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The Strengths and Weaknesses of “Atlas Shrugged: Part III” – Video by G. Stolyarov II

The Strengths and Weaknesses of “Atlas Shrugged: Part III” – Video by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
September 16, 2014
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Mr. Stolyarov reviews the final installment in the “Atlas Shrugged” film trilogy.

Although Mr. Stolyarov favorably reviewed the first two installments, in his view the third film fails to do full justice to the culmination of Ayn Rand’s magnum opus, where one would expect to witness the coalescence into an integrated worldview of all of the philosophical and plot pieces that Rand meticulously introduced during the first two parts. Atlas Shrugged: Part III is not without its merits, and it is inspiring in certain respects – especially in its conveyance of Rand’s passionate defense of the creator-individualist. However, the film is also not a great one, and the creators could have made Rand’s source material shine consistently instead of glowing dimly while occasionally emitting a bright flicker.

References

– “The Accomplishments of ‘Atlas Shrugged: Part I’” – Article by G. Stolyarov II
– “Rejecting the Purveyors of Pull: The Lessons of ‘Atlas Shrugged: Part II‘” – Article by G. Stolyarov II
– “The Strengths and Weaknesses of ‘Atlas Shrugged: Part III’” – Article by G. Stolyarov II

The Straw Rand Fallacy – Article by Bradley Doucet

The Straw Rand Fallacy – Article by Bradley Doucet

The New Renaissance Hat
Bradley Doucet
September 13, 2014
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MythsRandMany critics of Ayn Rand have a maddening tendency to take her to task for ideas she did not defend and in fact explicitly rejected. They would rather score cheap debating points, it seems, than actually think about her challenging vision of the possibilities of human life. Disagree with her all you want, but as Laurie Rice puts it in the introduction to Myths about Ayn Rand: Popular Errors and the Insights They Conceal, “If you value your argument, you do it a disservice by misrepresenting its opponent.”

This slim volume of essays, published by the folks at The Atlas Society (for whom I have written) does a good job of dispelling some of the disinformation you may have come across regarding the author of The Fountainhead and Atlas Shrugged. And when the Kindle edition is available for a buck and can be read through in one sitting, critics have no excuse for getting it wrong.

David Kelly kicks things off by showing that Rand was not an elitist. Yes, the heroes of her novels are high achievers, which is what makes them so inspiring, but she explicitly rejected the notion that such people were morally superior to others and should rule over the rest of humanity. On her vision, Kelly writes, “It isn’t for the privileged, but for the productive. It isn’t against the poor, but against the irrational, the slothful, the envious, and the power-seeking—whatever their origin or social status.”

Will Thomas takes the baton for myths two to five, explaining why Rand was not a conservative, was not for dog-eat-dog selfishness, and was not simply pro-wealthy or pro-business, and arguing also that she was indeed a serious philosopher. On this last point, Thomas tells us that although she was not an academic scholar, her views have come to have some influence on academic philosophy, especially in the realms of ethics and political philosophy, but also increasingly in epistemology as well.

Yet her philosophy, in very non-elitist fashion, has admittedly had more influence on ordinary people, and indeed, Rand argued persuasively that philosophy is for everyone, that it is something we all need. As Thomas writes, her novels are not just popular because of their entertainment value—though they are entertaining, despite another widespread myth not explicitly addressed in this collection. “When people read Rand, they are inspired, and challenged, and made to rethink what they’ve been taught. That’s because Rand offers them timeless and compelling ideas about human life and the world we live in. It’s her philosophy that keeps readers coming back.”

In the postscript, Alexander Cohen takes up this theme in an open response to President Obama’s implication, during the 2012 election campaign, that Rand is for teenagers. Cohen writes, “If you’re the sort of teenager who wants an uplifting moral vision, a vision of joy and achievement rather than suffering and sacrifice […] then Ayn Rand is for you.” But if you didn’t happen to discover her as a teen, and if you’re the sort of adult who also wants to be uplifted and inspired, then Ayn Rand just might be for you, too.

Bradley Doucet is Le Québécois Libre‘s English Editor and the author of the blog Spark This: Musings on Reason, Liberty, and Joy. A writer living in Montreal, he has studied philosophy and economics, and is currently completing a novel on the pursuit of happiness. He also writes for The New Individualist, an Objectivist magazine published by The Atlas Society, and sings.
The Strengths and Weaknesses of “Atlas Shrugged: Part III” – Article by G. Stolyarov II

The Strengths and Weaknesses of “Atlas Shrugged: Part III” – Article by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
September 13, 2014
******************************

In my reviews of Part I and Part II of the Atlas Shrugged film trilogy, I expressed largely favorable reactions to those films’ message and execution. Naturally, I was eager to see Part III and the completion of the long-awaited Atlas Shrugged trilogy. After I watched it, though, my response to this conclusion is more muted. The film fails to do full justice to the culmination of Ayn Rand’s magnum opus, where one would expect to witness the coalescence into an integrated worldview of all of the philosophical and plot pieces that Rand meticulously introduced during the first two parts. Atlas Shrugged: Part III is not without its merits, and it is inspiring in certain respects – especially in its conveyance of Rand’s passionate defense of the creator-individualist. However, the film is also not a great one, and the creators could have made Rand’s source material shine consistently instead of glowing dimly while occasionally emitting a bright flicker.

