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My Views on “Eden against the Colossus” – Ten Years Later – Article by G. Stolyarov II

My Views on “Eden against the Colossus” – Ten Years Later – Article by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
June 8, 2013
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Not long after the release of the Second Edition of my 2003-2004 science-fiction mystery novel Eden against the Colossus, I was asked whether any of the views I expressed in the novel had changed since then, and, if so, to what extent.

I still strongly adhere to most of the fundamental philosophical principles expressed in Eden against the Colossus: the existence of an objective reality, the necessity for reason and rigorous inquiry in discovering it, the supreme value of the individual, the virtue of enlightened self-interest, and the immense benefits of technological progress for improving, elevating, and extending the human condition.

In the introduction to the Second Edition I discussed how, in retrospect, the future society described in Eden against the Colossus seems like a pessimistic scenario of how far humanity would progress technologically during the 750 years since the writing of the novel (for instance, in the lack of autonomous artificial intelligence or indefinite life extension – through there are many advanced robots and the average lifespan has increased by perhaps a factor of three in the world initially presented in the novel). This is a world very much characterized by a stark good-versus-evil conflict – that of the individualists/technoprogressives versus the Malthusians/Neo-Luddites. In the novel I occasionally use the term “environmentalists” to describe the Malthusians/Neo-Luddites; today, I would make a subtler distinction between those environmentalists who favor free-market and/or technological solutions to the problems they perceive, and those who see the only solutions as a “return to Nature” and a curtailment of human population. My quarrel is, and has fundamentally always been, only with those environmentalists who seek to reject or limit technological progress – particularly those who would use force to impose their preferences on others. Today I would be more careful to describe my views as anti-Luddite, rather than anti-environmentalist, in order to recognize as possible allies those environmentalists who would embrace technology with incidental benefits such as the reduction of pollution or the more efficient use of resources.

Were I writing the novel today, the society which results as the outcome of the individualist/technoprogressive vision would look quite different as well. The Intergalactic Protectorate is a libertarian system, but a highly centralized one nonetheless. Through its storyline though not through its explicit philosophical ideas, Eden against the Colossus illustrates the vulnerabilities of such a system and the ease of turning the machinery of the Protectorate against the very ideals it is supposed to protect. This is true, I now realize, of any large, centralized institution – public or private, controlled by virtuous people, or by mediocrities or crooks. As an example of this, one needs only to consider how the vast, largely voluntary centralization of information on the Internet – during the age of dominant providers of social-networking, search, and content-hosting services – has enabled sweeping surveillance of virtually all Americans by the National Security Agency through “backdoors” into the systems of the dominant Internet companies. No one person – and no one institution – can be the sole effective guardian of liberty. On the other hand, a society filled with political experiments, as well as experiments in decentralized technologies applied to every area of life, would be much more robust against usurpations of power and incursions against individual rights. Undertakings such as seasteading, a decentralized Meshnet, and Bitcoin have intrigued me in recent years as ways to empower individuals by reducing their dependence on large institutions and decreasing the number of ways by which power asymmetry enables those with ill intentions to get away with inconveniencing or outright oppressing innocent people.

A truly libertarian future will not resemble today’s corporate America on an intergalactic scale, only with considerably less regulation and a more stringently written Constitution enforced by a fourth branch of government possessing negative power only – essentially, the society portrayed in Eden against the Colossus. If humanity is to achieve an intergalactic presence, it will likely be in the form of hundreds of thousands of diverse and autonomous networks of people, largely possessing fluid social and political structures. The balance of power in such a world would greatly favor individuals who are hyperempowered by technology. Furthermore, if technology is to have the ability to radically enhance human intelligence and reasoning, then many of the philosophical disputes that have recurred throughout history may, in future eras, be settled by a more rigorous and nuanced framing of the ideas under consideration. The intellectual conflicts of the future are not likely to be of the hitherto-encountered “capitalist versus socialist” or “technoprogressive versus environmentalist” variety – since the evolution of technology and culture, as well as the shifting dynamics of human societies, will raise new issues of focus which will lead to interesting and unanticipated alignments of persons of various perspectives. It would be entirely possible for some issues to unite erstwhile opponents – as principled libertarians and principled socialists today both detest crony corporatism, or as technoprogressives and some technology-friendly environmentalists today support nuclear power and organisms bioengineered to clean up pollution.

With regard to the personal lives of the characters of Eden against the Colossus, my view today no longer necessitates a glorification of ceaseless work, though productivity remains important to me without a doubt. The enjoyment of the fruits of productive work – and the ability to increase the proportion of one’s time spent in that enjoyment without diminishing one’s productivity – are among the outcomes made possible by technological progress. Such outcomes are insufficiently illustrated in Eden against the Colossus. Moreover, were I to write the novel today, I would have more greatly focused on the ability of a technological society to provide individuals with the opportunity to balance work, leisure, relationships, and a broad awareness of numerous areas of existence.

Along with all of these qualifying statements, however, I nonetheless emphasize my view that the fundamental essence of the conflict depicted in Eden against the Colossus is still a valid and vital subject for contemplation and for consideration of its relevance to our lives. As long as humankind continues to exist in anything resembling its present form, two fundamental motivations – the desire for improvement of the human condition and the desire for restrictive control that would suppress efforts to alter the status quo – will continue to be at odds, in whatever unforeseeable future embodiments they might come to possess. Perhaps sufficient technological progress will shift the balance of human biology, environment, and incentives further away from the command-and-control motive and closer toward the pure motives of amelioration and progress. One can certainly hope.

Thoughts on Zoltan Istvan’s “The Transhumanist Wager” – A Review – Video by G. Stolyarov II

Thoughts on Zoltan Istvan’s “The Transhumanist Wager” – A Review – Video by G. Stolyarov II

Zoltan Istvan’s new novel The Transhumanist Wager has been compared to Ayn Rand’s Atlas Shrugged. But to what extent are the books alike, and in what respects? In this review, Mr. Stolyarov compares and contrasts the two novels and explores the question of how best to achieve radical life extension and general technological progress for the improvement of the human condition.

