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“To Venus and Mars” by Rodney Rawlings – Sandra Flores-Strand, Mezzosoprano

“To Venus and Mars” by Rodney Rawlings – Sandra Flores-Strand, Mezzosoprano

The New Renaissance Hat
Rodney Rawlings and Sandra Flores-Strand
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Description by Rodney Rawlings: Performed by mezzosoprano Sandra Flores-Strand with pianist John Massaro in rehearsal for Voices of Vienna concert of April 13, 2018, in Fountain Hills, Arizona. A video of the concert is expected to become available soon. This song is in tribute, and counsel, to those adventurers who push out the boundaries of our one and irreplaceable existence.

Watch an earlier performance of “To Venus and Mars” by soprano Amanda Noelle Neal here.

“TO VENUS AND MARS”

While children down here in the fields
Catch fireflies in jars,
So grown men chase evening light …

… To Venus and Mars
Someday a brave man will go–
Someone who can bear to be launched
And leave us below.

But deep in the sky
He will lose sight of the earth
Ere catching that one final glimpse–
Stuff of memoirs–
Knowing he’s bound on a course
To Venus and Mars.

—-

Now he must seek higher realms instead.
It was time for those last looks to end.
Echoes remind him of what they said
When he first heard their call to ascend:
“Do you find most of this globe absurd,
“With its throngs, restless passions, and tears?
“This world is vain, as we’ve often heard.
“Do you long for a mission that’s one-way
“To Venus and Mars– to Venus and Mars–?”

—-

Near Venus and Mars
Yet might he grow ill at ease
To gaze on them–visions of Earth
Taint all that he sees?

This trav’ler may soon
Dream he will one day return–
To mingle on streets full of life,
To chase falling stars
And quite serenely look up to Venus and Mars.

(Spoken:) And quite serenely look up
(Sung:) to Venus and Mars.

© 2018 Rodney Rawlings

Rodney Rawlings is a Toronto writer and composer/songwriter. He arrived at the concept of hypercomplex numbers independently, using Ayn Rand’s philosophy of Objectivism to guide him.  See his YouTube Channel

The Martian – Movie Review by Edward Hudgins

The Martian – Movie Review by Edward Hudgins

The New Renaissance HatEdward Hudgins
October 13, 2015
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The Martian, from director Ridley Scott, is an exciting film about an astronaut stranded on the Red Planet. It celebrates the heroism that comes from human reason. And it points to what it will take for humans in coming decades to make Mars a new home for humanity. With the film coming on the heels of NASA’s confirmation of liquid water on the Martian surface, that home could be closer than you think!

“I’m not gonna die!”

The Martian is based on a novel that author Andy Weir originally published himself online and offered as a free download. The author and the film take care to be as scientifically accurate as possible in the context of a fictional offering.

Martian_1The movie opens with the third crew to land on Mars rushing back to their landing craft ahead of a sudden sandstorm that threatens to destroy it and them. (In reality, Mars’s thin atmosphere would mean such a storm would annoy rather than kill. But then there’d be no story!)

Unfortunately, astronaut Mark Watney (Matt Damon) is struck by debris from some destroyed communications equipment and blown away. Sensors indicate his suit’s seal has been breached, meaning his oxygen has escaped and he’s likely dead. The rest of the crew takes off without searching for his body to avoid being killed themselves.

They begin their sad, year-long journey home after informing the world of the tragedy.

But Watney is alive! The breach in his suit was sealed by blood and the debris lodged in his side. He gets back to the habitat the astronauts had used as their base. But his future still looks grim. He is out of contact with Earth and his shipmates. The next Mars mission is not scheduled to arrive for four years and will land 3,000 kilometers from where he is. He has nowhere nearly enough food rations to survive that long. But he declares, “I’m not gonna die,” and we see his mind at work in the video logs he makes of his efforts.

Intelligence for survival

“Let’s do the math!” he says as he figures out that he must grow three years’ worth of potatoes on a frozen planet where nothing grows and find some way to water and fertilize his crops. But he’s a botanist and he declares, “Mars will come to fear my botany power!” He converts part of the hab into a makeshift greenhouse. Human waste—what the crew left in its short visit and what he will produce in the years ahead—will be his fertilizer. The water will come from a jury-rigged setup that extracts it from other substances at hand in the hab.

Martian_2

Watney contemplates how to get his tractor, which needs batteries recharged every 35 kilometers, to trek a hundred times that distance, how to carry enough supplies for that journey, how to contact Earth, and many other challenges. And he declares, “I’m gonna have to science the s**t out of this!”

Director Scott does not give us wishful thinking, mere muscles, unconvincing machismo, or deus-ex-machina miracles. He gives us intelligence as the key to survival.

Will they succeed?

Meanwhile, back at NASA, satellite photos show activity at the hab, meaning Watney is alive. Scientists on Earth observe him trekking out into the desert and guess, correctly, that he’s searching for a decades-old Pathfinder probe to try to revive its old radio system, which he does. Now they can communicate.

But Watney’s farming efforts are cut short by an accident, and NASA’s plan to send an unmanned resupply ship does not go as planned. The one slim hope, which NASA opposes, is for his shipmates to swing around Earth rather than land as they’re supposed to and return to Mars to rescue him. Will they do so? Will they succeed?

Optimism, intelligence, ingenuity

Many elements of The Martian are familiar from other movies. Gravity (2013) gave us drifting in space, trying to return to a ship. Apollo 13 (1995) was a film version of real-life astronauts with a disabled spacecraft trying to get home safely from an aborted lunar mission. The Martian, like Apollo 13, gives us a vision of the heroic that comes from the same source that allows humans to travel to other worlds to begin with: the human mind.

Some might think that a film about the how hostile Mars is to human life would discourage people from ever wanting to go there, much less live there. I disagree. Humans are explorers and achievers.

In 1996 Robert Zubrin published The Case for Mars, outlining an innovative plan for getting to the Red Planet for a fraction of the cost of a NASA mission. He founded the Mars Society, which runs conferences and simulations of Mars missions in the arctic, in preparation for the real thing. Other groups such as Explore Mars have sprung up in recent years. Other innovative mission models have been proposed, including one from Moonwalker Buzz Aldrin. And Mars One proposes to send settlers to the Red Planet on one-way trips, to be permanent occupants. Private entrepreneur Elon Musk founded his rocket company SpaceX with the goal of establishing permanent settlements on the Red Planet. And NASA’s confirmation of water on the surface of Mars opens further possibilities for future colonies.

The Martian is an uplifting film that does not minimize the challenges of life; indeed, Watney explains that he knew going in that space travel was dangerous and that he could be killed. But he says that once you acknowledge that you might die, you deal with the problem at hand and the next and the next. This is humanity at its best. Damon as Watney gives a fine performance. His character must keep up his optimism—without maudlin emotionalism or self-deceiving bravado. He must demonstrate intelligence and ingenuity. In all this we see the best of the human spirit!

Dr. Edward Hudgins directs advocacy and is a senior scholar for The Atlas Society, the center for Objectivism in Washington, D.C.

Copyright, The Atlas Society. For more information, please visit www.atlassociety.org.