Strength 1: There is now a complete film series spanning the entire story arc of Atlas Shrugged. What Ayn Rand herself and many successive filmmakers could not achieve, producers Harmon Kaslow and John Aglialoro have been able to bring into existence. For decades, admirers of Ayn Rand’s work have lamented that no Atlas Shrugged movie had been made. The fact that this particular lament is obsolete constitutes major progress for Objectivism (where the rate of progress is admittedly extremely slow).

Weakness 1: Part III is, in my view, the most poorly executed of the three Atlas Shrugged movies, even though it had the potential to be the best. The extreme brevity of Part III – a mere 90 minutes, compared to 102 minutes for Part I and 112 minutes for Part II – orphaned many of the events of the film from their contexts, as compared to the meticulous rationale for each of Ayn Rand’s decisions in the novel. John Galt’s speech – which received some 70 pages in the novel – had been cut to bare bones and lacks the deep, rigorous, philosophical exposition that Ayn Rand saw as the substance and culmination of the novel.

Strength 2: As was the case with the previous installments, the film’s creators conveyed a plausible sense that the events of Atlas Shrugged could happen in our own world, or at least in a world that greatly resembles ours, as opposed to the world of 1957. In this sense, the film’s creators succeeded in conveying the universality of Atlas Shrugged’s moral message.

Weakness 2: Changes in directors and the entire cast for every single one of the Atlas Shrugged films greatly detract from the continuity of the story, especially for viewers who may watch the films back to back, once all of them are available on DVDs or other media.

Strength 3: The reactions to Galt’s Speech by Ron Paul, Sean Hannity, and Glenn Beck added authenticity and relevance to the film and reinforced the message that the conflict between value-creators and “looters” (cronyists or purveyors of political pull) is very much present in our era. In addition, whether one agrees or disagrees with these notable figures, it was amusing to see them in a dramatization of Ayn Rand’s literary world.

Weakness 3: The film fails to do justice to many important plot elements in Part Three of the book. Hank Rearden – my favorite character from the book and the most compelling character in Part II – barely makes an appearance. Cheryl Taggart’s suicide is only expressed in retrospectives of her realizations that drove her to this desperate act – while she is not actually shown taking any steps toward it. The fate of Eddie Willers at the end of the film is almost completely unaddressed, with a mere intimation that the protagonists have another man in mind for whom they plan to stop – but no validation that this would indeed be Eddie Willers. The treatment of Eddie Willers in the novel is ambiguous; Ayn Rand leaves him beside a broken-down Taggart Transcontinental train engine, abandoned by the railroad workers. He might be rescued, or he might perish – but he has not yet been invited into Galt’s Gulch. The film creators neither pose the ambiguity nor attempt to resolve it. For me, the fate of Eddie Willers – a sincere, moral, hard-working man who respects the achievements of heroic individualists but is not (according to Rand) one of them – is a key concern in Atlas Shrugged. I think Rand treated him with undeserving harshness, considering that people like Eddie Willers, especially if there are millions of them, can be tremendous contributors to human flourishing. The film creators missed an opportunity to vindicate Eddie and give him some more serious hope of finding a place in the new world created by the inhabitants of Galt’s Gulch. In Galt’s Gulch, the film shows Dagny explaining her plan to have a short railroad built to service Francisco d’Anconia’s new copper mine. But who would actually physically build the railroad and do the job well, if not people like Eddie Willers?

Strength 4: The film’s narrator does a decent job at bridging the events of the previous two installments and the plot of Part III. The events in the film begin with Dagny Taggart crash-landing in Galt’s Gulch, and even those who did not read the book or watch the preceding two films would be able to follow how and why she got there. The film is also excellent in displaying the corruption, incompetence, spitefulness, and callous scheming of the crony corporatist establishment that Rand despised – and that we should despise today. The smoky back-room scene where the economic planners toast to the destruction of Minnesota is one of the film’s high marks – a memorable illustration of what the mentality of “sacrificing the parts” for the whole actually looks like.

