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Property Rights Aren’t Always the Libertarian Solution – Article by Sanford Ikeda

Property Rights Aren’t Always the Libertarian Solution – Article by Sanford Ikeda

The New Renaissance Hat
Sanford Ikeda
July 15, 2012
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At FEE’s seminar last week on libertarian perspectives on current events, a participant asked: “How do we privatize the air?”

The student may have had in mind the economic principle, popularized by Ronald Coase, that externalities–especially negative externalities such as air pollution– result from ill-defined or unenforced property rights. The question also seems to reflect a common libertarian idea that in a free society all scarce resources must be owned by somebody. That would include the atmosphere when clean air is scarce.

Property Rights and Economic Development

The Coase Theorem is an economic proposition which says that when property rights are well defined and enforced, and the costs of search, bargaining, and enforcement are reasonably low, voluntary trade will tend to produce results that are economically efficient. Negative externalities will be internalized, as unowned resources are transformed into marketable goods. And if, because of incomplete property rights, entrepreneurs are unable to capture enough of the benefits from their actions (that is, if positive externalities would result), they will be less inclined to make the discoveries that drive economic development. Those benefits would be internalized, too.

There are some positive externalities that most, perhaps all, of those who favor tough property enforcement would hesitate to try to privatize. For example, cultures develop in part on the basis of imitation. Jazz musicians copy from one another all the time, from motifs to entire songs, and reinterpret them in their own creations. Classical musicians have also done this. As a courtesy, the protocol is to name the artist from whom you are copying, such as in “Variations on a Theme of Paganini.”

On an even higher level of abstraction, artists, writers, and even ordinary people partake in an esthetic ethos; scholars, intellectuals, and laymen draw on the intellectual milieu of a place and time. Without the experimentation that comes from such borrowing and give-and-take, cultures would stop evolving; they would die.

The same thing goes for economic development. One entrepreneur discovers a demand for flat-screen televisions and is soon followed by imitators, which in the long run results in lower prices and better quality–and often new products and uses, such as tablet computers.

Don’t get me wrong! Private property rights prevent the kind of free riding that hinders economic development. And of course private property is essential for personal freedom: Property rights not only help to avoid or resolve interpersonal conflict–such as the tragedy of the commons–they are what provide a person with a sphere of autonomy and privacy in an economically developed world where contact with strangers is commonplace.

Elinor Ostrom on the Establishment of Conventions

There are many instances where free riding is a net negative, and the overuse of the atmosphere in the form of air pollution is probably one of them. Despite the efforts of some economists, legislators, and policymakers to institute so-called “cap-and-trade”–which would attempt to establish property rights in the air through government policy–it may be impossible to do something similar for all scarce resources, either by legal mandate or market arrangements. But this need not discourage libertarians, of either the minimal-state or market-anarchist variety.

Consider the work of Elinor Ostrom, winner of the 2009 Nobel Prize in economics, the only women so far to be so honored. Sadly, Ostrom died on June 12, a great loss for social science. While few would consider her a libertarian–I don’t believe she thought she was–libertarians can learn a lot from her work. She is perhaps best known for her 1990 book, Governing the Commons, in which she presented her methods and findings regarding how people coped (or didn’t cope) with what has come to be known as “common-pool resource” (CPR) problems:

What one can observe in the world, however, is that neither the state nor the market is uniformly successful in enabling individuals to sustain long-term, productive use of natural resource systems. Further, communities of individuals have relied on institutions resembling neither the state nor the market to govern some resource systems with reasonable degrees of success over long periods of time.

Voluntary Conventions

In those instances the nonstate, nonmarket institutions she studied were, when successful, conventions that the users of common-pool resources agreed to and used sometimes for centuries. They were made voluntarily and evolved over time, but they were not market outcomes, at least in the narrow sense, because no one “owned” the resource in question and it was not bought and sold. Ostrom added:

The central question of this study is how a group of principals who are in an independent situation can organize and govern themselves to obtain continuing joint benefits when all face temptations to free-ride, shirk, or otherwise act opportunistically.

Her research covered the harvesting of forests in thirteenth-century Switzerland and sixteenth-century Japan and irrigation institutions in various regions of fifteenth-century Spain. Although not every community Ostrom studied was successful in establishing such conventions, it is instructive how highly complex agreements, enforced by both local norms and effective monitoring, were able to overcome the free-rider problems that standard economic theory–and perhaps vulgar libertarianism–would predict are insurmountable without property rights.

Dealing with air pollution is of course a more difficult problem since it typically entails a much larger population and more diffuse sources and consequences. But it’s important to realize that a “libertarian solution” to air pollution may not necessarily be a “market solution.”

