March #6 (Toy Soldier March), Op. 38 (2005) – G. Stolyarov II

March #6 (Toy Soldier March), Op. 38 (2005) – G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
November 1, 2014
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This short, bright piano march, composed by Mr. Stolyarov in 2005, is gentle enough to be fitting for toy soldiers rather than real ones.

This work was remastered using the SynthFont2 software, with the Evanescence 2 and GMR Basico 1.1 instrument packs.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here. at

The artwork is “54mm Toy Soldiers representing the British Coldstream Guards during the Crimean War era by Imperial Productions, Greytown, New Zealand” – a photograph by J. Corey Butler, taken in 2005 and accessible as a public-domain image here.

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March #5 (Belle Époque March), Op. 31 (2004) – Musical Composition and Video by G. Stolyarov II

March #5 (Belle Époque March), Op. 31 (2004) – Musical Composition and Video by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
November 1, 2014
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This 2004 piano march by Mr. Stolyarov celebrates the “beautiful epoch” of Western Civilization during the late 19th century, characterized by widespread peace, technological progress, economic freedom, artistic flourishing, and rising living standards that, for the first time, brought prosperity to large numbers of people.

This work was remastered using the SynthFont2 software, with the Evanescence 2 and GMR Basico 1.1 instrument packs.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is “View of the Place de la Bourse, Paris” painted by Carlo Bossoli circa 1884 and accessible as a public-domain image here.

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Once-Peaceful Canada Turns Militaristic; Blowback Follows – Article by Ron Paul

Once-Peaceful Canada Turns Militaristic; Blowback Follows – Article by Ron Paul

The New Renaissance Hat
Ron Paul
October 30, 2014
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In 1968 the government of Canada decided to openly admit Americans seeking to avoid being drafted into the US war on Vietnam. Before, would-be immigrants were technically required to prove that they had been discharged from US military service. This move made it easier for Americans to escape President Johnson’s war machine by heading north.
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Although a founding member of NATO, Canada did not join the United States in its war against Vietnam. The Canadian government did not see a conflict 7,000 miles away as vital to Canada’s national interest so Canada pursued its own foreign policy course, independent of the United States.

How the world has changed. Canada’s wise caution about military adventurism even at the height of the Cold War has given way to a Canada of the 21st century literally joined at Washington’s hip and eager to participate in any bombing mission initiated by the D.C. interventionists.

Considering Canada’s peaceful past, the interventionist Canada that has emerged at the end of the Cold War is a genuine disappointment. Who would doubt that today’s Canada would, should a draft be re-instated in the US, send each and every American resister back home to face prison and worse?

As Glenn Greenwald pointed out this past week:

Canada has spent the last 13 years proclaiming itself a nation at war. It actively participated in the invasion and occupation of Afghanistan and was an enthusiastic partner in some of the most extremist War on Terror abuses perpetrated by the U.S.

Canada has also enthusiastically joined President Obama’s latest war on Iraq and Syria, pledging to send fighter jets to participate in the bombing of ISIS (and likely many civilians in the process).

But Canada’s wars abroad came back home to Canada last week.

Though horrific, it should not be a complete surprise that Canada found itself hit by blowback last week, as two attacks on Canadian soil left two Canadian military members dead.

Greenwald again points out what few dare to say about the attacks:

Regardless of one’s views on the justifiability of Canada’s lengthy military actions, it’s not the slightest bit surprising or difficult to understand why people who identify with those on the other end of Canadian bombs and bullets would decide to attack the military responsible for that violence.

That is the danger of intervention in other people’s wars thousands of miles away. Those at the other end of foreign bombs – and their surviving family members or anyone who sympathizes with them – have great incentive to seek revenge. This feeling should not be that difficult to understand.

Seeking to understand the motivation of a criminal does not mean that the crime is justified, however. We can still condemn and be appalled by the attacks while realizing that we need to understand the causation and motivation. This is common sense in other criminal matters, but it seems to not apply to attacks such as we saw in Canada last week. Few dare to point out the obvious: Canada’s aggressive foreign policy is creating enemies abroad that are making the country more vulnerable to attack rather than safer.