Weakness 4: While moderately effective at conveying narratives of events and generally decent in its treatment of ethics and politics, the film does not do justice to the ideas on metaphysics and epistemology also featured prominently in Atlas Shrugged. Furthermore, the previous two films were generally superior in regard to showing, in addition to telling, the fruits of the creative efforts of rational individualists, as well as the consequences for a society that shackles these creators. In the Part III film, many of the scenes utilized to illustrate these effects seemed more peripheral than central to the book’s message. Much of the footage hinted at the national and world events that take place in the book, but did not explicitly show them.

Amid these strengths and weaknesses remains an opportunity to continue the discussion about the undoubtedly crucial implications of Ayn Rand’s message to today’s political and societal climate – where there looms the question of how much longer the creator-individualists who power the motor of the world can keep moving forward in spite of the increasingly gargantuan obstacles placed in their way by legacy institutions. Any work that can pose these questions for consideration by wider numbers of people is welcome in an environment where far too many are distracted by the “bread and circuses” of mindless entertainment. Atlas Shrugged: Part III is a film with intellectual substance and relevance and so is worthy of a relatively short time commitment from anyone interested in Ayn Rand, Objectivism, philosophy, and current events. However, those who watch the film should also be sure to read the novel, if they have not already done so, in order to experience much greater depth of both plot and philosophical ideas.

Review of “The Transhumanist Wager” by Zoltan Istvan – Article by Kyrel Zantonavitch

Review of “The Transhumanist Wager” by Zoltan Istvan – Article by Kyrel Zantonavitch

The New Renaissance Hat
Kyrel Zantonavitch
August 20, 2014
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The Transhumanist Wager by Zoltan Istvan is available on Amazon in paperback and Kindle formats.

***

This is the best novel I’ve read in over 30 years! I don’t ever expect to see its like again. Fascinating, amazing, and shocking to the point of numbness.

***

It’s rather comparable to Atlas Shrugged — the earth-shaking epic and classic by Ayn Rand from 1957. It has Atlas Shrugged’s magisterial story sweep and stunning philosophical ambition. It has Rand’s quasi-god-like heroism too. And like the other novel, Zoltan Istvan’s book is looking to mercilessly conquer the world.

***

Let’s hope!

***

Mr. Istvan’s thunderous 300-page saga, The Transhumanist Wager, is a truly remarkable novel of ideas. It’s unique. It has no peers or rivals. And it’s completely unexpected and unprecedented.

***

Like Atlas Shrugged, it offers many formidable intellectual challenges. One or two of these I’ve yet to work out. Like Rand’s lengthy magnum opus, The Transhumanist Wager is mesmerizingly philosophically bold and rich. And like Atlas, it’s rather repetitive in introducing these dynamic, new ideas to a silently dumbfounded world. But at least you clearly know where each novelist-philosopher stands on the issues, and what controversial and ferocious thing they each have to teach us.

***

I find this to be an unapologetically extreme and revolutionary book. A true tour de force and deep-thinking book which comes at all of us from out of the blue. If you don’t read it, you’re fatuously and tragically missing out. Wager is a historical game-changer, and likely to spark a new era in mankind’s evolution. Humans will never be the same.

***

It seems a shame and crime to give away virtually anything in the plot, so I’ll keep it very light. The hero of the story seeks a truly astounding level of personal growth and, simultaneously, human evolutionary ascent. He effectively threatens to dethrone Zeus himself. Whether Jethro Knights — the alter ego of Zoltan Istvan – actually achieves this is something the high-intelligence, high-virtue reader will have to find out for himself.

***

This book is jaw-droppingly ambitious and powerful. It’s also massively persuasive. The novel is filled with energy, zealotry, ferocity, honesty, courage, and heedless impetuosity. A visionary and fundamentalist book of gigantic and fearless integrity which is almost utterly loyal to its own monumental and yet somewhat narrow beliefs. But make no mistake: these ideas and beliefs are world-rocking.

***

Ultimately, Mr. Istvan is a slightly but significantly limited philosopher. He’s not an Objectivist, and isn’t that familiar with Ayn Rand’s intellectual beliefs and theories, evidently. Still, I consider Zoltan Istvan to be an immensely powerful neoliberal thinker and a formidable cultural warrior. He fights for the Good Guys; and he aims to capture a great deal of the future. Amazingly, Mr. Istvan may have come to these ultra-high-level theories and points of view without having had much help from today’s leading neoliberals: the economic Austrians, the political libertarians, and the philosophical Objectivists. Maybe Zoltan Istvan just used his own exceptionally high virtue and Herculean fearlessness to derive his “transhumanist” philosophy from the classics of human literature and intellectualism, especially the Greeks, Romans, Renaissance, and Enlightenment thinkers. Astonishing, if true!

