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Louis Moreau Gottschalk – Weber’s Oberon Overture, J. 306 – Transcription for Piano, 4 Hands, Op. 83 – Recording by Gennady Stolyarov II

Louis Moreau Gottschalk – Weber’s Oberon Overture, J. 306 – Transcription for Piano, 4 Hands, Op. 83 – Recording by Gennady Stolyarov II

Louis Moreau Gottschalk

Louis Moreau Gottschalk’s piano transcription of Carl Maria von Weber’s 1826 Oberon Overture for four hands has seldom been performed in public, and no known recording existed of it until now. Gottschalk (1829-1869) created it in 1857, and the last documented public performance was by Eugene List (1918-1985) in Spring 1979, as briefly mentioned in a May 4, 1979, New York Times article by Joseph Horowitz.

While there exist many transcriptions of the Oberon Overture, Gottschalk’s is absolutely, monumentally unique in its extent of ornamentation, thunderous intensity, and virtuosic passages (which will be unmistakable to the listener). Perhaps the demands that this piece would place on human performers explain the rarity of any attempts to play it. It is likely that only a few remarkable pianists throughout history, including Gottschalk himself, would have had the skill, endurance, and proto-transhuman mental processing power needed to carry it out without fail.

Fortunately, with musical notation and composition software, combined with increasingly realistic digital instruments, the limitations of the human hands can be transcended, and this work can be made available to listeners as Gottschalk intended it to be heard. This recording was created using the MuseScore 3.0 by Gennady Stolyarov II between June and December 2021; the transcription itself required approximately 36 hours of meticulous work, spread out over half a year. However, elevating this piece into public awareness is certainly worth the effort. This is heroic music showing the impressive heights to which human achievement, ingenuity, and virtuosity can rise, and it is a marvelous gift from Gottschalk in 1857 to our era.

Watch the score video on YouTube here and on Odysee here.

Download the MP3 file of this composition for free here.

Download the score (published in 1901 – now in the public domain) here.

Louis Moreau Gottschalk – Pensée Poétique – Nocturne, Op.18 – Recording by Gennady Stolyarov II

Louis Moreau Gottschalk – Pensée Poétique – Nocturne, Op.18 – Recording by Gennady Stolyarov II

Louis Moreau Gottschalk

Commentary by Gennady Stolyarov II: This Pensée Poétique (Poetic Thought) was composed by Louis Moreau Gottschalk (1829 – 1869) in 1852-1853. It is a short nocturne – Gottschalk’s Opus 18, different from Gottschalk’s more famous Pensée Poétique, Op. 62.

To my surprise, I am unaware of any readily available recording of this quite interesting nocturne with some strong Chopin influences. Therefore, I created a rendition using MuseScore 3.0. This video follows the original Gottschalk score, to which I hope to have done justice. The last third appears to be rather virtuosic (as is much of Gottschalk’s work), and I am glad that we live in an era where programs allow us to experience these kinds of compositions in spite of the difficulty for a human to learn them.

Watch the video with the score on YouTube here and on Odysee here.

Download the MP3 rendition by Gennady Stolyarov II here.

The sheet music is in the public domain and is available here. (IMSLP page.)

Description from Gottschalk.fr (English translation):

“Rather ‘classical’ piece with a beautiful lyrical line. Found by John Doyle in Brazil. (‘A bibliographic study and catalog of works’). Published by Chabal, Paris; it can also be found at the Biblioteca Nacional de Madrid, from where it was extracted.”


The Vindication of Dr. Aubrey de Grey and the Dangers of “Strategic Conservatism” in the Aging-Research Community – Article by Gennady Stolyarov II

The Vindication of Dr. Aubrey de Grey and the Dangers of “Strategic Conservatism” in the Aging-Research Community – Article by Gennady Stolyarov II

Gennady Stolyarov II

It appears that the Board of Directors of the SENS Research Foundation saw fit to release an Executive Summary of a second Investigative Report that was undertaken after that Board had summarily terminated Dr. Aubrey de Grey without due process. Those who followed this matter know that I did not think highly of the first “Investigative Report”. The second report is still methodologically flawed, in my view, but that is not the point, and so I will not fixate on that. The point is the conclusion, which is what I and many others anticipated: “In the end, after extensive review – and except as otherwise identified by the Firm in this Executive Summary in paragraphs one through seven, as well as in the separate Executive Summary dated September 10, 2021 concerning the Initial Investigation – we do not find evidence Dr. de Grey engaged in conduct that constituted unwelcome sexual conduct towards current or former SRF employees, or any person associated with SRF, since the founding of SRF.”