Predictably, the Canadian government is using the attacks to restrict civil liberties and expand the surveillance state. Like the US PATRIOT Act, Canadian legislation that had been previously proposed to give the government more authority to spy on and aggressively interrogate its citizens has been given a shot in the arm by last week’s attacks.

Unfortunately Canada has unlearned the lesson of 1968: staying out of other people’s wars makes a country more safe; following the endless war policy of its southern neighbor opens Canada up to the ugly side of blowback.

Ron Paul, MD, is a former three-time Republican candidate for U. S. President and Congressman from Texas.

This article is reprinted with permission from the Ron Paul Institute for Peace and Prosperity.

March #4, Op. 29 (2004) – Musical Composition and Video by G. Stolyarov II

March #4, Op. 29 (2004) – Musical Composition and Video by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
October 28, 2014
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This stern, determined march for piano was composed by Mr. Stolyarov in 2004.

This work was remastered using the SynthFont2 software, with the Evanescence 2 and GMR Basico 1.1 instrument packs.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 12, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.
Prelude #2, Op. 41 (2005) – Musical Composition and Video by G. Stolyarov II

Prelude #2, Op. 41 (2005) – Musical Composition and Video by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
October 27, 2014
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This brief, light, joyous piano prelude was composed by Mr. Stolyarov in 2005, with 18th-century classical stylistic influences.

This work was remastered using the SynthFont2 software, with the Evanescence 2 and GMR Basico 1.1 instrument packs.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 11, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

Mr. Stolyarov’s “Dance of Reason, Op. 11”, Remastered by Prince Avery

Mr. Stolyarov’s “Dance of Reason, Op. 11”, Remastered by Prince Avery

The New Renaissance Hat
G. Stolyarov II and Prince Avery
October 26, 2014
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Note from Mr. Stolyarov: One of the wonderful aspects of a Creative Commons license is that it enables the talents of others to take an artist’s work in new directions. Here is a wonderfully remastered version of my 2002 composition, Dance of Reason, Op. 11, by Prince Avery, done using the FL Studio software and the Nexus plugin. The MP3 file of this rendition can be downloaded here or via the embedded player below.

Fanfare to Individualism, Op. 17 (2002) – Musical Composition and Video by G. Stolyarov II

Fanfare to Individualism, Op. 17 (2002) – Musical Composition and Video by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
October 26, 2014
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Although this piece sounds like a fanfare for brass and organ, it can be played by a single person on a piano. It was composed by Mr. Stolyarov in 2002 to celebrate the power of the individual to express what it would have taken a large group of people to do in prior eras.
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This work was remastered using the SynthFont2 software, with the Evanescence 2 and GMR Basico 1.1 instrument packs.
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Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 10, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

Dance of Reason, Op. 11 (2002) – Musical Composition and Video by G. Stolyarov II

Dance of Reason, Op. 11 (2002) – Musical Composition and Video by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
October 26, 2014
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This short piece for harpischord was composed by Mr. Stolyarov in 2002 and evokes the spirit of the Age of Enlightenment, an era whose esthetic combined elegance and ornateness with rationality and directedness.

This work was remastered using the SynthFont2 software, with the Evanescence 2 and GMR Basico 1.1 instrument packs.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is the “Concert Room of Sanssouci Palace, Potsdam, Germany”, painted by Eduard Gaertner in 1852 and accessible as a public-domain image here.

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My Tiny Cosmopolitan Apartment – Article by Joseph S. Diedrich

My Tiny Cosmopolitan Apartment – Article by Joseph S. Diedrich

The New Renaissance Hat
Joseph S. Diedrich
October 25, 2014
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Global trade made my little flat a place of international treasures.

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I live in a studio apartment, so my kitchen is my living room is my bedroom. The other day, I was staring out my sole window when something startled me. (And it wasn’t the subwoofer two floors up.)

It was my coffee. While sipping from my mug, I glanced at the bag of beans. It read, “Origin: Ethiopia.” Next, I read the text on the bottom of my laptop: “Designed by Apple in California. Assembled in China.” I looked down at my necktie: “Bruno Piatelli. Roma.”

