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March #10, Op. 59 (2009) – Musical Composition and Video by G. Stolyarov II

March #10, Op. 59 (2009) – Musical Composition and Video by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
September 21, 2014
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This march was composed by Mr. Stolyarov in 2009 using harmonies that late-19th-century European composers would have associated with the Middle East.

This work has been remastered using the Finale 2011 software. It is arranged for harpsichord, piano, harp, clarinet, organ, and timpani.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Tesselated Pyramid, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

Dawn of the New Renaissance, Op. 21 (2003) – Musical Composition and Video by G. Stolyarov II

Dawn of the New Renaissance, Op. 21 (2003) – Musical Composition and Video by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
September 20, 2014
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Mr. Stolyarov composed this work in 2003 in an effort to herald the beginning of a new era – the return to harmony, melody, meter, and heroic grandeur, the revival of an upright, luminous vision of human potential.

This work was remastered using the SynthFont2 software, with the Evanescence 2 and GMR Basico 1.1 instrument packs.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 61, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.
Minuet #3 (Systematic Minuet), Op. 34 (2004) – Musical Composition and Video by G. Stolyarov II

Minuet #3 (Systematic Minuet), Op. 34 (2004) – Musical Composition and Video by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
September 18, 2014
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This minuet for piano, composed by Mr. Stolyarov in 2004, conveys intricacy through directed melodies within a rigorously logical structure.

This work was remastered using the SynthFont2 software, with the Evanescence 2 and GMR Basico 1.1 instrument packs.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Cube of Cubes, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

Melody for “Progress Unyielding”, Op. 76 – Space Colonists’ Anthem from “Eden against the Colossus” – by G. Stolyarov II

Melody for “Progress Unyielding”, Op. 76 – Space Colonists’ Anthem from “Eden against the Colossus” – by G. Stolyarov II

The New Renaissance Hat
G. Stolyarov II
December 7, 2013
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Progress Unyielding is the anthem celebrating space colonization and humans’ expansion throughout the universe, guided by the principles of individualism, liberty, rationality, and progress. It is originally found in my 2004 novel, Eden against the Colossus. I was recently asked to create a composition to convey the music of this anthem, as I imagined it when writing the novel. This composition is not the full orchestration described in Eden against the Colossus, but rather the main melody, played on the harp, with accompaniment by the piano and by a string ensemble for the latter third. It communicates the principal direction of Progress Unyielding and allows the listener to see the words put to music.

Download a free MP3 file of the melody of Progress Unyielding here.

The meter of this piece would accommodate the following very slightly modified lyrics, which still communicate the same substance as the anthem in the novel.

You can listen to and download all of my compositions, including many recently remastered versions of older pieces, here.

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Progress Unyielding

Our souls before these sights dwarfed shan’t become.
Why bow to passive matter of antiquity?
What spreads from it is pandemonium;
Its barrenness is source for all iniquity.

‘Tis in our minds the idols hatch,
Of stone for man to shape and mold.
Such logic does our hands attach
To this domain of lifeless cold,
To every cavern, crater, creek.
Wrong was the man who’d preached the norm
That worlds are destined for the meek!
Our will and strength give matter form.
He who grovels tastes his obsequies;
We float into the void, oases craft.
We are not slaving tribal bees,
And no collective guides our raft.
We are not one, but many knights;
Each does himself his quest ordain,
We thrive on work, and work from rights.
Our well-earned profit’s our domain.

This ground bears meaning solely to our aims.
Its monuments stem from our ingenuity.
Glory to him who savage wildlands tames,
And weeds out every incongruity!

What shall replace the brittle dune?
What shall refine this cratered scar?
Our pavement shall embrace them soon,
And spread to every spawn of star
Yet seen, and into others we shall gaze,
And thus apply the universe’s stock.
This is not but one transient phase.
Forever shall we tame new rock!
Cosmos is Man’s, its means and goal.
Its exiled heirs now seek its wreath:
Supremacy, from atom, oil, and coal.
Our claim to treasures underneath
These jagged lands shall never wane.
Always grand mechanisms will be our guide.
No Luddites shall their betterment profane.
Inventors we exalt and vandals we deride!

Merit determines worth under our creed.
The self-made prodigy our government defends,
Does our endeavor by example lead,
And never harms one for another’s ends.

What is the trait we deem sublime?
The source which does all virtue render.
It, dauntless, conquers space and time,
And never can its plight surrender.
It is inside us, best within the great,
The ego, mind, one’s self, one’s soul,
Prerequisite to any proper state.
Maintain your own, and you’ve fulfilled your role.
No world beyond this life is real;
Its furthering’s our sole concern.
No godly favor is to steal,
No mystic afterlife to earn.
God’s not above us, but within;
The Self’s the Lord, Reason, His rite.
We have a universe to win.
Join us, great men, in splendid flight!

