Left-click on the image for a fuller view. You can also download this painting (4846 by 7000 pixels) here.
Tranquil and contemplative, this painting of an alien moon seascape by Ekaterinya Vladinakova evokes worlds that humans could one day discover or create through terraforming. The vivid colors and stunning imagery of Vladinakova’s work inspire us to strive toward a future where the exploration of these worlds could become a reality.
Ekaterinya Vladinakova is an accomplished digital painter. See her gallery here and her DeviantArt page here.
U.S. Transhumanist Party Discussion Panel on Art and Transhumanism
G. Stolyarov II Emanuel Iral Rachel Lyn Edler John Marlowe R. Nicholas Starr Leah Montalto Kim Bodenhamer Smith Laura Katrin Weston Ekaterinya Vladinakova
On November 18, 2017, the U.S. Transhumanist Party invited leading artists in a variety of media and styles to a two-hour discussion, moderated by Chairman Gennady Stolyarov II and Director of Visual Art Emanuel Iral, on the subject of Art and Transhumanism, delving into how and which works of art can help inspire humans to pursue the next era of our civilization – through promoting the advancement of science and technology, rationality, and/or a more hopeful vision of the future. The panel also explored various interactions between art and technology and ways in which art can improve human connection and understanding, while also comprising the very improved functionality that emerging technologies provide.
Emanuel Iral is Director of Visual Art for the U.S. Transhumanist Party.
Emanuel’s artwork ranges from traditional paint and pencil work to 3D digital work. Currently he is working on his VFX and animation skills, as he is producing short films for his music. He encompasses his art under the term Prismatis – Latin for prism. A prism refracts white light into the three primary colors: yellow, magenta, and cyan. Prismatis is all about the aesthetic of human expression, which can be separated into the art, audience, and artist.
Rachel Lyn Edler
RachelLyn Edler is an accomplished graphic designer with over 20 years of creative experience. Rachel comes from a diverse background of product development, packaging and web design. In her free time she volunteers for several scientific and secular organizations including the Planetary Society, Richard Dawkins Foundation for Reason & Science and the Secular Coalition for America.
John Marlowe was educated in film theory and trained in film production at UC Berkeley. His outlook on film as a vehicle for social messaging has been largely influenced by his lifelong struggle with a genetic inborn error of metabolism, a type of disease that – until recently – was beyond the scope of medicine. Consequently, John feels it is his onus to emphasize the artist’s responsibility in shaping the conversation regarding medical research, to create a society more amenable to scientific progress, rather than one fearful of change.
Leah Montalto is a painter based in New York City and has maintained a successfully operating painting studio in New York for the past 12 years. Her paintings have been exhibited at the National Academy Museum of Fine Art in New York, and have been reviewed in the New York Times and the Providence Journal. Leah’s paintings have received awards including the National Academy Museum of Fine Art’s Hallgarten Prize in Painting and the NYC Cultural Commission arts grant. Leah is a former professor at Sarah Lawrence College, and has an MFA in Painting from Rhode Island School of Design. Leah is not affiliated with the Transhumanist Party, but her paintings explore related themes.
Kim Bodenhamer Smith
Kim Bodenhamer Smith is a single mother of two boys living in Chattanooga, TN. She is a founding member of Southside Abbey, a Lay Missioner in The Episcopal Church, and an Outdoor Wear Business owner of Chilliheads. She is a caver, unicycler, and an aviation enthusiast and creator of #helichurch. She has a BFA in Metals and also studied Graphic Design and Political Science. *She also has many Tesla Tales to tell and is a Social Media Manipulator (different from a troll)!
R. Nicholas Starr
R. Nicholas Starr is an audio engineer and multimedia artist whose work focuses on Earth’s dystopias of past, present, and future. Also a biohacker, researcher, and theorist, he immerses himself in the subjects surrounding these worlds and has published several non-fiction articles and interviews. With an education in electronic signals intelligence from the United States Air Force, and 15 years of digital art and audio production in the US and abroad, he has become a unique voice for science fiction, the U.S. Transhumanist Movement, and American policy.
Ekaterinya Vladinakova is an accomplished digital painter and professional freelance illustrator. Vladinakova specializes in fantasy and science fiction work, but is also interested in editorial illustration. Vladinakova spends most of the day painting in Photoshop, creating scenes related to fantasy, or science fiction, as well as brushing up older works. Vladinakova’s paintings have been featured by the U.S. Transhumanist Party – including the “City of New Antideath” – a vision of the future which was commissioned for Mr. Stolyarov’s 30th Birthday.
Laura Katrin Weston
Dr Laura Katrin Weston is from England and studied Fine Art before going on to studying Medicine. She is a trained pathologist with a specialism in medical biochemistry and inflammation-related disease. She has used her medical knowledge and professional painting career to support Lifespan.io – one of the biggest life-extension research and advocacy charities. Laura is also vocalist for symphonic metal band Cyclocosmia – a music act that will be trying to raise awareness of transhumanist and human mortality issues in their next upcoming album.
The YouTube question/comment chat for this Q&A session has been archived here and is also provided below.
Visit the U.S. Transhumanist Party Facebook page here.
Left-click on the image for a fuller view. You can also download this painting (3200 by 800 pixels) here.
This piece was painted by Ekaterinya Vladinakova in January 2016 as a tribute to Space X’s reusable rocket success. As a result of these pioneering steps, perhaps humankind will someday, hopefully during our lengthened lifetimes, establish settlements on Mars like the ones depicted in this painting. This painting is available for viewing and download on Ekaterinya Vladinakova’s DeviantArt page here.