So, other than the initial allegations against Aubrey de Grey, which, at worst, would have consisted of him sending two questionable e-mails (which were overlooked by the recipient for nearly a decade) and making a joke in poor taste (which there is no evidence that he made), there is… no evidence… of any unwelcome conduct! So this was all… much ado about nothing! It was all… a tempest in a teapot, stirred up to displace Dr. de Grey from his position on the eve of his success in raising an unprecedented $28 million for true rejuvenation biotechnology research. As many have suggested, and as I will reiterate, any harassment allegations here were just a pretext. The real motive is the power struggle within the field, between the initial visionaries like Dr. de Grey who built it up from ideas alone to a vibrant network of organizations, and those who came later, riding on the visionaries’ coattails, and who mistakenly wish to “mainstream” the field by appealing to the gatekeeper institutions through rhetoric of “strategic conservatism” (one of Celine Halioua’s favorite terms – indeed, the underpinning of her goal to turn aging research into a “boring” field that gets rid of the radical-life-extension aspirations). The “strategic conservatives” cannot have a man with a long beard, who speaks of 1,000-year lifespans, as the spokesperson for this movement, so they needed to find a pretext to oust him. Not only that, but they managed to hoodwink those of more left-leaning sympathies by exploiting the tendency to automatically believe women who accuse influential men of harassment – even though believing such allegations here plays right into the hands of the same interests who would wish to corporatize and render exclusive the pursuit of longevity research, to “tone it down” so that gatekeeper institutions provide their grants and imprimatur of “respectability” while the general public gets no say and no benefit. Those on the Left who wish to support harassment victims have understandable motivations, but it is so, so easy to twist those motivations to the service of one of the very corporate networks whom those same left-leaning individuals profess to despise, often quite explicitly.

What the “strategic conservatives” did not realize is that the grassroots movement that has emerged over the years to support the vision of SENS and the pursuit of longevity escape velocity is simply not inspired by the timid focus on “healthspan” or “compression of morbidity”. By getting rid of the ambitious visionaries who lit the spark of this movement, the “strategic conservatives” also undermine the foundation beneath themselves. They will not succeed in “mainstreaming” anything, because the gatekeeper institutions and their spokespeople see right through any version of the toned-down rhetoric anyway. What they may succeed at, unfortunately, is in ruining the crucial philanthropic sector within longevity / rejuvenation research, which will be needed for a long time to bridge the gap between early-stage academic research and late-stage commercial application. We need for-profit corporations and investors in the field as well, but the “strategic conservatives” wish to corporatize everything and remove the role of philanthropy and grassroots support altogether. That would spell suicide for the longevity field.

The SENS Board stated, “Our respect for Dr. de Grey and his work remains deep and unwavering. His accomplishments are singular; he brought this Foundation — this profound scientific moment, truly — into being. While our separation was necessary, we intend to move forward with SRF in a way that honors his legacy.” Of course, this leaves open the unanswered question of why the Board considered the “separation” to be “necessary” – and why they wish to relegate Dr. de Grey merely to having a “legacy”. (He is very much alive and active, after all!) Most likely, some of them do actually regret this course of action, but their thinking may be along the following lines: “Aubrey de Grey got this movement this far, but from now on he is more of a liability than an asset. We can take it from here.” Well, no, they cannot. In order to have even a slight probability of success, the SENS vision requires support from at least appreciable segments of the general public and from the dedicated core of activists within the life-extension movement. Without them, there is no movement – just stagnation. But there will be a movement wherever Dr. de Grey goes. The SENS Research Foundation Board of Directors would be wise to invite him back.

