease God. It should therefore come as no surprise that Geneva experienced a far larger number of witch hunts than most other major European cities. H.C. Erik Midelfort’s statistics show Geneva as having experienced 95 cases of witch persecution over 125 years, almost two and a half times more than had occurred in the entire Department of the Nord in France during 137 years.

Calvin was frank about his use of the witch craze to enforce the power of his own theocratic order, stating in the Institutes that he had brought up the entire issue “in order that we may be aroused and exhorted,” i.e., rallied behind Calvin’s religious movement.

The Political Motives Behind Witch Hunts

 

Aside from religious motives, the witch hunts that took place from 1480 to 1700 were made possible by the time period’s lack of restraint for political practices that provided only a flimsy cover for outright theft of property and politicians’ wanton attempts to destroy both their subjects and each other.

The personal avarice of many politicians of the time period impelled them to seek to thrive at the expense of others’ lives and suffering. The canon Linden, in his account of the persecutions in Trier, Germany in 1592, describes many of the city’s prominent magistrates as victims of the witch hunts, while others, including numerous political officers and the men hired by them, grew wealthy off the confiscated possessions of victims.

Indeed, Linden’s description suggests that witchcraft was “mass produced” and that the furnishing of accusations was a profitable industry for those on the receiving end of the property. The vehemence of a large segment of the population in supporting the witch executions might have been reinforced by the material gains those people would expect to obtain from them, gains that Linden personally witnessed when observing such men as the executioners.

Linden, himself a canon, saw many of his fellow canons lose their lives in the witch-hunting frenzy, and evidently considered himself at risk as well. His critical attitude toward the persecutions further illustrates that the witch hunts were an attempt of one class of people to prosper at the expense of others, and recognized as such by their victims.

Political rivalries, too, were motives for accusations of witchcraft. Among the victims of such ploys was Mayor Johannes Junius, who, though entirely innocent, was confronted with a trial whose proceedings were clearly not aimed toward an objective determination of guilt or innocence, but rather at causing Junius to “confess something, whether it be true or not.” The trial was rigged against Junius, and there was to be no possible outcome but his death. Such a case could not have existed had Junius not possessed rivals who wanted him eliminated at all costs. A vacancy in the post of mayor could, after all, assist someone’s political ambitions, either to occupy the position or place into it a man acceptable to some religious or political faction with the means to carry out witch hunts.

Roger North’s account also shows that witch hunts were often approved of by officials who themselves feared persecution by the masses. North, the brother of a chief justice, clearly sympathizes with those judges who were intimidated by mass fervor into condemning individuals accused of witchcraft, lest the judges themselves became targets of mass rage.

Even though most judges and officials, especially in the late seventeenth century, toward the end of the witch-hunting period, were sufficiently educated and rational to recognize the belief in witchcraft to be an “impious vulgar opinion,” those who stood on their principles could often find their careers, reputations, and even lives at risk.

Hatred of the Elderly as a Motivation for Witch Hunts

 

The era of witch hunts (1480-1700) exhibited a noticeably smaller life expectancy than the modern age, and living until an age even as advanced as sixty was extremely rare. Older individuals were seen as abnormal and thus, to the conformist mindset prevalent at the time, a threat.

W. Fulbecke expressed this view in writing, claiming that the bodies of the old become increasingly decayed and impure, and thus susceptible to corruption and evil. Having no rational, scientific explanation for the aging process, Fulbecke suggests that people senesce because they are “by the Devil whetted for such a purpose.”

The scientific ignorance of the witch-hunting period thus provided fuel for the creation of severely negative stereotypes on the basis of which aged individuals were persecuted. H.C. Erik Midelfort’s statistics show that the median age of accused witches across Europe was most frequently sixty, and at least fifty-five.

Given a general state of physical incapacitation among the elderly of the pre-modern era due to the lack of adequate medical knowledge, another reason for the frequent witch hunts against the senile may have been the inability of many of the latter to support themselves independently.

An English householder, as described by Thomas Ady, had a reputation for accusing of witchcraft those elderly beggars who had come to his door asking for assistance. The householder considered it his religious duty to give his aid to the poor, and would ask God’s forgiveness for denying it to an elderly woman, but would subsequently accuse the same woman of witchcraft. Perhaps, by the invention of such charges, the householder attempted to eliminate those elderly beggars whom he would otherwise have been compelled to support out of his Christian principles, likely to the detriment of his own economic well-being.