References

– The Transhumanist Wager Official Page
– “Thoughts on Zoltan Istvan’s ‘The Transhumanist Wager’: A Review” – Article by G. Stolyarov II
– Guilio Prisco’s Review of The Transhumanist Wager
– “Larry Page wants to ‘set aside a part of the world’ for unregulated experimentation” – Nathan Ingraham – The Verge – May 15, 2013
– Zoltan Istvan’s Reddit AMA

Thoughts on Zoltan Istvan’s “The Transhumanist Wager”: A Review – Article by G. Stolyarov II

Thoughts on Zoltan Istvan’s “The Transhumanist Wager”: A Review – Article by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
May 18, 2013
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Zoltan Istvan’s new novel The Transhumanist Wager has been compared to Ayn Rand’s Atlas Shrugged. (See, for instance, Giulio Prisco’s review.) But to what extent are the books alike, and in what respects? To be sure, the story and the writing style are gripping, the characters are vivid, and the universe created by Istvan gave me an experience highly reminiscent of my reading of Atlas Shrugged more than a decade ago. Even this alone allows me to highly recommend The Transhumanist Wager as a work of literary art – a philosophical thriller. Moreover, the didactic purpose of the novel, its interplay of clearly identified good and evil forces, and its culmination in an extensive speech where the protagonist elaborates on his philosophical principles (as well as its punctuation by multiple smaller speeches throughout) provide clear parallels to Atlas Shrugged.

Giulio Prisco calls the philosophy of The Transhumanist Wager’s protagonist, Jethro Knights, “an extreme, militant version of the radically libertarian formulation of transhumanism”. However, this is the area where I perceive the most significant departure from the parallels to Atlas Shrugged. Ayn Rand’s philosophy of Objectivism (which she did not like to be called “libertarian”, though it was in essence) has the principle of individual rights and the rejection of the initiation of force at its ethical core. Galt’s Gulch in Atlas Shrugged was formed by a withdrawal of the great thinkers and creators from the world of those who exploited and enslaved them. However, there was no active conquest of that world by Rand’s heroes; rather, without the men of the mind, the power structures of the world simply fell apart on their own accord.

Jethro Knights creates his own seasteading nation, Transhumania, a fascinating haven for innovation and a refuge for transhumanist scientists oppressed by their governments and targeted by religious fundamentalist terrorism. The concept of an autonomous bastion of innovation is timely and promising; it was echoed by the recent statements from Larry Page of Google in favor of setting aside a part of the world to allow for unbridled experimentation. Transhumania, due to its technological superiority, spectacularly beats back a hostile invasion by the combined navies of the world. It is when the Transhumanians go on the offensive that the parallels to Galt’s Gulch cease. Instead of letting the non-transhumanist world crumble or embrace transhumanism on its own accord, Jethro Knights conquers it, destroys all of its political, religious, and cultural centerpieces, and establishes a worldwide dictatorship – including some highly non-libertarian elements, such as compulsory education, restrictions on reproduction, and an espousal of the view that even some human beings who have not initiated force may not have an inviolate right to their lives, but are rather judged on their “usefulness” – however defined (perhaps, in the case of Transhumania, usefulness in advancing the transhumanist vision as understood by Jethro Knights). Jethro Knights permits a certain degree of freedom – enough to sustain technological progress, high standards of living, and due process in the resolution of everyday disputes – but, ultimately, all of the liberties in Transhumania are contingent on their compatibility with Jethro’s own philosophy; they are not recognized as absolute rights even for those who disagree. John Galt would have been gentler. He would have simply withdrawn his support from those who would not deal with him as honest creators of value, but he would have left them to their own devices otherwise, unless they initiated force against him and against other rational creators of value.

The outcome of The Transhumanist Wager is complicated by the fact that Jethro’s militancy is the direct response to the horrific acts of terrorism committed by religious fundamentalists at the behest of Reverend Belinas, who also has considerable behind-the-scenes influence on the US government in the novel. Clearly, the anti-transhumanists were the initiators of force for the majority of the novel, and, so long as they perpetrated acts of violence against pro-technology scientists and philosophers, they were valid targets for retaliation and neutralization – just like all terrorists and murderers are. For the majority of the book, I was, without question, on Jethro’s side when it came to his practice, though not always his theory – but it was upon reading about the offensive phase of his war that I came to differ in both, especially since Transhumania had the technological capacity to surgically eliminate only those who directly attacked it or masterminded such attacks, thereafter leaving the rest of the world powerless to destroy Transhumania, but also free to come to recognize the merits of radical life extension and general technological progress on its own in a less jarring, perhaps more gradual process. An alternative scenario to the novel’s ending could have been a series of political upheavals in the old nations of the world, where the leaders who had targeted transhumanist scientists were recognized to be thoroughly wasteful and destructive, and were replaced by neutral or techno-progressive politicians who, partly for pragmatic reasons and partly arising out of their own attraction to technology, decided to trade with Transhumania instead of waging war on it.

Jethro’s concept of the “omnipotender” is a vision of the individual seeking as much power as he can get, ultimately aiming to achieve power over the entire universe. It is not clear whether power in this vision means simply the ability to achieve one’s objectives, or control in a hierarchical sense, which necessarily involves the subordination of other intelligent beings. I support power in the sense of the taming of the wilderness and the empowerment of the self for the sake of life’s betterment, but not in the sense of depriving others of a similar prerogative. Ayn Rand’s vision of the proper rationally egoistic outlook is extremely clear on the point that one must neither sacrifice oneself to others nor sacrifice others to oneself. Istvan’s numerous critical references to altruism and collectivism clearly express his agreement with the first half of that maxim – but what about the second? Jethro’s statements that he would be ready to sacrifice the lives of even those closest to him in order to achieve his transhumanist vision certainly suggest that the character of Jethro might not give others the same sphere of inviolate action that he would seek for himself. Of course, Jethro also dismisses as a contrived hypothetical the suggestion that such sacrifice would be necessary (at least, in Jethro’s view, for the time being), and I agree. Yet a more satisfying response would have been not that he is ready to make such a sacrifice, but that the sacrifice itself is absolutely not required for individual advancement by the laws of reality, and therefore it is nonsensical to even acknowledge its possibility. Jethro gave his archenemy, Belinas, far too much of a philosophical concession by even picking sides in the false dichotomy between self-sacrifice to others and the subjugation of others to oneself.

