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Somber Variations, Op. 93 (2022) – Musical Composition by Gennady Stolyarov II

Somber Variations, Op. 93 (2022) – Musical Composition by Gennady Stolyarov II

Gennady Stolyarov II

This composition is most certainly influenced by the ongoing troubles of the world, but it endeavors to be melodic and structured while conveying the tumultuous, agitated, and tragic character of our epoch. While Mr. Stolyarov uses some similar techniques in this piece to several of his earlier “Neo-Baroque” compositions, this one is more somber, as the title implies. It follows a theme-and-variations format; one of the variations is not actually somber, and the listener will clearly hear which one. In protracted periods of tragedy, there are still good times to be encountered on occasion, and this piece conveys that as well.

Watch the video on YouTube here and on Odysee here.

This work was composed by Mr. Stolyarov on March 30-31, 2022, and is played using the MuseScore 3.0 software.

This composition received an Honorable Mention at the 2022 Rodrigo Landa-Romero International Composition Competition.

Download the MP3 file of this composition here.

Find the score of this composition here.

This composition and video may be freely reproduced using the Creative Commons Attribution Share-Alike International 4.0 License.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

See the index of Mr. Stolyarov’s compositions, all available for free download, here (chronological order) and here (reverse chronological order).


Gennady Stolyarov II and John Kerecz: Reflections on 2021, Anticipations for 2022

Gennady Stolyarov II and John Kerecz: Reflections on 2021, Anticipations for 2022

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Gennady Stolyarov II
John Kerecz


On January 14, 2022, U.S. Transhumanist Party Chairman Gennady Stolyarov II was interviewed by U.S. Transhumanist Party Director of Energy Issues John Kerecz on OSH Radio, for a retrospective conversation about how 2021 turned out relative to prior anticipations, as well as key developments to watch for in 2022. Subjects discussed included the precarious nature of contemporary civilization, the immense and ongoing perils of deadly diseases, how technology has affected both the opportunities and the constraints of contemporary life, the problems of political polarization and the two-party system, the need for a new paradigm of an abundance economy and society, the U.S. Transhumanist Party’s aspirations and projects, the Virtual Enlightenment Salons (John Kerecz is scheduled to be a guest on January 23, 2022, to discuss his 2014 flight to the edge of space), some reminiscences about earlier USTP history, and contrasts between in-person and virtual interactions. In this interview Mr. Stolyarov discusses his understanding that we live in a make-or-break moment in human history, and that the future trajectory of the human species will depend on what we do in 2022.

Watch this video on YouTube here and on Odysee here.

References

– “A Simple Plan to Solve All of America’s Problems” – Article by Derek Thompson – The Atlantic – January 12, 2022 –
– U.S. Transhumanist Party Free Membership
U.S. Transhumanist Party Website
– U.S. Transhumanist Party on Twitter
– U.S. Transhumanist Party on Instagram

U.S. Transhumanist Party Virtual Enlightenment Salon with Zach Richardson, Jason Geringer, and Ben Ballweg – July 25, 2021

U.S. Transhumanist Party Virtual Enlightenment Salon with Zach Richardson, Jason Geringer, and Ben Ballweg – July 25, 2021

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Jason Geringer
Ben Ballweg
Zach Richardson
Gennady Stolyarov II
David Shumaker
Art Ramon Garcia, Jr.
Alexandria Black


The U.S. Transhumanist Party Virtual Enlightenment Salon with Zach Richardson, Jason Geringer, and Ben Ballweg of July 25, 2021, is now available for viewing on Odysee here.

On Sunday, July 25, 2021, at 4 p.m. U.S. Pacific Time, the U.S. Transhumanist Party invited its new Officers, Zach Richardson (Director of Publication), Jason Geringer (Legislative Director), and Ben Ballweg (Director of Longevity Outreach), to discuss some of their ideas, planned initiatives, and perspectives on the current condition of the transhumanist movement. The discussion focused on improving the internal functions of the U.S. Transhumanist Party, attracting volunteers, and raising the visibility of transhumanist projects and causes. An interactive discussion transpired about ways to bolster the publication and legislative-tracking activities of the USTP. The conversation also extended to subjects of general interest to transhumanists, futurists, and those seeking to learn about the transhumanist movement.

Read about Zach Richardson here.
Read about Jason Geringer here.
Read about Ben Ballweg here.

Join the U.S. Transhumanist Party for free, no matter where you reside.

