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Score for Composition for Harpsichord and Piano, Op. 50 (2008) by G. Stolyarov II

Score for Composition for Harpsichord and Piano, Op. 50 (2008) by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
June 22, 2017
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By popular demand, the PDF score of Mr. Stolyarov’s Composition for Piano and Harpsichord, Op. 50, composed in 2008, has been released. It is available for free download here.

This experimental composition, Mr. Stolyarov’s first attempt at polyphony in 2008, explores the interplay between two instruments, including their potential to simultaneously play two different but complementary melodies. The mood of this piece also alternates between tense and jubilant.

This work was remastered using the Finale 2011 software, with the Steinway Grand Piano and Harpsichord instruments.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 57, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE the video above in order to spread rational high culture to others.

Variations on a Randomly Generated Minuet and Trio by Wolfgang Amadeus Mozart, Op. 81 (2015) – Musical Composition and Video by G. Stolyarov II

Variations on a Randomly Generated Minuet and Trio by Wolfgang Amadeus Mozart, Op. 81 (2015) – Musical Composition and Video by G. Stolyarov II

The New Renaissance HatG. Stolyarov II
June 23, 2015
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Mr. Stolyarov composes four variations for piano and harpsichord, based on a minuet and trio that were randomly generated – most likely for the first time – using the rules in Wolfgang Amadeus Mozart’s Musikalisches Würfelspiel (Musical Dice Game, K. 516f).

Wolfgang Amadeus Mozart was one of the pioneers of algorithmic composition. In 1787 he developed his Musikalisches Würfelspiel (Musical Dice Game, K. 516f), which could generate unique minuets and trios by associating specific measures with rolls of dice (2 6-sided dice for the minuet, 1 6-sided die for the trio). Following Mozart’s table of rules, it is possible to generate (11^16)*(6^16) = 66^16 = 129,629,238,163,050,258,624,287,932,416 unique minuet/trio combinations. This means that any given iteration of the Musikalisches Würfelspiel has most likely never been heard before and, if preserved, adds to the available musical variety derived from Mozart’s compositional technique.

Download the MP3 file of this composition here.

See the rules for the Musikalisches Würfelspiel and hear the individual measures in MIDI format here.

Download “Musikalische Würfelspiele” – a free German-language program by Peter Baumann that can generate full MIDI files for compositions created using the musical dice games of Wolfgang Amadeus Mozart and Johann Philipp Kirnberger.

This composition and video may be freely reproduced using the Creative Commons Attribution Share-Alike International 4.0 License.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

References
– “Musikalisches Würfelspiel” – Wikipedia
– “Mozart’s Musikalisches Würfelspiel” – Page by John Chuang
Portrait of Gennady Stolyarov II – by Wendy Stolyarov
Abstract Orderism Fractal 5 – G. Stolyarov II
Abstract Orderism Fractal 7 – G. Stolyarov II
Abstract Orderism Fractal 48 – G. Stolyarov II
Abstract Orderism Fractal 66 – Floral Fractal – G. Stolyarov II

Man’s Struggle Against Death, Op. 57 (2008) – Musical Composition and Video by G. Stolyarov II

Man’s Struggle Against Death, Op. 57 (2008) – Musical Composition and Video by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
November 11, 2014
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This composition by Mr. Stolyarov depicts the most important challenge facing humankind during all of its existence – the imperative of freeing individual humans from the ghastly and unconscionable fate of eventually ceasing to exist. Indefinite physical life in this world is not only possible with sufficient advances in scientific knowledge and medical technology – it is also supremely desirable, and we who are alive now should work to attain it as early as we can.

As outlined by Dr. Aubrey de Grey of the SENS Research Foundation, there are only seven primary types of damage involved in human biological senescence – which leads to death:

1. Extracellular junk
2. Extracellular crosslinks
3. Dysfunctional cells
4. Intracellular aggregates
5. Mitochondrial mutations
6. Nuclear mutations
7. Cell loss/atrophy

This led Mr. Stolyarov to compose a work where there are seven variations on the same theme – with the theme representing the consistent, unyielding human effort to defeat death and achieve indefinite longevity.

Every time that a variation on the theme is played, this represents one of the causes of death finally being overcome by human ingenuity. Accordingly, the melody becomes more jubilant and determined as the composition progresses, because there are fewer perils awaiting man and the amount of the task remaining is reduced.

Once the seven variations are complete (which corresponds with the attainment of indefinite life), the coda of the work is meant to evoke the last line of John Donne’s sonnet, “Death, Be Not Proud”: “And death shall be no more; death, thou shalt die.”

John Donne was not himself a physical life-extensionist (he was alive too early), but the last line of his poem is an excellent motto for life-extensionists to adopt as we spread awareness of the need and urgency of defeating this greatest of all perils.