***

And yet…Mr. Istvan isn’t that strong a neoliberal. He, his hero, and this novel don’t entirely believe in the epistemology of reason, the ethics of individualism, and the politics of liberty.

***

Still, what a dynamo and hero this Zoltan character is! What a vivacious, ferocious, and catastrophic cultural warrior! Mr. Istvan is a one-man wrecking crew of contemporary culture and evidently a magnificent being of immense and singular stature. Or at least his alter ego in the story is.

***

Altho’ the ideas inside somewhat overwhelm it, The Transhumanist Wager is a genuine novel which tells a dramatic, wonderous, and wide-ranging tale. The plot is exciting, involving, and enthralling. The characters are generally believable, often archetypal, and sometimes indelible. This is a heroic epic which transverses the entire planet and overwhelmingly impacts all of mankind.

***

I also found this book to be a hugely enjoyable, winding, and suspenseful yarn. It’s great fun to read, and even more fun to think about.

***

Overall I consider Zoltan Istvan’s The Transhumanist Wager to be outstanding as a novel, and even better as a book of theoretical and practical philosophy, regarding the shooting-star ascent of man, and our soon-to-be superhuman future.

***

Kyrel Zantonavitch is the founder of The Liberal Institute  (http://www.liberalinstitute.com/) and a writer for Rebirth of Reason (http://www.rebirthofreason.com). He can be contacted at zantonavitch@gmail.com.

Thoughts on Zoltan Istvan’s “The Transhumanist Wager” – A Review – Video by G. Stolyarov II

Thoughts on Zoltan Istvan’s “The Transhumanist Wager” – A Review – Video by G. Stolyarov II

Zoltan Istvan’s new novel The Transhumanist Wager has been compared to Ayn Rand’s Atlas Shrugged. But to what extent are the books alike, and in what respects? In this review, Mr. Stolyarov compares and contrasts the two novels and explores the question of how best to achieve radical life extension and general technological progress for the improvement of the human condition.

References

– The Transhumanist Wager Official Page
– “Thoughts on Zoltan Istvan’s ‘The Transhumanist Wager’: A Review” – Article by G. Stolyarov II
Guilio Prisco’s Review of The Transhumanist Wager
– “Larry Page wants to ‘set aside a part of the world’ for unregulated experimentation” – Nathan Ingraham – The Verge – May 15, 2013
Zoltan Istvan’s Reddit AMA

Thoughts on Zoltan Istvan’s “The Transhumanist Wager”: A Review – Article by G. Stolyarov II

Thoughts on Zoltan Istvan’s “The Transhumanist Wager”: A Review – Article by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
May 18, 2013
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Zoltan Istvan’s new novel The Transhumanist Wager has been compared to Ayn Rand’s Atlas Shrugged. (See, for instance, Giulio Prisco’s review.) But to what extent are the books alike, and in what respects? To be sure, the story and the writing style are gripping, the characters are vivid, and the universe created by Istvan gave me an experience highly reminiscent of my reading of Atlas Shrugged more than a decade ago. Even this alone allows me to highly recommend The Transhumanist Wager as a work of literary art – a philosophical thriller. Moreover, the didactic purpose of the novel, its interplay of clearly identified good and evil forces, and its culmination in an extensive speech where the protagonist elaborates on his philosophical principles (as well as its punctuation by multiple smaller speeches throughout) provide clear parallels to Atlas Shrugged.

Giulio Prisco calls the philosophy of The Transhumanist Wager’s protagonist, Jethro Knights, “an extreme, militant version of the radically libertarian formulation of transhumanism”. However, this is the area where I perceive the most significant departure from the parallels to Atlas Shrugged. Ayn Rand’s philosophy of Objectivism (which she did not like to be called “libertarian”, though it was in essence) has the principle of individual rights and the rejection of the initiation of force at its ethical core. Galt’s Gulch in Atlas Shrugged was formed by a withdrawal of the great thinkers and creators from the world of those who exploited and enslaved them. However, there was no active conquest of that world by Rand’s heroes; rather, without the men of the mind, the power structures of the world simply fell apart on their own accord.