Perhaps the best way to view The Transhumanist Wager is as a cautionary tale of what might happen if the enemies of technological progress and radical life extension begin to forcefully clamp down on the scientists who try to make these breakthroughs happen. A climate of violence and terror, rather than civil discourse and an embrace of life-enhancing progress, will breed societal interactions that follow entirely different rules, and produce entirely different incentives, from those which allow a civilized society to smoothly function and advance. I hope that we, at least in the Western world, can avoid a scenario where those different rules and incentives take hold.

I am a transhumanist, but I am also a humanist, in the sense that I see the advancement of humanity and the improvement of the human condition as the desired aims of technological progress. In this sense, I am fond of the reference to the goal of transhumanists as the achievement of a “humanity plus”. Transhumanism is and ought to be, fundamentally, a continuation of the melioristic drive of the 18th-century Enlightenment, ridding man of the limitations and terrible sufferings which have historically been considered part of necessary “human nature” but which are, in reality, the outcome of the contingent material shortcomings with which our species happened to be burdened from its inception. Will it be possible to entice and persuade enough people to embrace the transhumanist vision voluntarily? I certainly hope so, since even a sizable minority of individuals would suffice to drive forward the technological advances which the rest of humanity would embrace for other, non-philosophical reasons.

In the absence of a full-fledged embrace of this humanistic vision of transhumanism, at the very least I hope that it would be possible to “sneak around” the common objections and restrictions and achieve a technological fait accompli through the dissemination of philosophically neutral tools, such as the Internet and mobile devices, that enhance individual opportunities and alter the balance of power between individuals and institutions. In this possible future, some of the old “cultural baggage” – as Jethro would refer to it – would most likely remain – including religions, which are among the hardest cultural elements for people to give up. However, this “baggage” itself would gradually evolve in its essential outlook and impact upon the world, much like Western Christianity today is far gentler than the Christianity of the 3rd, 11th, or 17th centuries. Perhaps, instead of fighting transhumanism, some representatives of old cultural labels will attempt to preserve their own relevance amidst transhuman-oriented developments. This will require reinterpreting doctrines, and will certainly engender fierce debate within many religious, political, and societal circles. However, there may yet be hope that the progressive wings of each of these old institutions and ideologies (“progressive” in the sense of being open to progress, not to be mistaken for any current partisan affiliation) will do the equivalent work to that entailed in a transhumanist revolution, except in a gradual, peaceful, seamless manner.

Yet, on the other hand, the immense urgency of achieving life extension is, without question, a sentiment I strongly identify with. Jethro’s experience, early in the novel, of stepping on a defective mine has autobiographical parallels to Istvan’s own experience in Vietnam. A brush with death certainly highlights the fragility of life and the urgency of pursuing its continuation. Pausing to contemplate that, were it not for a stroke of luck at some prior moment, one could be dead now – and all of the vivid and precious experiences one is having could one day be snuffed out, with not even a memory remaining – certainly motivates one to think about what the most direct, the most effective means of averting such a horrific outcome would be. Will a gradual, humane, humanistic transition to a world of indefinite life extension work out in time for us? What can we do to make it happen sooner? Can we do it within the framework of the principles of libertarianism in addition to those of transhumanism? Which approaches are the most promising at present, and which, on the other hand, could be counterproductive? How do we attempt to enlist the help of the “mainstream” world while avoiding or overcoming its opposition? For me, reading The Transhumanist Wager provided further impetus to keep asking these important, open, and as of yet unresolved questions – in the hopes that someday the ambition to achieve indefinite life extension in our lifetimes will give rise to a clear ultra-effective strategy that can put this most precious of all goals in sight.

The Best Novels and Plays about Business: Results of a Survey – Article by Edward W. Younkins

The Best Novels and Plays about Business: Results of a Survey – Article by Edward W. Younkins

The New Renaissance Hat
Edward W. Younkins
May 10, 2013
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My Koch Research Fellows, Jomana Krupinski and Kaitlyn Pytlak, and I conducted a survey of 250 Business and Economics professors and 250 English and Literature professors. Colleges and universities were randomly selected and then professors from the relevant departments were also randomly selected to receive our email survey. They were asked to list and rank from 1 to 10 what they considered to be the best novels and plays about business. We did not attempt to define the word “best”,  leaving that decision to each respondent. We obtained sixty-nine usable responses from Business and Economics professors and fifty-one from English and Literature professors. A list of fifty choices was given to each respondent and an opportunity was presented to vote for works not on the list. When tabulating the results, ten points were given to a novel or play in a respondent’s first position, nine points were assigned to a work in the second position, and so on, down to the tenth listed work, which was allotted one point. The table below presents the top twenty-five novels and plays for each group of professors. Interestingly, fifteen works made both top-25 lists. These are noted in bold type.
***