NOTE: Even though the U.S. Transhumanist Party is staunchly pro-vaccine and expressed such views during the Virtual Enlightenment Salon, YouTube algorithmically censored the video, most likely with no serious human involvement, and algorithmically rejected our appeal as well. The U.S. Transhumanist Party strongly condemns such censorship but also sees an opportunity here by encouraging people to watch and spread this video for the purpose of overcoming arbitrary barriers put forth by unintelligent and unaccountable algorithms.

 

Ben Ballweg, U.S. Transhumanist Party Director of Longevity Outreach
Louis Moreau Gottschalk – Weber’s Oberon Overture, J. 306 – Transcription for Piano, 4 Hands, Op. 83 – Recording by Gennady Stolyarov II

Louis Moreau Gottschalk – Weber’s Oberon Overture, J. 306 – Transcription for Piano, 4 Hands, Op. 83 – Recording by Gennady Stolyarov II

Louis Moreau Gottschalk

Louis Moreau Gottschalk’s piano transcription of Carl Maria von Weber’s 1826 Oberon Overture for four hands has seldom been performed in public, and no known recording existed of it until now. Gottschalk (1829-1869) created it in 1857, and the last documented public performance was by Eugene List (1918-1985) in Spring 1979, as briefly mentioned in a May 4, 1979, New York Times article by Joseph Horowitz.

While there exist many transcriptions of the Oberon Overture, Gottschalk’s is absolutely, monumentally unique in its extent of ornamentation, thunderous intensity, and virtuosic passages (which will be unmistakable to the listener). Perhaps the demands that this piece would place on human performers explain the rarity of any attempts to play it. It is likely that only a few remarkable pianists throughout history, including Gottschalk himself, would have had the skill, endurance, and proto-transhuman mental processing power needed to carry it out without fail.

Fortunately, with musical notation and composition software, combined with increasingly realistic digital instruments, the limitations of the human hands can be transcended, and this work can be made available to listeners as Gottschalk intended it to be heard. This recording was created using the MuseScore 3.0 by Gennady Stolyarov II between June and December 2021; the transcription itself required approximately 36 hours of meticulous work, spread out over half a year. However, elevating this piece into public awareness is certainly worth the effort. This is heroic music showing the impressive heights to which human achievement, ingenuity, and virtuosity can rise, and it is a marvelous gift from Gottschalk in 1857 to our era.

Watch the score video on YouTube here and on Odysee here.

Download the MP3 file of this composition for free here.

Download the score (published in 1901 – now in the public domain) here.

Louis Moreau Gottschalk – Pensée Poétique – Nocturne, Op.18 – Recording by Gennady Stolyarov II

Louis Moreau Gottschalk – Pensée Poétique – Nocturne, Op.18 – Recording by Gennady Stolyarov II

Louis Moreau Gottschalk

Commentary by Gennady Stolyarov II: This Pensée Poétique (Poetic Thought) was composed by Louis Moreau Gottschalk (1829 – 1869) in 1852-1853. It is a short nocturne – Gottschalk’s Opus 18, different from Gottschalk’s more famous Pensée Poétique, Op. 62.

To my surprise, I am unaware of any readily available recording of this quite interesting nocturne with some strong Chopin influences. Therefore, I created a rendition using MuseScore 3.0. This video follows the original Gottschalk score, to which I hope to have done justice. The last third appears to be rather virtuosic (as is much of Gottschalk’s work), and I am glad that we live in an era where programs allow us to experience these kinds of compositions in spite of the difficulty for a human to learn them.

Watch the video with the score on YouTube here and on Odysee here.

Download the MP3 rendition by Gennady Stolyarov II here.

The sheet music is in the public domain and is available here. (IMSLP page.)

Description from Gottschalk.fr (English translation):

“Rather ‘classical’ piece with a beautiful lyrical line. Found by John Doyle in Brazil. (‘A bibliographic study and catalog of works’). Published by Chabal, Paris; it can also be found at the Biblioteca Nacional de Madrid, from where it was extracted.”


The Vindication of Dr. Aubrey de Grey and the Dangers of “Strategic Conservatism” in the Aging-Research Community – Article by Gennady Stolyarov II

The Vindication of Dr. Aubrey de Grey and the Dangers of “Strategic Conservatism” in the Aging-Research Community – Article by Gennady Stolyarov II

Gennady Stolyarov II

It appears that the Board of Directors of the SENS Research Foundation saw fit to release an Executive Summary of a second Investigative Report that was undertaken after that Board had summarily terminated Dr. Aubrey de Grey without due process. Those who followed this matter know that I did not think highly of the first “Investigative Report”. The second report is still methodologically flawed, in my view, but that is not the point, and so I will not fixate on that. The point is the conclusion, which is what I and many others anticipated: “In the end, after extensive review – and except as otherwise identified by the Firm in this Executive Summary in paragraphs one through seven, as well as in the separate Executive Summary dated September 10, 2021 concerning the Initial Investigation – we do not find evidence Dr. de Grey engaged in conduct that constituted unwelcome sexual conduct towards current or former SRF employees, or any person associated with SRF, since the founding of SRF.”