Jethro Knights creates his own seasteading nation, Transhumania, a fascinating haven for innovation and a refuge for transhumanist scientists oppressed by their governments and targeted by religious fundamentalist terrorism. The concept of an autonomous bastion of innovation is timely and promising; it was echoed by the recent statements from Larry Page of Google in favor of setting aside a part of the world to allow for unbridled experimentation. Transhumania, due to its technological superiority, spectacularly beats back a hostile invasion by the combined navies of the world. It is when the Transhumanians go on the offensive that the parallels to Galt’s Gulch cease. Instead of letting the non-transhumanist world crumble or embrace transhumanism on its own accord, Jethro Knights conquers it, destroys all of its political, religious, and cultural centerpieces, and establishes a worldwide dictatorship – including some highly non-libertarian elements, such as compulsory education, restrictions on reproduction, and an espousal of the view that even some human beings who have not initiated force may not have an inviolate right to their lives, but are rather judged on their “usefulness” – however defined (perhaps, in the case of Transhumania, usefulness in advancing the transhumanist vision as understood by Jethro Knights). Jethro Knights permits a certain degree of freedom – enough to sustain technological progress, high standards of living, and due process in the resolution of everyday disputes – but, ultimately, all of the liberties in Transhumania are contingent on their compatibility with Jethro’s own philosophy; they are not recognized as absolute rights even for those who disagree. John Galt would have been gentler. He would have simply withdrawn his support from those who would not deal with him as honest creators of value, but he would have left them to their own devices otherwise, unless they initiated force against him and against other rational creators of value.

The outcome of The Transhumanist Wager is complicated by the fact that Jethro’s militancy is the direct response to the horrific acts of terrorism committed by religious fundamentalists at the behest of Reverend Belinas, who also has considerable behind-the-scenes influence on the US government in the novel. Clearly, the anti-transhumanists were the initiators of force for the majority of the novel, and, so long as they perpetrated acts of violence against pro-technology scientists and philosophers, they were valid targets for retaliation and neutralization – just like all terrorists and murderers are. For the majority of the book, I was, without question, on Jethro’s side when it came to his practice, though not always his theory – but it was upon reading about the offensive phase of his war that I came to differ in both, especially since Transhumania had the technological capacity to surgically eliminate only those who directly attacked it or masterminded such attacks, thereafter leaving the rest of the world powerless to destroy Transhumania, but also free to come to recognize the merits of radical life extension and general technological progress on its own in a less jarring, perhaps more gradual process. An alternative scenario to the novel’s ending could have been a series of political upheavals in the old nations of the world, where the leaders who had targeted transhumanist scientists were recognized to be thoroughly wasteful and destructive, and were replaced by neutral or techno-progressive politicians who, partly for pragmatic reasons and partly arising out of their own attraction to technology, decided to trade with Transhumania instead of waging war on it.

Jethro’s concept of the “omnipotender” is a vision of the individual seeking as much power as he can get, ultimately aiming to achieve power over the entire universe. It is not clear whether power in this vision means simply the ability to achieve one’s objectives, or control in a hierarchical sense, which necessarily involves the subordination of other intelligent beings. I support power in the sense of the taming of the wilderness and the empowerment of the self for the sake of life’s betterment, but not in the sense of depriving others of a similar prerogative. Ayn Rand’s vision of the proper rationally egoistic outlook is extremely clear on the point that one must neither sacrifice oneself to others nor sacrifice others to oneself. Istvan’s numerous critical references to altruism and collectivism clearly express his agreement with the first half of that maxim – but what about the second? Jethro’s statements that he would be ready to sacrifice the lives of even those closest to him in order to achieve his transhumanist vision certainly suggest that the character of Jethro might not give others the same sphere of inviolate action that he would seek for himself. Of course, Jethro also dismisses as a contrived hypothetical the suggestion that such sacrifice would be necessary (at least, in Jethro’s view, for the time being), and I agree. Yet a more satisfying response would have been not that he is ready to make such a sacrifice, but that the sacrifice itself is absolutely not required for individual advancement by the laws of reality, and therefore it is nonsensical to even acknowledge its possibility. Jethro gave his archenemy, Belinas, far too much of a philosophical concession by even picking sides in the false dichotomy between self-sacrifice to others and the subjugation of others to oneself.

Perhaps the best way to view The Transhumanist Wager is as a cautionary tale of what might happen if the enemies of technological progress and radical life extension begin to forcefully clamp down on the scientists who try to make these breakthroughs happen. A climate of violence and terror, rather than civil discourse and an embrace of life-enhancing progress, will breed societal interactions that follow entirely different rules, and produce entirely different incentives, from those which allow a civilized society to smoothly function and advance. I hope that we, at least in the Western world, can avoid a scenario where those different rules and incentives take hold.

I am a transhumanist, but I am also a humanist, in the sense that I see the advancement of humanity and the improvement of the human condition as the desired aims of technological progress. In this sense, I am fond of the reference to the goal of transhumanists as the achievement of a “humanity plus”. Transhumanism is and ought to be, fundamentally, a continuation of the melioristic drive of the 18th-century Enlightenment, ridding man of the limitations and terrible sufferings which have historically been considered part of necessary “human nature” but which are, in reality, the outcome of the contingent material shortcomings with which our species happened to be burdened from its inception. Will it be possible to entice and persuade enough people to embrace the transhumanist vision voluntarily? I certainly hope so, since even a sizable minority of individuals would suffice to drive forward the technological advances which the rest of humanity would embrace for other, non-philosophical reasons.