The Best Novels and Plays about Business

Business and Economics Professors
Points
English and Literature Professors
Points
1.   Atlas Shrugged, Ayn Rand
457
1.   Death of a Salesman, Arthur Miller
282
2.   The Fountainhead, Ayn Rand
297
2.   Bartleby: The Scrivener, Herman Melville
259
3.   The Great Gatsby, F. Scott Fitzgerald
216
3.   The Great Gatsby, F. Scott Fitzgerald
231
4.   Death of a Salesman, Arthur Miller
164
4.   The Jungle, Upton Sinclair
143
5.   Time Will Run Back, Henry Hazlitt
145
5.   Babbitt, Sinclair Lewis
126
6.   The Jungle, Upton Sinclair
136
6.   Glengarry Glen Ross, David Mamet
121
7.   The Gilded Age, Mark Twain and Charles Dudley Warner
95
7.   The Rise of Silas Lapham, William Dean Howells
98
8.   Glengarry Glen Ross, David Mamet
89
8.   American Pastoral, Philip Roth
85
9.   God Bless You, Mr. Rosewater, Kurt Vonnegut, Jr.
57
9.   The Confidence Man, Herman Melville
75
10. Other People’s Money, Jerry Sterner
57
10. The Fountainhead, Ayn Rand
75
11. Bartleby: The Scrivener, Herman Melville
55
11. A Hazard of New Fortunes, William Dean Howells
66
12. A Man in Full, Tom Wolfe
48
12. The Octopus, Frank Norris
65
13. Babbitt, Sinclair Lewis
47
13. Atlas Shrugged, Ayn Rand
62
14. The Man in the Gray Flannel Suit, Sloan Wilson
43
14. Nice Work, David Lodge
62
15. Rabbit is Rich, John Updike
41
15. The Big Money, John Dos Passos
59
16. Major Barbara, George Bernard Shaw
39
16. The Gilded Age, Mark Twain and Charles Dudley Marner
58
17. Dombey and Son, Charles Dickens
33
17. Rabbit is Rich, John Updike
55
18. The Goal, Eliyahu M. Goldratt
33
18. Seize the Day, Saul Bellow
55
19. The Driver, Garet Garrett
32
19. Mildred Pierce, James M. Gain
54
20. Executive Suite, Cameron Hawley
32
20. The Financier, Theodore Dreiser
53
21. The Way We Live Now, Anthony Trollope
32
21. Dombey and Son, Charles Dickens
51
22. American Pastoral, Philip Roth
29
22. Sometimes a Great Notion, Ken Kesey
45
23. The Octopus, Frank Norris
29
23. The Last Tycoon, F. Scott Fitzgerald
44
24. Sometimes a Great Notion, Ken Kesey
28
24. The Moviegoer, Walker Percy
43
25. North and South, Elizabeth Gaskell
27
25. God Bless You, Mr. Rosewater, Kurt Vonnegut, Jr.
39

 

Dr. Edward W. Younkins is Professor of Accountancy at Wheeling Jesuit University. He is the author of Capitalism and Commerce: Conceptual Foundations of Free Enterprise [Lexington Books, 2002], Philosophers of Capitalism: Menger, Mises, Rand, and Beyond [Lexington Books, 2005] (See Mr. Stolyarov’s review of this book.), and Flourishing and Happiness in a Free Society: Toward a Synthesis of Aristotelianism, Austrian Economics, and Ayn Rand’s Objectivism [Rowman & Littlefield Pub Incorporated, 2011] (See Mr. Stolyarov’s review of this book.). Many of Dr. Younkins’s essays can be found online at his web page at www.quebecoislibre.org. You can contact Dr. Younkins at younkins@wju.edu

Reflections on Victor Hugo’s “Les Misérables” – Article by Edward W. Younkins

Reflections on Victor Hugo’s “Les Misérables” – Article by Edward W. Younkins

The New Renaissance Hat
Edward W. Younkins
February 18, 2013
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This essay is not a review of Tom Hooper’s recently released film of the tremendously popular 1980s stage musical. However, the release of this film has given me the occasion to read and to reflect upon the original text of Victor Hugo’s 1862 classic, Les Misérables, a mosaic of social indictment, history, social philosophy, sentimentality, and spirituality.

Victor Hugo’s Les Misérables (1862) is the great prose epic of the nineteenth century. Interweaving the social and spiritual threads of human life, the novel has been influential in making people desire a more just world. In Les Misérables the author condemns the unjust class-based social structure in nineteenth-century France for turning good people into criminals and beggars. He makes a case that crime and poverty can be eliminated through universal education, a criminal justice system that is flexible and focused on rehabilitation rather than punishment, and the more equal and humane treatment of women. Despite these broad recommendations, Hugo offered no practical solutions for reforming schools, the police, the courts, and the prisons. Les Misérables is a call for a wiser and nobler civilization. When it was released, it inspired a great deal of sympathy for hapless people oppressed by the state. It was also viewed as a celebration of revolution against tyranny.

Les Misérables is an epic novel focused on characters fighting against their exploitation and oppression. We see the injustices and disproportionate sentences piled upon Jean Valjean, the abuses suffered by Fantine, the brutality foisted on Cosette, the maltreatment of Enjolras  and his fellow revolutionaries, the plight of homeless children, and so on. All of these are examples of society’s injustice toward the lower classes. Through these stories, the novel exudes sympathy from the reader for the most wretched in society. The message is that, if men murder and steal and women fall from grace out of desperation, it is not their fault because they can find no honorable path to sustainability within the constructs of society. Rather, it is the fault of society and its creations, the state and the law. The state and its legal system are shown to be disinterested in the conditions of the dangerous classes. Society is thus culpable for dehumanizing the poor and for the crimes committed by the dregs of society. Les Misérables chronicles the corruption of police power, shows that society gives the convict no chance for redemption, and illustrates how France’s prison system not only continues, but also accelerates, the downward spiral of criminals. On the one hand, Valjean represents suppressed and destitute people whose place in life is determined by positive laws created by society’s elite in order to perpetuate their own superiority. On the other hand, Valjean illustrates that it is possible for men to rise above their circumstances.

Bishop Myriel is not a typical bishop or even a conventional Christian. He operates on his own innate sense of morality—it is not provided by Christianity. True morality is higher than, and separate from, any particular religion. Religions pass away but God remains. Myriel acts out of genuine sympathy and caring for the weak and the downtrodden. The Bishop has chosen a consistent belief system and life path and has dedicated his life to the active service of humanity by performing good deeds and engaging in heartfelt charity. Myriel believes that it is each man’s duty to perform good acts despite the fact that he may never know if the good acts he has performed for people will lead them to change their lives for the good. His religious humanism is far from orthodox Christianity.

When Myriel, the Bishop of Digne, forgives Jean Valjean for the theft of the silver, he offers him his initial opportunity for redemption. After this incident, Valjean has a choice to make. He could either continue on a path of crime or he could follow the example set by the Bishop. Having learned from his past, Valjean goes on to help the poor and the wretched. He adopts a new life, identity, and mentality. His new life includes honesty, love of neighbor, love of enemy, and love of God. Throughout his life, the Bishop is always with him as symbolized by the candlesticks. Myriel acts as a model and an inspiration for Valjean for the rest of his life. Throughout the novel, Valjean imitates more and more the Bishop’s asceticism, renunciation of worldly pleasures, and emphasis on sacrifice.