But even in such a time, more scientifically oriented individuals, such as the physician Johan Wier, had attempted to “fight with natural reason” the cruelties inflicted upon the aged. Wier refers to commonsense observations regarding the harmlessness of old individuals and the natural origins of the diseases which often clouded their reasoning.

Wier’s ideas were progressive for his time, and were used to argue for the humane treatment of the elderly. Nevertheless, the pervasive dominance of religious dogma over rational thought during his era left a mark even on Wier, who attributes witches’ false confessions to devilish influence, as opposed to the physical, this-worldly threats of torture they were faced with.

As the Enlightenment swept through the Western world during the early 18th century, the attitudinal conditions facilitating the persecution of witches were steadily moderated or eliminated. Religious orthodoxy gave way to greater toleration for a variety of faiths, and even strains of thought such as deism and atheism, whose advocates would not be accused of witchcraft.

The ideas of universal natural rights of individuals to life, liberty, and property made due process a legal priority and rendered it tremendously difficult for politicians to employ transparently artificial charges to wantonly expropriate the population or eliminate their competitors. The belief in the limitless potential of the rational faculties of all individuals, male or female, young or old, rendered misogyny and hatred of the elderly far less prevalent than previously. Along with the ideas that fostered it, witchcraft was relegated to the dustbin of history.

Lessons in Friendship from Shakespeare’s “Hamlet” (2005) – Article by G. Stolyarov II

Lessons in Friendship from Shakespeare’s “Hamlet” (2005) – Article by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
July 28, 2014
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Note from the Author: This essay was originally written in 2005 and published on Associated Content (subsequently, Yahoo! Voices) in 2007.  The essay earned over 12,000 page views on Associated Content/Yahoo! Voices, and I seek to preserve it as a valuable resource for readers, subsequent to the imminent closure of Yahoo! Voices. Therefore, this essay is being published directly on The Rational Argumentator for the first time.  
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~ G. Stolyarov II, July 28, 2014

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Hamlet, the protagonist of William Shakespeare’s play of the same name, faces a colossal burden with respect to both the physical reality of his father’s assassination by his uncle and the mental conflicts entailed in deliberating over an adequate response to this situation. Immersed in such a doubly tumultuous struggle, Hamlet searches for guidance and companionship in another individual. The foremost qualities that Hamlet seeks and finds in the person of Horatio are his clear and independent judgment, his loyalty to the interests and well-being of Hamlet, and, as Hamlet’s death draws near, his role as the reliable transmitter of Hamlet’s story and legacy. Hamlet’s recognition of these attributes of Horatio enables him to maintain a sincere, profound friendship that becomes fortified with the passage of time.

Unlike virtually everyone surrounding Hamlet in the royal court of Denmark, including Rosencrantz and Guildenstern, complete lackeys to the king, Polonius, who flatters Hamlet even for the latter’s deliberately mad utterances, and Ophelia, who is easily swayed by her father and Claudius to serve in their ploy to spy on Hamlet, Horatio maintains a persistent autonomy of judgment, expressing his thoughts even when they conflict with Hamlet’s, but always constructively. Horatio’s willingness to question those of Hamlet’s decisions that he considers rash is demonstrated when, upon the arrival of the ghost of Hamlet’s father, he seeks to dissuade Hamlet from following it, stating, “What if it tempt you toward the flood, my lord?/ Or to the dreadful summit of the cliff/…/And there assume some horrible form/ Which might deprive your sovereignty of reason…” (1.4.77-78,80-81).

Horatio’s friendship with Hamlet extends sufficiently far that, in his genuine concern for Hamlet’s safety, Horatio is willing to rebuke and point out the possible consequences of what he regards as Hamlet’s rasher actions. Hamlet indeed recognizes the value, objectivity, and validity of Horatio’s judgment when he calls him “as just a man/ As e’er my conversation coped withal” (3.2.56-57). Shortly after these words of praise, Hamlet selects none other than Horatio to observe Claudius’s reactions to the performance before them and act as an independent party verifying the king’s guilt in his predecessor’s murder on the basis of his response. Indeed, Horatio’s confirmation of Hamlet’s suspicion is integral for Shakespeare to even convey the certainty of Claudius’s guilt to the reader, who might have up to that point questioned the reliability of Hamlet’s perceptions and personal conjectures on this subject. Even more importantly, Hamlet himself had beforehand doubted Claudius’s culpability, stating, “The spirit I have seen/ May be a devil…” (2.2.627-8) and thereby questioning the validity of the accusation leveled against Claudius by the ghost of Hamlet’s father.