In the absence of a full-fledged embrace of this humanistic vision of transhumanism, at the very least I hope that it would be possible to “sneak around” the common objections and restrictions and achieve a technological fait accompli through the dissemination of philosophically neutral tools, such as the Internet and mobile devices, that enhance individual opportunities and alter the balance of power between individuals and institutions. In this possible future, some of the old “cultural baggage” – as Jethro would refer to it – would most likely remain – including religions, which are among the hardest cultural elements for people to give up. However, this “baggage” itself would gradually evolve in its essential outlook and impact upon the world, much like Western Christianity today is far gentler than the Christianity of the 3rd, 11th, or 17th centuries. Perhaps, instead of fighting transhumanism, some representatives of old cultural labels will attempt to preserve their own relevance amidst transhuman-oriented developments. This will require reinterpreting doctrines, and will certainly engender fierce debate within many religious, political, and societal circles. However, there may yet be hope that the progressive wings of each of these old institutions and ideologies (“progressive” in the sense of being open to progress, not to be mistaken for any current partisan affiliation) will do the equivalent work to that entailed in a transhumanist revolution, except in a gradual, peaceful, seamless manner.

Yet, on the other hand, the immense urgency of achieving life extension is, without question, a sentiment I strongly identify with. Jethro’s experience, early in the novel, of stepping on a defective mine has autobiographical parallels to Istvan’s own experience in Vietnam. A brush with death certainly highlights the fragility of life and the urgency of pursuing its continuation. Pausing to contemplate that, were it not for a stroke of luck at some prior moment, one could be dead now – and all of the vivid and precious experiences one is having could one day be snuffed out, with not even a memory remaining – certainly motivates one to think about what the most direct, the most effective means of averting such a horrific outcome would be. Will a gradual, humane, humanistic transition to a world of indefinite life extension work out in time for us? What can we do to make it happen sooner? Can we do it within the framework of the principles of libertarianism in addition to those of transhumanism? Which approaches are the most promising at present, and which, on the other hand, could be counterproductive? How do we attempt to enlist the help of the “mainstream” world while avoiding or overcoming its opposition? For me, reading The Transhumanist Wager provided further impetus to keep asking these important, open, and as of yet unresolved questions – in the hopes that someday the ambition to achieve indefinite life extension in our lifetimes will give rise to a clear ultra-effective strategy that can put this most precious of all goals in sight.

The Best Novels and Plays about Business: Results of a Survey – Article by Edward W. Younkins

The Best Novels and Plays about Business: Results of a Survey – Article by Edward W. Younkins

The New Renaissance Hat
Edward W. Younkins
May 10, 2013
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My Koch Research Fellows, Jomana Krupinski and Kaitlyn Pytlak, and I conducted a survey of 250 Business and Economics professors and 250 English and Literature professors. Colleges and universities were randomly selected and then professors from the relevant departments were also randomly selected to receive our email survey. They were asked to list and rank from 1 to 10 what they considered to be the best novels and plays about business. We did not attempt to define the word “best”,  leaving that decision to each respondent. We obtained sixty-nine usable responses from Business and Economics professors and fifty-one from English and Literature professors. A list of fifty choices was given to each respondent and an opportunity was presented to vote for works not on the list. When tabulating the results, ten points were given to a novel or play in a respondent’s first position, nine points were assigned to a work in the second position, and so on, down to the tenth listed work, which was allotted one point. The table below presents the top twenty-five novels and plays for each group of professors. Interestingly, fifteen works made both top-25 lists. These are noted in bold type.
***