This composition was remastered using the Finale 2011 and Finale 2014 software. It is written for organ, two pianos, harpsichord, timpani, a brass section, and a strings section.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

Read more about the quest for indefinite life in Mr. Stolyarov’s book Death is Wrong.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

Grand Procession, Op. 14 (2001-2002) – Musical Composition and Video by G. Stolyarov II

Grand Procession, Op. 14 (2001-2002) – Musical Composition and Video by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
November 9, 2014
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“Grand Procession” was composed by Mr. Stolyarov in 2001 and 2002. It was Mr. Stolyarov’s first attempt at a multi-instrumental composition. Since MIDI sequencers were not available to him then, Mr. Stolyarov had to play each track by hand and attempt to align it with the played-back recording of all the other tracks. The present version is remastered using the SynthFont 2 software, with the Evanescence 2 and GMR Basico 1.1 instrument packs.

This composition is written for piano, flute, organ, harpsichord, and a string section. As the name suggests, it is meant to evoke images of a triumphal procession – of a civilian rather than military nature (since most of the instruments involved would not be available to a military band or orchestra).

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is “The Coronation of Napoleon” by Jacques-Louis David, painted in 1805 and available as a public-domain image here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

Composition for Harpsichord and Piano, Op. 50 (2008) – Musical Composition and Video by G. Stolyarov II

Composition for Harpsichord and Piano, Op. 50 (2008) – Musical Composition and Video by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
November 4, 2014
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This experimental composition, Mr. Stolyarov’s first attempt at polyphony in 2008, explores the interplay between two instruments, including their potential to simultaneously play two different but complementary melodies. The mood of this piece also alternates between tense and jubilant.

This work was remastered using the Finale 2011 software, with the Steinway Grand Piano and Harpsichord instruments.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 57, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

Mr. Stolyarov’s “Dance of Reason, Op. 11”, Remastered by Prince Avery

Mr. Stolyarov’s “Dance of Reason, Op. 11”, Remastered by Prince Avery

The New Renaissance Hat
G. Stolyarov II and Prince Avery
October 26, 2014
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Note from Mr. Stolyarov: One of the wonderful aspects of a Creative Commons license is that it enables the talents of others to take an artist’s work in new directions. Here is a wonderfully remastered version of my 2002 composition, Dance of Reason, Op. 11, by Prince Avery, done using the FL Studio software and the Nexus plugin. The MP3 file of this rendition can be downloaded here or via the embedded player below.

Dance of Reason, Op. 11 (2002) – Musical Composition and Video by G. Stolyarov II

Dance of Reason, Op. 11 (2002) – Musical Composition and Video by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
October 26, 2014
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This short piece for harpischord was composed by Mr. Stolyarov in 2002 and evokes the spirit of the Age of Enlightenment, an era whose esthetic combined elegance and ornateness with rationality and directedness.

This work was remastered using the SynthFont2 software, with the Evanescence 2 and GMR Basico 1.1 instrument packs.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is the “Concert Room of Sanssouci Palace, Potsdam, Germany”, painted by Eduard Gaertner in 1852 and accessible as a public-domain image here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

March #10, Op. 59 (2009) – Musical Composition and Video by G. Stolyarov II

March #10, Op. 59 (2009) – Musical Composition and Video by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
September 21, 2014
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This march was composed by Mr. Stolyarov in 2009 using harmonies that late-19th-century European composers would have associated with the Middle East.

This work has been remastered using the Finale 2011 software. It is arranged for harpsichord, piano, harp, clarinet, organ, and timpani.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Tesselated Pyramid, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

Abrupt Insights, Op. 73 – Composition for Classical Guitar and Harpsichord (2013) – G. Stolyarov II

Abrupt Insights, Op. 73 – Composition for Classical Guitar and Harpsichord (2013) – G. Stolyarov II

A work that is both classical and experimental, this piece for two classical acoustic guitars and three harpsichords is intended to evoke the process of arriving at new ideas or making progress on a major project in a staggered fashion. Each advance is a leap forward, but, on a larger scale, there remain an order and coherence of the greater task or discovery being achieved. This work follows a theme-and-variations format and utilizes harmonies reminiscent of the Spanish classical guitar compositions of the late 18th and early 19th centuries.

Length: 3:25

This composition is played in Finale 2011 software.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The cover page was designed by Wendy Stolyarov.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 8, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

Theme and Variations #1, Op. 61 (2009) – Video by G. Stolyarov II

Theme and Variations #1, Op. 61 (2009) – Video by G. Stolyarov II

This 2009 composition was written in a theme-and-variations format, with the main theme being presented, then varied five times, then repeated in its original form. The melody is played by a harpsichord with piano accompaniment, and a second harpsichord provides additional accompaniment in the first variation.

This composition has been remastered in Finale 2011 software and is played by two harpsichords and a piano.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 25, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.