The moral duty to help the poor that Valjean accepts does not come from any social institutions. Rather, it flows from an expansive notion of God. Valjean illustrates that reason is inadequate in the resolution of moral problems. However, thought does direct Valjean toward the consideration of a dilemma, but at every decision point his emotions serve as the guide to right behavior. The hero performs good deeds intuitively as if he is acting in response to an inner voice. This Kantian perspective is that each person has an inner voice (perhaps his conscience), the source of moral laws, that tells him what his duties (i.e., moral obligations) are. The message seems to be that faith can transform one’s life. For Valjean, merely believing in God is not enough. He does not just contemplate the divine. Having learned from his experiences, he goes on to act to help people by his own initiative. For him, God, fulfillment, and salvation are attainable without the help of any organized religion.

Choice is difficult for Valjean who has a double nature—he has the experience of a convict and the instincts of a saint. He is a product of the social conditions that led him to steal a loaf of bread for his sister’s family and his prison time for punishment of that crime. Despite that, he still has the potential for good in him. Over and over he has to choose between doing what is right and doing what is safe and secure. At virtually every turn Valjean doubts and questions himself before making the morally correct choice. Les Misérables is very much a story of a man’s conscience at war with itself. After meeting the radiantly spiritual Bishop Myriel, Valjean’s life becomes a continuing struggle between his activated moral sense and his life-long criminal tendencies.

As Monsieur Madeleine, Jean Valjean redeems himself by becoming an innovative entrepreneur who creates a successful manufacturing business that brings about progress and prosperity for an entire region. This successful and kind person voluntarily does good deeds to help the less fortunate. Valjean’s actions exhibit justice to individual people rather than observance of the requirements of some abstract legal order. In addition to providing a reasonable standard of living for his employees, he builds schools and hospitals with his own money and distributes a large share of his wealth to the poor. Then, of course, he takes care of Fantine and rescues, raises, and protects Cosette. Ironically, the tolerant Valjean sympathizes with others but is unable to sympathize with himself. He understands that, although a person can repent of a crime, he can never escape the dishonor from committing it.

Inspector Javert cannot accept transgressions of the law regardless of circumstances. He represents the idea of punitive secular justice and is solely concerned with detection and retribution. Javert is absolutely committed to rules and to their administration. As a defender of France’s legal system, he is dedicated to following the letter of the law rather than the spirit of the law. The well-intentioned, rigid, and dogmatic Javert wants to protect society from the criminal element and has total faith in the system of laws that he represents. Javert, the personification of public authority, contends that theft is wrong regardless of mitigating factors. Myriel, representing morality, would say that theft should be forgiven in the case when one acted to keep people from starving. Of course, our hero, Valjean, is caught between these two worldviews. Toward the end of the novel, Javert comes to understand that Valjean is concerned with a moral law higher than positive state law. At the end he empathizes with Valjean and comprehends that divine law has supremacy. Javert commits suicide because this realization disaffirms everything in his life that he believed in. The story of Javert provides a lesson about the limitations of the law of men. At the end of his life, Javert understands that Jean Valjean’s resistance to Javert’s tyranny is rooted in a belief in a higher power and law than the laws of men.

Enjolras and his diverse band of revolutionaries have a dream of a better world and do all they can to make that world a reality. They love man, tend to reject organized religions (including Christianity), and attempt to overturn the existing social order. Enjolras, the leader of the ABC (the Abaissé or the abased) Society wants to elevate men. The ABC’s 1832 revolt demanded legislation that would make possible liberty, justice, equal education, equal opportunity, and so on. Enjolras is a devoted, purposeful, political idealist who inspires others with his utopian vision of future progress. The other revolutionaries turn to Enjolras for the meanings behind their actions.

The novel teaches that individual men are dignified, honorable, and benevolent, but that social institutions are not, the result being the corruption of individual human beings. Like Rousseau and Turgot, Hugo subscribes to the idea of the natural goodness of man. All three believed in progress and in the perfectibility of man. They viewed progress as a basic law of the universe. Created by God, man has the capacity to become a civilized moral person if he is not corrupted by society. It is the corrupting influence of society that is responsible for the misconduct of the individual. If individuals are properly educated then they would not want to do evil.

Hugo maintains that society must be changed, but also that it is individuals who must first be transformed. It is these transformed individuals who can then foster the advancement of society. Accepting the Platonic idea that the individual’s soul is noble but the body is degraded, the author of Les Misérables teaches that one must achieve spiritual grandeur and a virtuous character in order to battle for justice in the here and now. Some individuals have the ability to triumph over evil both in themselves and in society and its institutions if they are willing to actively respond to the divine. In Les Misérables the life of each character influences others. It follows that, if each individual comprehends and accepts his influences on other persons, then society may become more just, caring, and merciful. Hugo contends that the requisite love of humanity can only come from faith in the divine. Faith in God is thus placed at the heart of this work. For Hugo, belief in God by acting people of good will is necessary to instill the social order with kindness and to make society more humane. Like Pascal, Hugo urges his readers to bet in favor of the existence of God and perhaps even in the possibility of an afterlife for the soul. In Les Misérables there are only a few exceptional virtuous individuals such as Myriel, Jean Valjean, and Enjolras, who can attain this level of existence. It follows that rehabilitation and elevation of the social order is most likely impossible given the above requirement and reality.

The novel’s ethic of social service emphasizes the alleviation of poverty. It portrays poor people being helped by the charitable works of a private individual (Valjean) rather than by government. Depicting the abject poverty of the poor, Les Misérables questions the morality of a political and economic system that permits children to be orphaned and homeless, mothers dying in the streets, and good men imprisoned for minor transgressions committed to feed their families. Hugo’s goal was to elicit his readers’ compassion and to stimulate their moral sensibilities by portraying how poverty brutalizes and dehumanizes people and how strict and relentless law enforcement creates the savages that it wants to eliminate. He wanted to educate the bourgeois and to awaken their consciousness and concern for France’s social problems. Hugo wanted people to take action to ease the burden of the less fortunate through good deeds and through changes in the social system. Les Misérables is Hugo’s plea for social change that vacillates between human and institutional reality and his hope for, and vision of, a better world.