Thank you to Immortalists Magazine for featuring this article, which will be republished in its blog in November 2021.

Musical Prime Numbers in Base 7, from 2 to 20021 (4817 in Base 10) – Composition by Gennady Stolyarov II

Musical Prime Numbers in Base 7, from 2 to 20021 (4817 in Base 10) – Composition by Gennady Stolyarov II

Gennady Stolyarov II

You have never heard music quite like this before.

This is the musical expression, in Base 7, of every prime number from 2 to 20021 (4817 in Base 10). The video displays each prime number in Base 10 and Base 7, alongside the corresponding notation. It also presents the system for musically mapping the prime numbers, explains the rules for composing within this system, and discusses some of its possibilities.

This is not an entirely algorithmic composition, since the human-driven approach to splitting the notes representing each prime number enables the music to be as consonant as possible while adhering to the rules of the system. This work was composed by Gennady Stolyarov II between February 12 and March 4, 2021. It is played using the MuseScore 3.0 software. It is likely unplayable by a single human pianist, although two pianists might succeed in performing it.

Download the MP3 file of this composition here.

This composition and video may be freely reproduced using the Creative Commons Attribution Share-Alike International 4.0 License.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

 

 

Allegro Risoluto, Op. 91 (2021) – Musical Composition by Gennady Stolyarov II

Allegro Risoluto, Op. 91 (2021) – Musical Composition by Gennady Stolyarov II

Gennady Stolyarov II

This composition by Gennady Stolyarov II coveys the sense of proceeding with swift determination, even through challenging settings and terrain. Occasionally there is an opportunity for respite to enjoy the scenery. Watch the video on YouTube here and on Odysee here.

This work was composed by Mr. Stolyarov on January 22-27, 2021, and is played using the MuseScore 3.0 software. This composition received an Honorable Mention at the 2021 Rodrigo Landa-Romero International Composition Competition

Download the MP3 file of this composition here. (Left-click to listen, right-click for download options.)

Find the score of this composition here.

This composition is intended to be playable by a human on piano, and those with pianistic abilities are encouraged to try and free to record and publish videos of themselves doing so.

Photographs taken by Gennady Stolyarov II from the trails of C-Hill above Carson City, Nevada, on April 26, 2018.

This composition and video may be freely reproduced using the Creative Commons Attribution Share-Alike International 4.0 License.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

End of 2020 Solo March, Op. 90 (2020) – Musical Composition by Gennady Stolyarov II

End of 2020 Solo March, Op. 90 (2020) – Musical Composition by Gennady Stolyarov II

Gennady Stolyarov II

Composed to commemorate the end of the most difficult year in recent history, this march by Gennady Stolyarov II conveys both the struggle and turbulence of the year left behind and the aspiration toward a brighter future. The piece is one of contrast and duality; it does not always move in the direction of brightness, since as the pandemic has taught us, there can be both incremental improvements and (sometimes sudden and dramatic) setbacks. Nor does the piece end definitively in a major or minor key; it ends in the key of C, but which C? The outcome of the battle between progress (potentially exponential progress) and ruin (potentially catastrophic ruin) is up to us humans to determine in 2021 and far beyond. And yet this composition also uses the principles of harmony to convey its moods, because it is through such a structured approach that humans ultimately rescue meaning out of the chaos and have a chance to restore order to a turbulent world.

Because 2020 was a year during which solitude became the default and the norm, this piece is written for solo piano, which also suggests that the conflict between progress and ruin is one that is experienced and participated in by each individual uniquely on that individual’s terms. Humankind is not really marching forward together and is perhaps more divided than ever; rather, the efforts and choices of each individual are what ultimately chart the trajectory of the long arc of history. Also, this march is one that can actually be played by an individual human!

This march was composed by Mr. Stolyarov during December 21-24, 2020, and is played using the MuseScore 3.0 software.

Download the MP3 file of this composition here.