The Best Novels and Plays about Business

Business and Economics Professors
Points
English and Literature Professors
Points
1.   Atlas Shrugged, Ayn Rand
457
1.   Death of a Salesman, Arthur Miller
282
2.   The Fountainhead, Ayn Rand
297
2.   Bartleby: The Scrivener, Herman Melville
259
3.   The Great Gatsby, F. Scott Fitzgerald
216
3.   The Great Gatsby, F. Scott Fitzgerald
231
4.   Death of a Salesman, Arthur Miller
164
4.   The Jungle, Upton Sinclair
143
5.   Time Will Run Back, Henry Hazlitt
145
5.   Babbitt, Sinclair Lewis
126
6.   The Jungle, Upton Sinclair
136
6.   Glengarry Glen Ross, David Mamet
121
7.   The Gilded Age, Mark Twain and Charles Dudley Warner
95
7.   The Rise of Silas Lapham, William Dean Howells
98
8.   Glengarry Glen Ross, David Mamet
89
8.   American Pastoral, Philip Roth
85
9.   God Bless You, Mr. Rosewater, Kurt Vonnegut, Jr.
57
9.   The Confidence Man, Herman Melville
75
10. Other People’s Money, Jerry Sterner
57
10. The Fountainhead, Ayn Rand
75
11. Bartleby: The Scrivener, Herman Melville
55
11. A Hazard of New Fortunes, William Dean Howells
66
12. A Man in Full, Tom Wolfe
48
12. The Octopus, Frank Norris
65
13. Babbitt, Sinclair Lewis
47
13. Atlas Shrugged, Ayn Rand
62
14. The Man in the Gray Flannel Suit, Sloan Wilson
43
14. Nice Work, David Lodge
62
15. Rabbit is Rich, John Updike
41
15. The Big Money, John Dos Passos
59
16. Major Barbara, George Bernard Shaw
39
16. The Gilded Age, Mark Twain and Charles Dudley Marner
58
17. Dombey and Son, Charles Dickens
33
17. Rabbit is Rich, John Updike
55
18. The Goal, Eliyahu M. Goldratt
33
18. Seize the Day, Saul Bellow
55
19. The Driver, Garet Garrett
32
19. Mildred Pierce, James M. Gain
54
20. Executive Suite, Cameron Hawley
32
20. The Financier, Theodore Dreiser
53
21. The Way We Live Now, Anthony Trollope
32
21. Dombey and Son, Charles Dickens
51
22. American Pastoral, Philip Roth
29
22. Sometimes a Great Notion, Ken Kesey
45
23. The Octopus, Frank Norris
29
23. The Last Tycoon, F. Scott Fitzgerald
44
24. Sometimes a Great Notion, Ken Kesey
28
24. The Moviegoer, Walker Percy
43
25. North and South, Elizabeth Gaskell
27
25. God Bless You, Mr. Rosewater, Kurt Vonnegut, Jr.
39

 

Dr. Edward W. Younkins is Professor of Accountancy at Wheeling Jesuit University. He is the author of Capitalism and Commerce: Conceptual Foundations of Free Enterprise [Lexington Books, 2002], Philosophers of Capitalism: Menger, Mises, Rand, and Beyond [Lexington Books, 2005] (See Mr. Stolyarov’s review of this book.), and Flourishing and Happiness in a Free Society: Toward a Synthesis of Aristotelianism, Austrian Economics, and Ayn Rand’s Objectivism [Rowman & Littlefield Pub Incorporated, 2011] (See Mr. Stolyarov’s review of this book.). Many of Dr. Younkins’s essays can be found online at his web page at www.quebecoislibre.org. You can contact Dr. Younkins at younkins@wju.edu

Rejecting the Purveyors of Pull: The Lessons of “Atlas Shrugged: Part II” – Article by G. Stolyarov II

Rejecting the Purveyors of Pull: The Lessons of “Atlas Shrugged: Part II” – Article by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
October 13, 2012
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Atlas Shrugged: Part II is a worthy successor to last year’s Part I, and I am hopeful for its commercial success so that John Aglialoro and Harmon Kaslow will be able to release a full trilogy and achieve the decades-long dream of bringing the entire story of Ayn Rand’s Atlas Shrugged to the movie screen. The film is enjoyable and well-paced, and it highlights important lessons for the discerning viewer. The film’s release in the month preceding the US Presidential elections, however, may give some the wrong impression: that either of the two major parties can offer anything close to a Randian alternative to the status quo. Those viewers who are also thinkers, however, will see that the film’s logical implication is that both of these false “alternatives” – Barack Obama and Mitt Romney – should be rejected decisively.

While the cast has been replaced entirely, I find the acting to have been an improvement over Part I, with the actors portraying their respective characters with more believability and emotional engagement. Samantha Mathis, in the role of Dagny Taggart, showed clearly the distress of a competent woman who is ultimately unable to keep the world from falling apart. Esai Morales aptly portrayed Francisco d’Anconia’s passion for ideas and his charisma. Jason Beghe also performed well as Hank Rearden – the embattled man of integrity struggling to hold on to his business and creations to the last.

The film emphasizes strongly the distinction between earned success – success through merit and creation – and “success” gained by means of pull. The scene in which two trains collide in the Taggart Tunnel is particularly illustrative in this respect. Kip Chalmers, the politician on his way to a pro-nationalization stump speech, attempts to get the train moving through angry phone calls to “the right people,” thinking that all will be well if he just pulls the proper strings. But the laws of reality – of physics, chemistry, and economics – are unyielding to the mere say-so of the powerful, and the mystique of pull collapses on top of the passengers.

