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Waltz #11, Op. 83 (2016) – Musical Composition by G. Stolyarov II

Waltz #11, Op. 83 (2016) – Musical Composition by G. Stolyarov II

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The New Renaissance Hat
G. Stolyarov II
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A grand waltz for piano, cello, string section, oboe, and timpani, composed in the key of C# major, with interspersed major and minor passages. The two main themes are varied throughout the piece using different orchestrations and an increase in ornamentation.

This waltz was composed by Mr. Stolyarov on June 16-18, 2016, and is played using the Finale 2011 software.

Download the MP3 file of this composition here.

This composition and video may be freely reproduced using the Creative Commons Attribution Share-Alike International 4.0 License.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

Art Reference:
Abstract Orderism Fractal 67 by G. Stolyarov II – Available for free download here and here.
Man’s Struggle Against Death, Op. 57 (2008) – Musical Composition and Video by G. Stolyarov II

Man’s Struggle Against Death, Op. 57 (2008) – Musical Composition and Video by G. Stolyarov II

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The New Renaissance Hat
G. Stolyarov II
November 11, 2014
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This composition by Mr. Stolyarov depicts the most important challenge facing humankind during all of its existence – the imperative of freeing individual humans from the ghastly and unconscionable fate of eventually ceasing to exist. Indefinite physical life in this world is not only possible with sufficient advances in scientific knowledge and medical technology – it is also supremely desirable, and we who are alive now should work to attain it as early as we can.

As outlined by Dr. Aubrey de Grey of the SENS Research Foundation, there are only seven primary types of damage involved in human biological senescence – which leads to death:

1. Extracellular junk
2. Extracellular crosslinks
3. Dysfunctional cells
4. Intracellular aggregates
5. Mitochondrial mutations
6. Nuclear mutations
7. Cell loss/atrophy

This led Mr. Stolyarov to compose a work where there are seven variations on the same theme – with the theme representing the consistent, unyielding human effort to defeat death and achieve indefinite longevity.

Every time that a variation on the theme is played, this represents one of the causes of death finally being overcome by human ingenuity. Accordingly, the melody becomes more jubilant and determined as the composition progresses, because there are fewer perils awaiting man and the amount of the task remaining is reduced.

Once the seven variations are complete (which corresponds with the attainment of indefinite life), the coda of the work is meant to evoke the last line of John Donne’s sonnet, “Death, Be Not Proud”: “And death shall be no more; death, thou shalt die.”

John Donne was not himself a physical life-extensionist (he was alive too early), but the last line of his poem is an excellent motto for life-extensionists to adopt as we spread awareness of the need and urgency of defeating this greatest of all perils.

This composition was remastered using the Finale 2011 and Finale 2014 software. It is written for organ, two pianos, harpsichord, timpani, a brass section, and a strings section.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

Read more about the quest for indefinite life in Mr. Stolyarov’s book Death is Wrong.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

Fibonacci Rondo (Rondo #1), Op. 54 (2008) – Musical Composition and Video by G. Stolyarov II

Fibonacci Rondo (Rondo #1), Op. 54 (2008) – Musical Composition and Video by G. Stolyarov II

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The New Renaissance Hat
G. Stolyarov II
November 7, 2014
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The Fibonacci Rondo, a 2008 composition by Mr. Stolyarov, was inspired by the Fibonacci Sequence of numbers, where each subsequent number is the sum of the two previous numbers. If the Fibonacci Sequence begins with 1 and 1, then the first six numbers of the sequence are 1, 1, 2, 3, 5, and 8.

The recurring theme of this composition – which occurs once at 0:32 and again at 1:30 represents musically the beginning of the Fibonacci Sequence and the process of its formation.

If we assign the value 1 to the note C, then we can assign the following values to other notes in relation to it:

2 = D

3 = E

5 = G

8 = C one octave above the “1” note.

Then, through two eighth notes, we can represent the numbers being added, while the following quarter note represents their result.

So two eighth-note C’s will be followed by a quarter-note D to represent “1 + 1 = 2.”

Then the eighth notes C and D, followed by a quarter-note E, represent “1 + 2 = 3.”

Then the eighth notes D and E, followed by a quarter-note G, represent “2 + 3 = 5.”

Then the eighth notes E and G, followed by a quarter-note C from the next octave, represent “3 + 5 = 8.”

Thereafter, the same pattern is applied to other harmonies – both major and minor – to ensure a melodic progression.

The timpani accompaniment in the second appearance of the theme relates this basic structure without any other notes added to reinforce the harmony. Quite a bit of harmonic reinforcement is added in the parts for all the other instruments, however.

This composition is written for a piano, two string sections, and timpani, and remastered using the Finale 2011 software. It probably could not be played by a human orchestra, as the 32nd notes in one of the string sections are simply too fast to be played by human musicians. The ability to reproduce music of this sort is yet another way in which computers have expanded the range of human creativity.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

Escalation, Op. 53 (2008) – Musical Composition and Video by G. Stolyarov II

Escalation, Op. 53 (2008) – Musical Composition and Video by G. Stolyarov II

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The New Renaissance Hat
G. Stolyarov II
November 6, 2014
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This 2008 composition by Mr. Stolyarov for string orchestra, piano, organ, and timpani conveys an impression of increasing intensity and complexity as the same theme is varied by the addition of new instrumental parts. The melody in the strings is the same throughout the work, and once a melody has been established in any of the other parts, it does not change. The change and movement in this piece come from the “layering” of  newer instrumental parts on top of the older ones.

This work was remastered using the Finale 2011 software, with the Full Strings Arco, Full Strings Tremolo, Steinway Grand Piano, Church Organ, and Timpani instruments.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Abstract Orderism Fractal 45, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.

March #10, Op. 59 (2009) – Musical Composition and Video by G. Stolyarov II

March #10, Op. 59 (2009) – Musical Composition and Video by G. Stolyarov II

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The New Renaissance Hat
G. Stolyarov II
September 21, 2014
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This march was composed by Mr. Stolyarov in 2009 using harmonies that late-19th-century European composers would have associated with the Middle East.

This work has been remastered using the Finale 2011 software. It is arranged for harpsichord, piano, harp, clarinet, organ, and timpani.

Download the MP3 file of this composition here.

See the index of Mr. Stolyarov’s compositions, all available for free download, here.

The artwork is Mr. Stolyarov’s Tesselated Pyramid, available for download here and here.

Remember to LIKE, FAVORITE, and SHARE this video in order to spread rational high culture to others.