Remember to LIKE, FAVORITE, and SHARE the video of this composition in order to spread rational high culture to others.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

U.S. Transhumanist Party Chairman Gennady Stolyarov II’s Update Interview on the Archer Report – July 24, 2020

U.S. Transhumanist Party Chairman Gennady Stolyarov II’s Update Interview on the Archer Report – July 24, 2020

Gennady Stolyarov II
Steele Archer


U.S. Transhumanist Party Chairman Gennady Stolyarov II’s July 24, 2020, appearance on the Archer Report with Steele Archer, was an opportunity for a fascinating 130-minute conversation about the forthcoming U.S. Transhumanist Party Virtual Enlightenment Salon with Dr. David Hanson of Hanson Robotics, Charlie Kam’s 2020 U.S. Presidential campaign, concerns about public reactions to the pandemic, and major issues with the contemporary media ecosystem, both with legacy and social media.

References

Trump challenged by radical presidential candidate hoping to REVERSE ageing” by James Bickerton. Daily Express. July 6, 2020.

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New Decade’s Message for the 2020s – Gennady Stolyarov II

New Decade’s Message for the 2020s – Gennady Stolyarov II

Gennady Stolyarov II


As 2019 draws to a close, Gennady Stolyarov II, Chairman of the United States Transhumanist Party / Transhuman Party and Editor-in-Chief of The Rational Argumentator, expresses hope that humankind will emerge from the “Crazy Years” and offers ten concrete resolutions for human achievement during the 2020s. This message was recorded on December 31, 2019, and is available for viewing here.

As 2019 draws to a close, let us bid farewell and good riddance to a decade which could, in retrospect be referred to using the prophetic Robert Heinlein term, “The Crazy Years” – a turbulent, conflicted decade during which, while glimmers of hope appeared on multiple fronts of technological advancement, society and culture have clearly declined due to the rise of incivility, tribalism, authoritarianism, identity politics, and mass breakdowns of sanity. It is no secret that I had hoped for humankind to have been farther along the path of advancement by now than it has actually come. The great conflict of our decade – between the marvels that have been built by the creative and rational higher faculties of the human mind and the biases, fallacies, vulnerabilities, and atrocities spawned by its darkest evolved recesses – between the Apollonian heights and the Dionysian depths of human nature – will carry on into the 2020s and perhaps beyond. To win this conflict, those of us who desire a brighter future need to advocate for more progress, faster innovation, greater rationality, higher standards of civility and morality, and a long-term outlook that seeks to cultivate the best in human beings.

As the winds of fortune shift, some of us individually will rise, and others will fall. This certainly was the case this past decade. In so many respects, for me, it has been marked by colossal achievements and improvements, but also tectonic shifts in my own life which were not of my initiative – to which I needed to respond and adapt and preserve what I valued in the aftermath. Reflecting back on the end of 2009, and comparing it to today, I realize that absolutely everything about the circumstances of my life is now different… and yet I myself am essentially the same. I believe that it is this core of myself, this fundamentally constant and consistent identity, which has carried me through the crises and enabled me to defy adversity and arise stronger every time – to pursue new endeavors and take on new roles while remaining the same essential individual, to learn from the empirical evidence before me while maintaining the same convictions and understanding of the good. The events of the 2010s have illustrated for me that, indeed, peace and stability in life must ultimately come from within – although it is not a matter of withdrawal into the self or mere self-affirmation, as some popular creeds would claim. Rather, it is the self that must devise and implement solutions to the crises of the day while pursuing consistent improvement in as many dimensions as possible, and preserving that essential core intact.

It is beyond our power to live a decade over again, but we can harness the best of its aftermath and turn the coming decade into a superior and more rational one. Some of us will create resolutions as individuals, and then pursue plans of varying degrees of specificity and likelihood of success. But perhaps it is best to consider the resolutions we would wish to have for humankind as a whole. It is all well and good, of course, to wish for progress and prosperity, but it is also well-known that the resolutions which have the greatest likelihood of succeeding are those which are accompanied by concrete indicators of fulfillment. Therefore, I propose the following ten resolutions for humankind during the decade of the 2020s, which will enable us to empirically identify whether or not they have been fulfilled at the decade’s end.