So, other than the initial allegations against Aubrey de Grey, which, at worst, would have consisted of him sending two questionable e-mails (which were overlooked by the recipient for nearly a decade) and making a joke in poor taste (which there is no evidence that he made), there is… no evidence… of any unwelcome conduct! So this was all… much ado about nothing! It was all… a tempest in a teapot, stirred up to displace Dr. de Grey from his position on the eve of his success in raising an unprecedented $28 million for true rejuvenation biotechnology research. As many have suggested, and as I will reiterate, any harassment allegations here were just a pretext. The real motive is the power struggle within the field, between the initial visionaries like Dr. de Grey who built it up from ideas alone to a vibrant network of organizations, and those who came later, riding on the visionaries’ coattails, and who mistakenly wish to “mainstream” the field by appealing to the gatekeeper institutions through rhetoric of “strategic conservatism” (one of Celine Halioua’s favorite terms – indeed, the underpinning of her goal to turn aging research into a “boring” field that gets rid of the radical-life-extension aspirations). The “strategic conservatives” cannot have a man with a long beard, who speaks of 1,000-year lifespans, as the spokesperson for this movement, so they needed to find a pretext to oust him. Not only that, but they managed to hoodwink those of more left-leaning sympathies by exploiting the tendency to automatically believe women who accuse influential men of harassment – even though believing such allegations here plays right into the hands of the same interests who would wish to corporatize and render exclusive the pursuit of longevity research, to “tone it down” so that gatekeeper institutions provide their grants and imprimatur of “respectability” while the general public gets no say and no benefit. Those on the Left who wish to support harassment victims have understandable motivations, but it is so, so easy to twist those motivations to the service of one of the very corporate networks whom those same left-leaning individuals profess to despise, often quite explicitly.

What the “strategic conservatives” did not realize is that the grassroots movement that has emerged over the years to support the vision of SENS and the pursuit of longevity escape velocity is simply not inspired by the timid focus on “healthspan” or “compression of morbidity”. By getting rid of the ambitious visionaries who lit the spark of this movement, the “strategic conservatives” also undermine the foundation beneath themselves. They will not succeed in “mainstreaming” anything, because the gatekeeper institutions and their spokespeople see right through any version of the toned-down rhetoric anyway. What they may succeed at, unfortunately, is in ruining the crucial philanthropic sector within longevity / rejuvenation research, which will be needed for a long time to bridge the gap between early-stage academic research and late-stage commercial application. We need for-profit corporations and investors in the field as well, but the “strategic conservatives” wish to corporatize everything and remove the role of philanthropy and grassroots support altogether. That would spell suicide for the longevity field.

The SENS Board stated, “Our respect for Dr. de Grey and his work remains deep and unwavering. His accomplishments are singular; he brought this Foundation — this profound scientific moment, truly — into being. While our separation was necessary, we intend to move forward with SRF in a way that honors his legacy.” Of course, this leaves open the unanswered question of why the Board considered the “separation” to be “necessary” – and why they wish to relegate Dr. de Grey merely to having a “legacy”. (He is very much alive and active, after all!) Most likely, some of them do actually regret this course of action, but their thinking may be along the following lines: “Aubrey de Grey got this movement this far, but from now on he is more of a liability than an asset. We can take it from here.” Well, no, they cannot. In order to have even a slight probability of success, the SENS vision requires support from at least appreciable segments of the general public and from the dedicated core of activists within the life-extension movement. Without them, there is no movement – just stagnation. But there will be a movement wherever Dr. de Grey goes. The SENS Research Foundation Board of Directors would be wise to invite him back.

Thank you to Immortalists Magazine for featuring this article, which will be republished in its blog in November 2021.

Musical Prime Numbers in Base 7, from 2 to 20021 (4817 in Base 10) – Composition by Gennady Stolyarov II

Musical Prime Numbers in Base 7, from 2 to 20021 (4817 in Base 10) – Composition by Gennady Stolyarov II

Gennady Stolyarov II

You have never heard music quite like this before.