Sanford Ikeda is an associate professor of economics at Purchase College, SUNY, and the author of The Dynamics of the Mixed Economy: Toward a Theory of Interventionism.

This article was published by The Foundation for Economic Education and may be freely distributed, subject to a Creative Commons Attribution United States License, which requires that credit be given to the author.

Pann Quartet in F Major, Op. 70 (2012) – Composition by G. Stolyarov II

Pann Quartet in F Major, Op. 70 (2012) – Composition by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
June 19, 2012
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This joyful, triumphant, and refined contemporary classical composition was made possible by the generous support of Mr. Andrew Pann via the New Rational Classical Composition project on Kickstarter.

Mr. Pann is a cellist, and – in his honor – this piece is arranged for a cello and three pianos. The cello and the key of F major add to the warmth and brightness of the melody. This composition is played in the Finale 2011 software using the Steinway Grand Piano and Cello Plr3 instruments.Thank you, also, to Mr. Carl Witty, for contributing funds to the creation of this work.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 41, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.
Be a Patron of a New Classical Composition: Melody, Harmony, and Dignity Guaranteed!

Be a Patron of a New Classical Composition: Melody, Harmony, and Dignity Guaranteed!

I am initiating an ambitious new experiment for funding new rational classical composition via Kickstarter. Please see the Kickstarter page for this project here.

For a combined pledge of $150, I will create a new classical composition of at least 3 minutes in length. The person contributing the plurality of funds will be able to have the composition bear his/her name. (For instance, if your name is Smith, and I compose a rondo, it would be called the Smith Rondo, Op. 70 – or you could choose a different name of appropriate dignity.) Any donor would be able to recommend whether the composition be predominantly in a major or a minor key – as well as the key itself (e.g., C major, A minor, etc.). (Note: Secondary themes or variations on the main theme may depart from the main key if this would reinforce the integrity and develop the intricacy of the composition.) If a majority of donors favors a particular key, I will write the piece in that key.

Once composed, the work would be released online for free download and streaming and would be licensed as Creative Commons. The creation of art and music through distributed patronage, as well as the subsequent free availability of such work, can liberate both creators and the consuming public and unleash a new era of high culture for vast numbers of people. No matter who you are, you can be a patron of classical music in this electronic age.

The composition will be created electronically using Finale 2011 software – probably using several pianos, but other instruments may be incorporated as well. Finale 2011 can create sound quality closely resembling a human performance on a traditional instrument. At the same time, electronic playback can enable the composition to possess speed and virtuosity beyond the abilities of a human performer.

I am asking for combined donations of $150 as compensation for the time in composing this work. I anticipate that the process will take about 5 hours of complete focus, and so I would be compensated at $30 per hour. I can create the composition within at most one week after the funding goal has been reached.

If you have any questions or recommendations about this project, please feel free to e-mail me at gennadystolyarovii@yahoo.com.

Background

I have composed 69 works to date and have developed a distinctive style that respects centuries of Western musical tradition while taking advantage of the new possibilities of electronic composition. My philosophy of composition holds that music must be (i) orderly and rational, (ii) pleasant to the ear, and (iii) elevating in its content and in the motivation it confer upon the listener.

I can promise the following:

– A directed, rational, thought-provoking, and pleasant melody.

– Sophisticated accompaniment and variation.

– Harmonies that please: No unresolved dissonance, “shock value,” expressionism, debasement, or noise.

You can find some of my freely available compositions on this YouTube playlist.

I particularly recommend my most recent works:

Rondo #2, Op. 65

Progress Amidst a Crisis, Op. 66

Rondo #3, Op. 67

Rondo #4, Op. 68

Baroque Composition for Piano and Organ, Op. 69

All of my compositions are available for free download as MP3 files on this page.

Thank you for your consideration and, hopefully, your patronage.

Piano Composition #6, Op. 10 (2002) – Video by G. Stolyarov II

Piano Composition #6, Op. 10 (2002) – Video by G. Stolyarov II

Mr. Stolyarov wrote this original composition in Spring 2002. This work resembles a light, brisk march and conveys a sense of purpose and aspiration.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 32, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

Piano Composition #7, Op. 12 (2002) – Video by G. Stolyarov II

Piano Composition #7, Op. 12 (2002) – Video by G. Stolyarov II

Original piano composition by Mr. Stolyarov, created in 2002 and played in the Finale 2011 software using the Steinway Grand Piano instrument. The melody is brisk, uplifting, and refined.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 38, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.