In Les Misérables Hugo depicts that society is nothing more than the collection of individuals whose lives affect one another. For example, it is clear that Jean Valjean is concerned only with the individuals who make up society. In the novel, the circumstances and conduct of various seemingly randomly introduced characters converge and become intertwined with the struggles of Valjean. From the beginning of the story, there is a web of influence that builds as characters affect one another. Early on we see G______, a representative of the assembly during the French Revolution that dissolved the monarchy, humbling Bishop Myriel who recognizes his moral devotion to humanity and progress prompting the Bishop to redouble his own tenderness and love for the weak and the suffering. The network of interconnections grows as characters such as Valjean, Fantine, Cosette, Javert, Fauchelevant, the Thénardiers, Marius, M. Gillenormand, Colonel Pontmery, Champathieu, Enjolras, and others appear. The author brings many of these characters together toward the climax of the novel.

Les Misérables illustrates that in every idea, and that for every person, perspective is partial and, therefore, insufficient by itself alone. Hugo shows that the complexity of life requires that no one philosophy, perspective, emotion, tradition, or behavior is capable of providing a total picture of what it means to be human. Like Kant, Hugo laments the fact that a person can only perceive and comprehend things through his own consciousness. According to Kant, man’s knowledge lacks validity because his consciousness possesses identity. For Kant, knowledge, to be valid, must not be processed in any way by consciousness. Hugo, like Kant, seems to be looking for knowledge that could be called absolute, unqualified, pure, or diaphanous. Kant maintains that identity, which itself is the essence of existence, invalidates consciousness. To know what is true, a man would have to abandon his own nature, which is an absurd impossibility. It follows that for both Hugo and Kant, reason must be forsaken and the emotions must be embraced, if one wants to deal with the fundamental concerns of existence. Hugo does seem to imply that knowledge can be enhanced by dialectically relating each perspective with opposing viewpoints. However, he realizes that, even with this dialectic interaction, one’s knowledge would still be limited. Even when many angles of perspective can be coordinated simultaneously, one’s understanding of a process, experience, or event is still limited.

Les Misérables is a fascinating maze of characters, emotions, ideas, paradoxes, and antitheses. The novel co-mingles ever-shifting and blurred shades of criminality, heroism, misery, resilience, good, evil, irony, pathos, poetry, free will, providence, action, the social, the spiritual, and much more. Hugo thus deals with the emotions, hopes, fears, passions, and doubts that are reflective of people’s common humanity. Les Misérables is a detailed reporting of men’s feelings and ideas that transcend time and place. It follows that this great novel is as relevant today as when it was published more than 150 years ago.

Dr. Edward W. Younkins is Professor of Accountancy at Wheeling Jesuit University. He is the author of Capitalism and Commerce: Conceptual Foundations of Free Enterprise [Lexington Books, 2002], Philosophers of Capitalism: Menger, Mises, Rand, and Beyond [Lexington Books, 2005] (See Mr. Stolyarov’s review of this book.), and Flourishing and Happiness in a Free Society: Toward a Synthesis of Aristotelianism, Austrian Economics, and Ayn Rand’s Objectivism [Rowman & Littlefield Pub Incorporated, 2011] (See Mr. Stolyarov’s review of this book.). Many of Dr. Younkins’s essays can be found online at his web page at www.quebecoislibre.org. You can contact Dr. Younkins at younkins@wju.edu.

MOBI and EPUB Formats of “Eden against the Colossus” Now Available

MOBI and EPUB Formats of “Eden against the Colossus” Now Available

As promised, the Second Edition of my science-fiction mystery novel Eden against the Colossus is now available in additional formats. MOBI and EPUB formats for e-readers can now be downloaded for free. As previously, you can also download a free PDF copy of this book.

My sincere thanks go to Wendy Stolyarov for her work in making this release possible.

Second Edition of “Eden against the Colossus” Now Available for Free PDF Download

Second Edition of “Eden against the Colossus” Now Available for Free PDF Download

The New Renaissance Hat
G. Stolyarov II
January 21, 2013
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I am delighted to announce that the Second Edition of my novel Eden against the Colossus (originally written in 2002-2003, and published in 2004) is now available for free download in PDF format. Click here to download and read a copy. I shall also endeavor to make the book available in other e-publishing formats in the near future.

The novel’s official home page has also been updated. You can go there to download the book and read reviews by others. I encourage you to submit reviews of your own to me in the manner described on the page. Additionally, I invite you to read the introduction to the Second Edition below.

   Introduction to the Second Edition

It has been some ten years since I wrote Eden against the Colossus. I worked on this book gradually from July 2002 through July 2003, with some light edits made in the summer of 2004, for online publication in July of that year. In October 2011, Lulu.com, the former host of the e-book, took it down inexplicably. I decided then that I never again would risk the availability of my work being put in jeopardy due to the whims of an external host. Hence, I have worked this past year to release this second edition, entirely free of charge, for as many electronic and e-book formats as I could manage.

In the course of creating the second edition, I performed some thorough editing, largely for style and not content. The aim of the editing process was to retain as much of the original intent and vision of Eden against the Colossus as I could, while improving the phrasing of certain sentences and sometimes modifying or clarifying a few peripheral details to render the story more internally consistent. My writing style has progressed considerably in the past decade, and I have endeavored to apply some of what I have learned in order to enhance this work – but not enough to alter its fundamental structure, plot, or ambience. Moreover, I have not diminished the substance or sophistication one bit.

Science fiction is shaped by the author’s ability to project the future from present circumstances. Upon re-reading and editing this work, it was interesting for me to contemplate the actual changes that had occurred in the world during the intervening ten years, and how they aligned with my predictions. In some ways, I am more optimistic about the future (especially the most proximate century) than I was when I wrote this book. Some of the technologies I anticipated, such as electronic ink, are already ubiquitous (though not facilitated by nanobots and an interface between the mind and an e-reader, as I had imagined). Other technologies, such as in vitro meat, are around the corner in our time – but have taken humankind in my projection some 750 years to arrive at.