However, once Horatio conducts his independent observations, which Hamlet knows to have been formed without an inclination to automatically favor the prince’s interpretation, there is no longer any ambiguity in Hamlet’s mind on this matter. As the play progresses, Horatio’s judgments begin to assume even greater significance. Horatio attempts to dissuade Hamlet from accepting the king’s offer for him to duel with Laertes, and perceptively informs the prince, “You will lose, my lord” (5.2.223). Horatio senses that Claudius has laid a trap for Hamlet and urges that the prince’s mind overcome the rashness of his passions and rethink his rush into death, stating, “If your mind dislike anything, obey it” (5.2.231). Though Hamlet disobeys Horatio’s advice, Shakespeare uses the very presence of these warnings to suggest that Horatio’s voice of reason is an element immensely important and friendly to Hamlet’s interests. Indeed, had Hamlet heeded Horatio’s words of caution, he might have lived.

The purpose toward which Horatio uses his judgment, his staunch personal loyalty to Hamlet’s well-being, is an equally crucial component of the relationship between the two. So great is this devotion that Horatio becomes Hamlet’s confidant with regard to Hamlet’s suspicions of Claudius’s guilt. Before any member of the court has any evidence of the king’s murderous nature, Horatio is nevertheless willing to grant Hamlet’s plan a fair trial, and Hamlet trusts Horatio not to reveal his immensely dangerous secret to anyone else.

This trust is warranted, as Horatio is willing to go as far as to assert personal responsibility for the outcome of Hamlet’s plan, stating of the king, “If he steal aught the whilst this play is playing/ And ‘scape detecting, I will pay the theft” (3.2.94-5). From that moment on, Horatio plays a prominent role in Hamlet’s designs against Claudius. Upon Hamlet’s escape from the vessel destined to bring him to England and to his death, he sends a lengthy private letter to Horatio, explaining the events causing his return to Denmark and signed, “He that thou knowest thine” (4.6.30), indicating Hamlet’s reciprocation of Horatio’s loyalty. The letter contains details and clandestine designs that would be unsuited for the eyes of Claudius, who, in contrast to Horatio, receives an extremely brief letter merely indicating Hamlet’s forthcoming return. Once again, Hamlet can rely on Horatio not only to keep his secret, but to arrive promptly at Hamlet’s side as well.

Shakespeare uses the events of the play to confirm Hamlet’s evaluation of Horatio’s character, as, indeed, the reader finds the two of them in each other’s company at the opening of the fifth act. Horatio’s steadfast adherence to Hamlet’s interests is a stark contrast to the attitudes Hamlet observes in others of the Danish court. Polonius may flatter Hamlet for the latter’s every whimsical expression, yet does so not genuinely, undertaking such conduct merely because praising a prince to his face is expected from a servant of royalty. Rosencrantz and Guildenstern are willing to betray a childhood friendship with Hamlet in order to heed Claudius’s request to spy on him.

Even Hamlet’s beloved, Ophelia, does not display toward him the genuine loyalty he desires, willing to repel Hamlet’s letters and deny him the ability to visit her due to a mere command from her father. Only Horatio disallows such motives as expediency, favor-seeking, the desire to flatter, and obedience to the dictates of others from interfering with his genuine and principled adherence to the welfare of his friend. Hamlet, skilled in the contemplation of abstract principles, recognizes one such principle, loyalty, as consistently applied by Horatio, and thus gravitates toward a friendship with him. So immense is Horatio’s devotion to Hamlet at the end of the play that he contemplates drinking from a poisoned cup, calling himself “more an antique Roman than a Dane” (5.2.374), thereby indicating that his life’s meaning has been antiquated since he would no longer be able to exercise his primary moral purpose of loyalty to Hamlet due to the latter’s imminent death.

Yet Hamlet has other designs for Horatio’s life, and urges his friend to live on and perpetuate his devotion to the prince by serving as a reliable transmitter of Hamlet’s story and legacy. Hamlet appeals to the motive of loyalty when he instructs Horatio, “If thou didst ever hold me in thy heart,/ Absent thee from felicity awhile/ And in this harsh world draw thy breath in pain/ To tell my story” (5.2.381-4). Though the possibility of Horatio’s death is immensely undesirable to Hamlet, as it would leave behind the prince’s tarnished name and unexplained deeds, Hamlet does expect Horatio to forgo worldly pleasures and bear the burden of accounting for the prince’s motives and mistakes. This is a task Hamlet admits to be uncomfortable, but a necessary extrapolation upon the bond of friendship established between Hamlet and Horatio during the prince’s life.