This little exercise became a game. From what other far-off places did my stuff come? I sleep on bed sheets from Egypt. I drink bottles of Shiraz from Australia. I pour Canadian maple syrup on my pancakes. Some things weren’t technically “foreign,” but they still came a long way: books printed in New York, apples grown in Washington orchards, and beer brewed in St. Louis.

Within the narrow confines of my apartment was an expansive world market — a veritable microcosm of the global economy.

What startled me most wasn’t that so much had traveled so far. Rather, it was that I found nothing from my own city. While I had purchased some items in Madison, they didn’t originate here.

What about the “buy local” bandwagon? If I were to follow the consumer movement du jour to its fullest extent, I’d be much poorer. Because of a much more constrained division of labor, I’d spend more money on lower quality goods. I probably wouldn’t even have coffee, and I certainly wouldn’t own an Italian necktie.

Yet I don’t intentionally avoid local goods. Every Saturday morning, like a ritual, I visit the county farmers market. I buy delicious seasonal fruits, vegetables, and cheeses from nearby farmers — not because they’re local, but because they’re the best. Produce tends to be tastier if it hasn’t spent a week on a flatbed.

Adam Smith once wrote, “In every country it always is and must be the interest of the great body of the people to buy whatever they want of those who sell it cheapest.” The less trade is restricted between individuals and across borders, the more “the body of people” can “buy whatever they want” the “cheapest.” As society becomes more and more integrated, we can better take advantage of the division of labor, leading to lower prices, greater prosperity, and a higher standard of living for everyone.

When I buy a preferable foreign product instead of its domestic counterpart, I obviously benefit myself. I receive a better product at a better price. I also clearly help the foreign producer.

I benefit the domestic economy, too. By purchasing cheaper foreign goods, I reserve more of my money to spend elsewhere, including in domestic exchange. More importantly, I send a signal to domestic producers: don’t waste your time making that thing! By doing so, I incentivize domestic producers to reallocate their resources to more highly valued endeavors.

It’s true that free trade and globalization make the rich richer. But they also make the poor richer. Trade provides cell phones to people in developing countries. It increases wages. It fosters international peace. And it makes denizens of tiny dwellings feel like the freest, richest people in the world.

Four hundred fifty square feet doesn’t sound like much. Yet somehow I’ve managed to fit states, countries, and even continents inside. The most remarkable thing of all? I didn’t intend for this to happen. I didn’t decide one day to start purchasing only “foreign” goods. I never consciously attempted to avail myself of “exotic” treasures.

Nobody ever intends for this to happen. Every day, we make countless, often subconscious cost-benefit analyses. When it comes to purchasing actual goods, we weigh all the factors we care about — price, quality, size, shape, taste, and so on. We search for the highest quality consumer goods within our respective price ranges. Just by buying what we like, we unwittingly amass personal bazaars.

We are capable of planning only for our individual selves. Despite the ubiquity of cosmopolitan collections of consumer goods, nobody could ever plan for such a thing. We simply lack the capacity to organize an entire economy to fit our specific needs.

This was the keen insight of economist F.A. Hayek, who recently celebrated the 40th anniversary of his Nobel Prize. While he admitted that “all economic activity” involves planning, not all planning is the same. Because there’s “no dispute about whether planning is to be done or not,” what matters is “whether planning is to be done centrally, by one authority for the whole economic system, or is to be divided among many individuals.”

My apartment has only one window, but I feel like I can see the whole world. Every treasure I own is a window to a place I’ve never been and to people I’ve never met.

Joseph S. Diedrich is a Young Voices Advocate, a law student at the University of Wisconsin, and assistant editor at Liberty.me.

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This article was originally published by The Foundation for Economic Education.

March #3, Op. 23 (2003) – Musical Composition and Video by G. Stolyarov II

March #3, Op. 23 (2003) – Musical Composition and Video by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
October 25, 2014
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Mr. Stolyarov composed this piano march in July 2003. It is meant to illustrate the echoes of a triumphant advance, reverberating throughout a vast expanse, as in the colonization of a new frontier.

This work was remastered using the SynthFont2 software, with the Evanescence 2 and GMR Basico 1.1 instrument packs.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 46, available for download here and here.
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