I wrote Eden against the Colossus prior to my exposure to the work of Aubrey de Grey on indefinite human life extension and the work of Ray Kurzweil on exponential growth in computing technology, artificial intelligence, and the concept of the technological singularity. Even the Intergalactic Protectorate – with all of its technological marvels – is a pre-singularitarian society in Kurzweil’s sense. I suppose that it had to be one in order for me – from the vantage point of the early twenty-first century – to have been able to conceive of its various aspects. This fictional universe is also one in which sentient machines have not emerged – as I considered them impossible at the time of writing. There are numerous intricate robots on various scales – to be sure – but all of them remain instruments of man. Humans do, however, have numerous technological enhancements to their bodies and minds – a combination of biotechnology and computing add-ons – that serves as a soft parallel to Kurzweil’s concept of the merger of man and machine into an enhanced being of vastly greater cognitive capacity. The dialogue of the characters is far more advanced than most spoken discourse today; think of an entire society possessing the literary skills of elites during the 18th-century Enlightenment – in their speech.

 It is important to understand this hypothetical future as one conditioned by centuries of retrogression, war, and gradual, staggered recovery of civilization. Perhaps it represents one of the less palatable tracks of civilizational progress – where the Malthusians and Luddites set back prosperity and innovation for centuries, but where the human will for life, achievement, and expansion comes out ahead anyway – eventually. I certainly hope that, in the real world, we can do better to prevent the de-civilizing process from taking hold during the early third millennium. I harbor now – to a greater extent than I did ten years ago – the hope of personally someday living in a world where the level of human advancement and prosperity has surpassed what I envisioned here.

Eden against the Colossus is a humanist work, and a proto-transhumanist one. It embraces reason, industry, innovation, and technological progress, and thoroughly critiques and condemns the enemies of human development. Though it will be apparent to the reader from even the prologue, the book is intended as a response to and refutation of Daniel Quinn’s Ishmael, which I still consider to espouse a worldview that is most diametrically opposed to my own. What would the society glorified by Ishmael really look like? Is it truly compatible with the human condition as it can be and ought to be? These questions are explored here in depth. I still think that most of my answers to them are correct, and worthy of consideration – especially as compared to their antitheses. It is particularly important for the ideas of reason, individualism, and technological progress to be spread today – in the face of misguided attacks from such diverse individuals as Leon Kass, Sherwin Nuland, Daniel Callahan, John Gray, and Nassim Taleb, which, if embraced by too many of our contemporaries, could seriously damage the advancement of civilization and our own life expectancies and standards of living. I might have phrased some of my statements differently had I written this work today, but the overall emphasis and intellectual direction are on target. I am rendering this book available to all for free download and redistribution, because I consider it essential to spread sophisticated discussion of these ideas and to counter the opponents of meliorism on both the Left and the Right.

Along with being a science-fiction tale, this book is a philosophical mystery story, which implies that not all pieces of information will be available to the reader immediately. I assure you, however: they will be accounted for. Reality brooks no contradictions, and any fiction that pretends to have value in this world cannot, either.

I have seen fit, as part of the mystery, to invent an entirely new language, which the reader will perceive to be quite confounding. It is meant to be. And, of course, the confusion is meant to be resolved.

 This book is not what it seems when you begin reading it. If it were merely about a straightforward ideological disagreement, or about interaction with an extremely different alien species, it could perhaps be phrased better in a treatise. Even though it may seem that I am telling you a lot of the ideas in the book, this is just one of the mechanisms used to show you this story.

To those who are expecting light reading, this book is certainly not that. It must both set up an elaborate future world and develop the mystery within it. The book must necessarily get off to a slow start, but once the background is explicated, the story begins to take on a life of its own, and careful reading of the early passages will pay intellectual dividends to the reader during the latter half. If you appreciate a text that is constructed with great care and in which every fact and every statement is selected with a logical purpose, then you will enjoy Eden against the Colossus.

Mr. Stolyarov’s Short Story “What Did Not Have to Be” Wins Transhumanity.net 2033 Immortality Fiction Contest

Mr. Stolyarov’s Short Story “What Did Not Have to Be” Wins Transhumanity.net 2033 Immortality Fiction Contest

I am pleased to announce that my short story “What Did Not Have to Be” won first place in the Transhumanity.net 2033 Immortality Fiction Contest. What a fitting outcome at a time when I am focusing more on my writing! The prize for first place is $50.

Here is the Transhumanity.net posting of winners. Out of all the contestants, I portray indefinite human longevity in the most optimistic light – and it would indeed be wonderful if technological progress can get us to this most vital of all goals within the next 20 years!

“What Did Not Have To Be” – Science-Fiction Short Story By Mr. Stolyarov, Published on Transhumanity.net

“What Did Not Have To Be” – Science-Fiction Short Story By Mr. Stolyarov, Published on Transhumanity.net

My new short science-fiction story, “What Did Not Have to Be”, has been published an entry in Transhumanity.net’s 2033 Immortality Fiction Contest. The short story focuses on indefinite life extension and those who resist it. I invite you to read it and offer your thoughts.

Winners of the contest will be announced on January 10, 2013. I applaud Transhumanity.net’s efforts to promote the cause of indefinite life extension by encouraging the writing of fiction on the topic.

Rejecting the Purveyors of Pull: The Lessons of “Atlas Shrugged: Part II” – Article by G. Stolyarov II

Rejecting the Purveyors of Pull: The Lessons of “Atlas Shrugged: Part II” – Article by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
October 13, 2012
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Atlas Shrugged: Part II is a worthy successor to last year’s Part I, and I am hopeful for its commercial success so that John Aglialoro and Harmon Kaslow will be able to release a full trilogy and achieve the decades-long dream of bringing the entire story of Ayn Rand’s Atlas Shrugged to the movie screen. The film is enjoyable and well-paced, and it highlights important lessons for the discerning viewer. The film’s release in the month preceding the US Presidential elections, however, may give some the wrong impression: that either of the two major parties can offer anything close to a Randian alternative to the status quo. Those viewers who are also thinkers, however, will see that the film’s logical implication is that both of these false “alternatives” – Barack Obama and Mitt Romney – should be rejected decisively.