0-to-60 Waltz, Op. 74 – Musical Composition by G. Stolyarov II

0-to-60 Waltz, Op. 74 – Musical Composition by G. Stolyarov II

This waltz began with a simple premise: each measure would have one more note than the measure before it. This is the result.

The waltz is inspired by the natural numbers, rational order, and the immensity of connections between mathematics and music.

This composition is played in Finale 2011 software using the Steinway Grand Piano instrument.

Thanks go to Wendy Stolyarov for the design of the cover and the video.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

Abrupt Insights, Op. 73 – Composition for Classical Guitar and Harpsichord (2013) – G. Stolyarov II

Abrupt Insights, Op. 73 – Composition for Classical Guitar and Harpsichord (2013) – G. Stolyarov II

A work that is both classical and experimental, this piece for two classical acoustic guitars and three harpsichords is intended to evoke the process of arriving at new ideas or making progress on a major project in a staggered fashion. Each advance is a leap forward, but, on a larger scale, there remain an order and coherence of the greater task or discovery being achieved. This work follows a theme-and-variations format and utilizes harmonies reminiscent of the Spanish classical guitar compositions of the late 18th and early 19th centuries.

Length: 3:25

This composition is played in Finale 2011 software.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The cover page was designed by Wendy Stolyarov.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 8, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

Rondo #5, Op. 72 (2013) – Musical Composition by G. Stolyarov II

Rondo #5, Op. 72 (2013) – Musical Composition by G. Stolyarov II

This rondo by Mr. Stolyarov, new in 2013, is one of his most ornate compositions to date, while managing to maintain an intense rapidity and convey sensations of acceleration and deceleration through the use of chords and changes in prevailing note lengths. The key alternates between C minor and C major, and the melody rapidly develops in complexity until reaching a grand finale in the last recapitulation.

This composition is written for three piano parts and is played in Finale 2011 software.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 47, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

Variations on Alternating Marches, Op. 15 (2002) – Video by G. Stolyarov II

Variations on Alternating Marches, Op. 15 (2002) – Video by G. Stolyarov II

This composition by Mr. Stolyarov was written down in 2002, but some parts of it were virtually impossible to perform for a pianist of any skill. This version of the composition is played using Finale 2011 software and the Steinway Grand Piano instrument.

Two themes predominate in this work. Their juxtaposition is unusual in that the meters of each theme differ. The opening theme (A) is in 2/4 meter, whereas the second main theme (B) is in 3/4 meter. Both themes are marches, though B is noticeably heavier than A both in terms of the mood and the chords involved. The melodies of both A and B are alternated and repeated throughout the work, but the accompaniment changes dramatically. The last appearance of theme A, for instance, has it accompanied by scales of 32nd-notes — a virtually impossible feat for any human musician to execute.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 48, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

Theme and Variations #1, Op. 61 (2009) – Video by G. Stolyarov II

Theme and Variations #1, Op. 61 (2009) – Video by G. Stolyarov II

This 2009 composition was written in a theme-and-variations format, with the main theme being presented, then varied five times, then repeated in its original form. The melody is played by a harpsichord with piano accompaniment, and a second harpsichord provides additional accompaniment in the first variation.

This composition has been remastered in Finale 2011 software and is played by two harpsichords and a piano.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 25, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

The Run, Op. 64 (2009) – Video by G. Stolyarov II

The Run, Op. 64 (2009) – Video by G. Stolyarov II

This 2009 composition is quite modern in its structure and harmonies, but manages to remain free of unresolved dissonance and maintain a melodic dynamism. The piece conveys rapid motion — as in a fast run — as well as a sense of exertion and onward momentum. It intensifies toward the end and reaches a sudden, rapid conclusion — as a runner might do upon completing a predetermined distance.

The entire work is built upon four chords in C minor, which are arranged in a variety of ways — with the main melody (A) being interspersed with related but structurally different melodies and becoming more intense, powerful, and rapid with each repetition. The structure of the piece is ABA’CA”DA”’E, where E is the conclusion.

All the notes of this piece are either sixteenth notes or thirty-second notes, making it quite difficult for a human musician to perform. As such, it is another example of Mr. Stolyarov’s genre of superclassical music — composed using traditional harmonies but in tempos and instrumental arrangements that only a computer is likely to be able to execute.

This composition has been remastered for two harpsichords, a piano, and strings and played in Finale 2011 software.

The main image for this video was designed by Wendy Stolyarov and is used with unrestricted permission.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.