  1. Construct the next world’s tallest building – because humankind must always reach higher.
  2. Build a base on the Moon – because it is time to colonize other worlds.
  3. Land a human on Mars – because it is time to expand beyond our orbit.
  4. Establish the first fully operational seastead communities – because it is time for human habitation to expand beyond land and for jurisdictional experimentation to resume in earnest.
  5. Have at least one person live beyond 120 years again – mathematically possible given that 10 of today’s supercentenarians are 114 or older; it is time to begin to approach Jeanne Calment’s longevity record of 122 years once more.
  6. Cut all world nuclear-weapon stockpiles in half – more than this has been done before, and so this is really quite a modest goal, but it is imperative to reverse the trajectory of the current arms race. Complete nuclear disarmament by all powers would, of course, be preferable, to finally dispel the “MAD” cloud of annihilation looming over our species.
  7. Compose 100 tonal symphonies – because it is time to rediscover beauty.
  8. Develop medically effective cures for every type of cancer – because, really, it is decades past time.
  9. End the decade with 50 percent of all vehicles on the road at level 2 autonomy or greater – because road deaths are a travesty and should become a relic of a barbaric past.
  10. Experience at least one year in which no country is at war with any other, with “war” including armed insurgencies and terrorist attacks – because national, ethnic, religious, and ideological warfare needs to be relegated to the past.

Of course, there are many worthwhile objectives not encompassed above, and it is my hope that efforts to reach those goals will also advance in parallel. You may have a list of ten resolutions for humankind that differs from mine, but they may be compatible nonetheless. The overarching aim, however, is to restore humanity’s much-needed confidence in progress, to emerge from the postmodern swamp of self-doubt and deconstruction and return to the heights of ennobling ambition and creation. Concrete benchmarks to track our progress can also serve the dual purpose of motivating people everywhere to undertake great tasks. A certain President has expressed the desire to make America great again, but I would venture to say that he has not selected the proper means for doing so. I challenge everyone during the next decade to make the world great again and demonstrate that the most impressive achievements and the most lasting solutions to our age-old problems are still to come. This is the message of transhumanism, and I hope that it can become the theme of the next decade – so that when I speak to you again at the decade’s end, we can reflect upon the wonders that have been built.

March-Trio in C Major, Op. 89 (2019) – Musical Composition by Gennady Stolyarov II

March-Trio in C Major, Op. 89 (2019) – Musical Composition by Gennady Stolyarov II

Gennady Stolyarov II


This is a determined, uplifting march composed by Gennady Stolyarov II for piano, violin, and cello – intended to be played by a human ensemble. As the decade of the 2010s concludes, this composition expresses the hope that a better future awaits for the entirety of humankind.

This march was composed by Mr. Stolyarov in October-December 2019, and is played using the MuseScore 3.0 software.

Listen to this composition on YouTube here.

Download the MP3 file of this composition here.

Find the score of this composition here.

The fractal artwork is Mr. Stolyarov’s Fractal of 85, available for free download here.

This composition and video may be freely reproduced using the Creative Commons Attribution Share-Alike International 4.0 License.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

 

U.S. Transhumanist Party Chairman Gennady Stolyarov II Interviewed by Roen Horn of the Eternal Life Fan Club

U.S. Transhumanist Party Chairman Gennady Stolyarov II Interviewed by Roen Horn of the Eternal Life Fan Club

Gennady Stolyarov II
Roen Horn


Gennady Stolyarov II, Chairman of the U.S. Transhumanist Party, was interviewed on December 14, 2019, by Roen Horn of the Eternal Life Fan Club. Topics discussed included recent developments in transhumanist politics, the Presidential campaign of Johannon Ben Zion, transhumanist elements in the candidacies of Zoltan Istvan and Andrew Yang, how to persuade religious individuals to be more receptive to the ideas of transhumanism and life extension, prospects for the transhumanist movement to find a spokesperson regarding life extension as influential as Greta Thunberg has been regarding climate-change activism, preservation of the self and “I-ness”, existential risks, and longevity themes in film and literature.

References

– Ben Zion 2020 Campaign Website
– Johannon Ben Zion Candidate Profile

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