While the cast has been replaced entirely, I find the acting to have been an improvement over Part I, with the actors portraying their respective characters with more believability and emotional engagement. Samantha Mathis, in the role of Dagny Taggart, showed clearly the distress of a competent woman who is ultimately unable to keep the world from falling apart. Esai Morales aptly portrayed Francisco d’Anconia’s passion for ideas and his charisma. Jason Beghe also performed well as Hank Rearden – the embattled man of integrity struggling to hold on to his business and creations to the last.

The film emphasizes strongly the distinction between earned success – success through merit and creation – and “success” gained by means of pull. The scene in which two trains collide in the Taggart Tunnel is particularly illustrative in this respect. Kip Chalmers, the politician on his way to a pro-nationalization stump speech, attempts to get the train moving through angry phone calls to “the right people,” thinking that all will be well if he just pulls the proper strings. But the laws of reality – of physics, chemistry, and economics – are unyielding to the mere say-so of the powerful, and the mystique of pull collapses on top of the passengers.

As the world falls apart, the film depicts protesters demanding their “fair share,” holding up signs reminiscent of the “Occupy” movement of 2011 – “We are the 99.98%” is a clear allusion. Yet once the draconian Directive 10-289 is implemented, the protests turn in the other direction, away from the freedom-stifling, creativity-crushing regimentation. Perhaps the protesters are not the same people as those who called for their “fair share”  – but the film suggests that the people should be careful about the policies they ask for at the ballot box, lest they be sorely disappointed upon getting them. This caution should apply especially to those who think that Barack Obama’s administration parallels the falling-apart of the world in Atlas Shrugged – and that Mitt Romney’s election would somehow “save” America. Nothing could be further from the truth.

If there is any character in Atlas Shrugged who most resembles Mitt Romney, it is not John Galt. Rather, it is James Taggart – the businessman of pull – the sleek charlatan who will take any position, support any policy, speak any lines in order to advance his influence and power. Patrick Fabian conveyed the essence of James Taggart well – a man who succeeds based on image and not on substance, a man who has a certain polished charisma and an ability to pull the strings of politics – for a while. James Taggart is the essence of the corporatist businessman, a creature who thrives on special political privileges and barriers to entry placed in front of more capable competitors. He can buy elections and political offices – and he can, for a while, delude people by creating a magic pseudo-reality with his words. But words cannot suspend the laws of logic or economics. Ultimately the forces of intellectual and moral decay unleashed by corporatist maneuvering inexorably push the world into a condition that even the purveyors of pull would have preferred to avoid. As Ludwig von Mises pointed out, the consequences of economic interventionism are often undesirable even from the standpoint of those who advocated the interventions in the first place. James Taggart is ultimately pushed into accepting Directive 10-289, though his initial plans were much more modest – mostly, a desire to hang onto leadership in the railroad business despite his obvious lack of qualifications for the position. Mitt Romney, by advocating James Taggart’s exact sort of crony corporatism, may well usher in a similar overarching totalitarianism – not because he supports it now (in the sense that Mitt Romney can be said to support anything), but because totalitarianism will be the logical outcome of his policies.

Because, in some respects, Ayn Rand wrote during a gentler time with respect to civil liberties, and the film endeavors to consistently reflect Rand’s emphasis on economic regimentation, there is little focus on the kinds of draconian civil-liberties violations that Americans face today. The real-world version of Directive 10-289 is not a single innovation-stopping decree, but an agglomeration of routine humiliations and outright exercises of violence. The groping and virtual strip-searching by the Transportation Security Administration, the War on Drugs and its accompanying no-knock raids, the paranoid surveillance apparatus of large-scale wiretaps and data interception, and the looming threat of controls over the Internet and indefinite detention without charge – these perils are as damaging as an overarching economic central plan, and they are with us today. While not even the most socialistic or fascistic politicians today would issue a ban on all new technology or a comprehensive freeze of prices and wages, they certainly can and will try to humiliate and physically threaten millions of completely peaceful, innocent Americans who try to innovate and earn an honest living. Obama’s administration has engaged in this sort of mass demoralization ever since the foiled “underwear” bomb plot during Christmas 2009 – but Romney would do more of the same, and perhaps worse. Unlike Obama, who must contend with the pro-civil-liberties wing of his constituency, Romney’s attempts to violate personal freedoms will only be cheered on by the militaristic, jingoistic, security-obsessed faction that is increasingly coming to control the discourse of the Republican Party. There can be no hope for freedom, or for the dignity of an ordinary traveler, employee, or thinker, if Romney is elected.

I encourage the viewers of the film to seriously consider the question, “Who is John Galt?” He is not a Republican. If any man comes close, it is Gary Johnson, a principled libertarian who has shown in practice (not just in rhetoric) his ability and willingness to cut wasteful interventions, balance budgets, and protect civil liberties during two terms as Governor of New Mexico. He staunchly champions personal freedoms, tax reduction, foreign-policy non-interventionism, and a sound currency free of the Federal Reserve system. Gary Johnson was, in fact, a businessman of the Randian ethos – who started as a door-to-door handyman and grew from scratch an enterprise with revenues of $38 million.  And, on top of it all, he is a triathlete and ultramarathon runner who climbed Mount Everest in 2003 – clearly demonstrating a degree of ambition, drive, and pride in achievement worthy of a hero of Atlas Shrugged.

Ayn Rand never meant the strike in Atlas Shrugged to be an actual recommendation for how to address the world’s problems. Rather, the strike was an illustration of what would happen if the world was deprived of its best and brightest – the creators and innovators who, despite all obstacles, pursue the path of merit and achievement rather than pull and artificial privilege. Today, it is necessary for each of us to work to keep the motor of the world going by not allowing the purveyors of pull to gain any additional ground. Voting for Mitt Romney will do just the opposite – as Atlas Shrugged: Part II artfully suggests to the discerning viewer.