This is the musical expression, in Base 7, of every prime number from 2 to 20021 (4817 in Base 10). The video displays each prime number in Base 10 and Base 7, alongside the corresponding notation. It also presents the system for musically mapping the prime numbers, explains the rules for composing within this system, and discusses some of its possibilities.

This is not an entirely algorithmic composition, since the human-driven approach to splitting the notes representing each prime number enables the music to be as consonant as possible while adhering to the rules of the system. This work was composed by Gennady Stolyarov II between February 12 and March 4, 2021. It is played using the MuseScore 3.0 software. It is likely unplayable by a single human pianist, although two pianists might succeed in performing it.

Download the MP3 file of this composition here.

This composition and video may be freely reproduced using the Creative Commons Attribution Share-Alike International 4.0 License.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

 

 

Allegro Risoluto, Op. 91 (2021) – Musical Composition by Gennady Stolyarov II

Allegro Risoluto, Op. 91 (2021) – Musical Composition by Gennady Stolyarov II

Gennady Stolyarov II

This composition by Gennady Stolyarov II coveys the sense of proceeding with swift determination, even through challenging settings and terrain. Occasionally there is an opportunity for respite to enjoy the scenery. Watch the video on YouTube here and on Odysee here.

This work was composed by Mr. Stolyarov on January 22-27, 2021, and is played using the MuseScore 3.0 software. This composition received an Honorable Mention at the 2021 Rodrigo Landa-Romero International Composition Competition

Download the MP3 file of this composition here. (Left-click to listen, right-click for download options.)

Find the score of this composition here.

This composition is intended to be playable by a human on piano, and those with pianistic abilities are encouraged to try and free to record and publish videos of themselves doing so.

Photographs taken by Gennady Stolyarov II from the trails of C-Hill above Carson City, Nevada, on April 26, 2018.

This composition and video may be freely reproduced using the Creative Commons Attribution Share-Alike International 4.0 License.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

End of 2020 Solo March, Op. 90 (2020) – Musical Composition by Gennady Stolyarov II

End of 2020 Solo March, Op. 90 (2020) – Musical Composition by Gennady Stolyarov II

Gennady Stolyarov II

Composed to commemorate the end of the most difficult year in recent history, this march by Gennady Stolyarov II conveys both the struggle and turbulence of the year left behind and the aspiration toward a brighter future. The piece is one of contrast and duality; it does not always move in the direction of brightness, since as the pandemic has taught us, there can be both incremental improvements and (sometimes sudden and dramatic) setbacks. Nor does the piece end definitively in a major or minor key; it ends in the key of C, but which C? The outcome of the battle between progress (potentially exponential progress) and ruin (potentially catastrophic ruin) is up to us humans to determine in 2021 and far beyond. And yet this composition also uses the principles of harmony to convey its moods, because it is through such a structured approach that humans ultimately rescue meaning out of the chaos and have a chance to restore order to a turbulent world.

Because 2020 was a year during which solitude became the default and the norm, this piece is written for solo piano, which also suggests that the conflict between progress and ruin is one that is experienced and participated in by each individual uniquely on that individual’s terms. Humankind is not really marching forward together and is perhaps more divided than ever; rather, the efforts and choices of each individual are what ultimately chart the trajectory of the long arc of history. Also, this march is one that can actually be played by an individual human!

This march was composed by Mr. Stolyarov during December 21-24, 2020, and is played using the MuseScore 3.0 software.

Download the MP3 file of this composition here.

Remember to LIKE, FAVORITE, and SHARE the video of this composition in order to spread rational high culture to others.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

U.S. Transhumanist Party Chairman Gennady Stolyarov II’s Update Interview on the Archer Report – July 24, 2020

U.S. Transhumanist Party Chairman Gennady Stolyarov II’s Update Interview on the Archer Report – July 24, 2020

Gennady Stolyarov II
Steele Archer


U.S. Transhumanist Party Chairman Gennady Stolyarov II’s July 24, 2020, appearance on the Archer Report with Steele Archer, was an opportunity for a fascinating 130-minute conversation about the forthcoming U.S. Transhumanist Party Virtual Enlightenment Salon with Dr. David Hanson of Hanson Robotics, Charlie Kam’s 2020 U.S. Presidential campaign, concerns about public reactions to the pandemic, and major issues with the contemporary media ecosystem, both with legacy and social media.

References

Trump challenged by radical presidential candidate hoping to REVERSE ageing” by James Bickerton. Daily Express. July 6, 2020.

Free U.S. Transhumanist Party Membership