Hamlet’s selection of Horatio for this undertaking also reinforces his confidence in Horatio’s objectivity and clarity in relating events as they happened, and Shakespeare himself uses these events to sway readers toward a concordant judgment. After all, Horatio is the sole man remaining to convey an accurate account of the happenings constituting the play. Since, through the play, readers indeed receive such an account, they are left to conclude that Horatio performed his job in accordance with Hamlet’s expectations. Moreover, Horatio acts not only to reveal and perpetuate the memory of Hamlet’s past, but also to implement Hamlet’s wishes to affect the future. Horatio agrees to fulfill Hamlet’s request to sponsor Fortinbras for the Danish succession and predicts the effect of such advocacy when he states that Hamlet’s “voice will draw on/ more” (5.2.435-436), inspiring the living to support Fortinbras as well. Even in death, Hamlet’s plans, values, and ideas continue to exert a real political influence due to the efforts of his steadfast friend in promoting them.

Shakespeare’s Hamlet suggests that, when there are no more favors to seek and no more momentary advantages to elicit, remaining by a person’s side is the true test of friendship, a test that Horatio passes with flying colors, as one cannot gain favors and advantages from a dead man. Hamlet rightfully recognizes the virtues of Horatio’s independent judgment and loyalty, and, paradoxically, maintains a bond with him in death even stronger than the one they had in life. While living, Hamlet twice disobeys Horatio’s advice as he follows the ghost and, later, commits the fatal error of accepting the proposal to duel with Laertes. However, during his last minutes, Hamlet demonstrates his complete trust of Horatio by investing him with the responsibility of transmitting his story through the ages, without any further oversight or objection from the prince. What stronger confidence in a friend can ever be manifested than this?

 

Brain Scanning Technology and the Functions of the Cerebellum (2004) – Article by G. Stolyarov II

Brain Scanning Technology and the Functions of the Cerebellum (2004) – Article by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
July 28, 2014
******************************
Note from the Author: This essay was originally written in 2004 and published on Associated Content (subsequently, Yahoo! Voices) in 2007.  I seek to preserve it as a valuable resource for readers, subsequent to the imminent closure of Yahoo! Voices. Therefore, this essay is being published directly on The Rational Argumentator for the first time.  
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~ G. Stolyarov II, July 28, 2014

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Brain scanning technology has enabled modern scientists to obtain a greatly improved understanding of perhaps the most complex and fascinating human organ. It has helped to more effectively treat brain disorders as well as to shed some light on the functions of the brain’s cerebellum and its role in smoothly facilitating basic everyday human activities.

Brain scans that record brain activity during the performance of certain tasks can assist scientists in pinpointing which regions are responsible for given tasks, as well as the interrelationships of certain brain regions in performing a given task.

The perception of music, for example, is controlled by several discrete and seemingly disjoint regions of the brain, but scanning technology allows scientists to perceive connections between those regions where none would have been fathomable using the naked eye alone.

Because of scanning technology, people with brain disorders may be given more specific remedies based on their particular afflictions (for example, if a person is epileptic and experiences seizures, there is no longer the need to make a giant and debilitating cut through the entire brain; it is necessary only to treat malfunctions in those regions directly responsible for epileptic fits). Also, it may become possible to extract brain tumors in such a manner as to minimally invade the regions of the brain responsible for certain crucial functions.

With the help of brain scanning technology, modern science has obtained increased insight into the functions of a vital part of the brain, the cerebellum. The cerebellum controls activities such as walking, the mechanical motions of writing, running, grasping onto objects, operating a keyboard, driving (for those with extensive experience), eating, and drinking. Humans do not have to think about performing the physical movements associated with these activities, even when those movements are quite complex. Most people with computer experience can type without looking at the keyboard and hit the right letter every time; this is because the cerebellum has automated the typing function. If one had to think about every movement one’s fingers made on the keys, typing would be an impossibly long and arduous process!

These activities are performed automatically so as to free room in the conscious mind for tasks of even greater complexity and variety, which constantly challenge human beings. If routine tasks required constant conscious exertion, then new learning as well as addressing diverse challenges such as problem solving, inventing, or writing would be impossible.