As the world falls apart, the film depicts protesters demanding their “fair share,” holding up signs reminiscent of the “Occupy” movement of 2011 – “We are the 99.98%” is a clear allusion. Yet once the draconian Directive 10-289 is implemented, the protests turn in the other direction, away from the freedom-stifling, creativity-crushing regimentation. Perhaps the protesters are not the same people as those who called for their “fair share”  – but the film suggests that the people should be careful about the policies they ask for at the ballot box, lest they be sorely disappointed upon getting them. This caution should apply especially to those who think that Barack Obama’s administration parallels the falling-apart of the world in Atlas Shrugged – and that Mitt Romney’s election would somehow “save” America. Nothing could be further from the truth.

If there is any character in Atlas Shrugged who most resembles Mitt Romney, it is not John Galt. Rather, it is James Taggart – the businessman of pull – the sleek charlatan who will take any position, support any policy, speak any lines in order to advance his influence and power. Patrick Fabian conveyed the essence of James Taggart well – a man who succeeds based on image and not on substance, a man who has a certain polished charisma and an ability to pull the strings of politics – for a while. James Taggart is the essence of the corporatist businessman, a creature who thrives on special political privileges and barriers to entry placed in front of more capable competitors. He can buy elections and political offices – and he can, for a while, delude people by creating a magic pseudo-reality with his words. But words cannot suspend the laws of logic or economics. Ultimately the forces of intellectual and moral decay unleashed by corporatist maneuvering inexorably push the world into a condition that even the purveyors of pull would have preferred to avoid. As Ludwig von Mises pointed out, the consequences of economic interventionism are often undesirable even from the standpoint of those who advocated the interventions in the first place. James Taggart is ultimately pushed into accepting Directive 10-289, though his initial plans were much more modest – mostly, a desire to hang onto leadership in the railroad business despite his obvious lack of qualifications for the position. Mitt Romney, by advocating James Taggart’s exact sort of crony corporatism, may well usher in a similar overarching totalitarianism – not because he supports it now (in the sense that Mitt Romney can be said to support anything), but because totalitarianism will be the logical outcome of his policies.

Because, in some respects, Ayn Rand wrote during a gentler time with respect to civil liberties, and the film endeavors to consistently reflect Rand’s emphasis on economic regimentation, there is little focus on the kinds of draconian civil-liberties violations that Americans face today. The real-world version of Directive 10-289 is not a single innovation-stopping decree, but an agglomeration of routine humiliations and outright exercises of violence. The groping and virtual strip-searching by the Transportation Security Administration, the War on Drugs and its accompanying no-knock raids, the paranoid surveillance apparatus of large-scale wiretaps and data interception, and the looming threat of controls over the Internet and indefinite detention without charge – these perils are as damaging as an overarching economic central plan, and they are with us today. While not even the most socialistic or fascistic politicians today would issue a ban on all new technology or a comprehensive freeze of prices and wages, they certainly can and will try to humiliate and physically threaten millions of completely peaceful, innocent Americans who try to innovate and earn an honest living. Obama’s administration has engaged in this sort of mass demoralization ever since the foiled “underwear” bomb plot during Christmas 2009 – but Romney would do more of the same, and perhaps worse. Unlike Obama, who must contend with the pro-civil-liberties wing of his constituency, Romney’s attempts to violate personal freedoms will only be cheered on by the militaristic, jingoistic, security-obsessed faction that is increasingly coming to control the discourse of the Republican Party. There can be no hope for freedom, or for the dignity of an ordinary traveler, employee, or thinker, if Romney is elected.

I encourage the viewers of the film to seriously consider the question, “Who is John Galt?” He is not a Republican. If any man comes close, it is Gary Johnson, a principled libertarian who has shown in practice (not just in rhetoric) his ability and willingness to cut wasteful interventions, balance budgets, and protect civil liberties during two terms as Governor of New Mexico. He staunchly champions personal freedoms, tax reduction, foreign-policy non-interventionism, and a sound currency free of the Federal Reserve system. Gary Johnson was, in fact, a businessman of the Randian ethos – who started as a door-to-door handyman and grew from scratch an enterprise with revenues of $38 million.  And, on top of it all, he is a triathlete and ultramarathon runner who climbed Mount Everest in 2003 – clearly demonstrating a degree of ambition, drive, and pride in achievement worthy of a hero of Atlas Shrugged.

Ayn Rand never meant the strike in Atlas Shrugged to be an actual recommendation for how to address the world’s problems. Rather, the strike was an illustration of what would happen if the world was deprived of its best and brightest – the creators and innovators who, despite all obstacles, pursue the path of merit and achievement rather than pull and artificial privilege. Today, it is necessary for each of us to work to keep the motor of the world going by not allowing the purveyors of pull to gain any additional ground. Voting for Mitt Romney will do just the opposite – as Atlas Shrugged: Part II artfully suggests to the discerning viewer.