Artist’s Comments: Being able to re-use a rocket has the potential to make space travel MUCH cheaper, by a factor of a hundred. The reason is because the fuel costs something around 200,000 dollars, while the rocket costs millions. The problem with today’s rockets is we use them once, and then they are thrown away. An analogy would be using a 747 aircraft for only one trip; think of just how expensive it would be. The significance of SpaceX’s second launch was that it was done on a floating platform. The benefit of such a platform is that it would save more fuel for the rocket, since the ocean platform can move, and less fuel overall is spent navigating the rocket back to base.
Ekaterinya Vladinakova is an accomplished digital painter. See her gallery here and her DeviantArt page here.
The Rational Argumentator’s Fifteenth Anniversary Manifesto
As of today The Rational Argumentator has been in publication continuously for fifteen years – half of my lifetime to date. The more time passes, the more the value of continuity is reinforced for me, and so I hope that these fifteen years have only been an auspicious beginning for The Rational Argumentator. TRA shall continually endeavor to improve and expand in new directions, but always by building upon the old and by remaining rooted in a core identity – the championing of the principles of Reason, Rights, and Progress – the ideas that made Western civilization great. These ideals will hopefully be applied to forge a new global, universal human (and transhuman) civilization which we – all reasonable and decent people who wish to join this effort – can assemble by picking up the pieces of the wreckage of our unfortunate, downward-spiraling moment in history.
We live today in what Robert Heinlein prognosticated in his science fiction as the “Crazy Years”, which he described as exhibiting “Considerable technical advance during this period, accompanied by a gradual deterioration of mores, orientation, and social institutions” – gradual deterioration that became quite sudden and cataclysmic in 2016 and 2017. The climate of contemporary societies and political systems, particularly that of the United States, evokes William Butler Yeats’s famous lines:
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.
The deterioration cannot be attributed to any particular individual or even faction (these are, at most, symptoms), but rather to the fraying general fabric of contemporary Western, particularly American, life. Those who have regularly read the pages of The Rational Argumentator will not be surprised at my view that the deterioration is primarily due to the abandonment of upward aspiration both within mainstream culture and among various subcultures – a rejection of 18th-century Enlightenment meliorism and an embrace of postmodern aimlessness. To reverse this tendency, now, more than ever, it is essential to emphasize the importance of rational inquiry, civil discourse, and the mindset of building a civilization – as opposed to militant subjectivism (where a person considers his or her feelings to be unquestioned dogma – and woe to those who challenge them!), coarse crudity in manners, riotousness, and the mindset of “tearing down the system” in a futile attempt to start from scratch. We cannot and must not start over – for the primitive state of humankind is far worse than our admittedly deeply imperfect morass of institutions and norms. But we can – and we must – repair and build upon the achievements of the past, combining them with new technologies and insights to forge the next great era of our civilization, a project I outline briefly in a two-party video series, “The Great Transhumanist Game”.
Amid the turmoil, I was pleased to see that The Rational Argumentator has gained notice and achieved significant increases in its visitation, receiving 1,087,149 total page views during its fifteenth year, as compared to 823,968 page views the year prior. Cumulative lifetime TRA visitation stands at 10,979,785 page views, and I am confident that the 11-million mark will be exceeded in September 2017. Perhaps more readers are seeking an antidote to the Crazy Years. Reason is that antidote, and these pages provide it in abundance.
During its fifteenth year, TRA published 140 features. While this was a lower rate of publication than the 208 to 314 features published per year in the preceding five years, TRA has at the same time become allied with the United States Transhumanist Party, of which I became Chairman in November 2016. The U.S. Transhumanist Party website has been brimming with new content, contributed by a wide variety of forward-thinking minds, and I am proud that this young but steadily growing organization has published 105 features during my tenure as Chairman thus far. I am also proud of the cadre of volunteer Officers that the U.S. Transhumanist Party has assembled – a team of dedicated advocates for the future, which will hopefully greatly expand with time and become the core of a movement that will transform and redirect society and culture back toward the ideals of reason and amelioration.
Thus, for the upcoming year, I pose an ambitious task for The Rational Argumentator and its readers. Let us make sure that Yeats’s words remain a warning rather than the ever-present reality. The center must hold, and we must ensure that it holds. Each of us can participate in this project. We must become the center upon which human civilization depends for its survival, continuity, and growth. Through both great endeavors and small, routine maintenance tasks; through creation of elevated and noble works, as well as everyday kindnesses to the people in our lives; through the rhetoric that inspires great aspirations and the decorum that conveys respect and uplifts our sentiments into the realm of good will – we must be the agents of cultural transformation – a New Renaissance, a Re-Enlightenment, indeed, a Recivilization to follow the Crazy Years. One of my most inspired moments of the past year has been seeing the finished painting of the City of New Antideath, which I commissioned from artist Ekaterinya Vladinakova. I invite you to gaze upon this colossal cityscape to gain glimpses at an era where all of our major aims – the return of reason as the paradigm for life, the attainment of indefinite longevity, the liberation of humankind from privation and conflict – have been attained. May it inspire you to go forth and take the many necessary incremental steps toward such a world.
This essay may be freely reproduced using the Creative Commons Attribution Share-Alike International 4.0 License, which requires that credit be given to the author, G. Stolyarov II. Find out about Mr. Stolyarovhere.
City of New Antideath – Painting by Ekaterinya Vladinakova, Commissioned by Gennady Stolyarov II
For my coming thirtieth birthday, I have commissioned a colossal cityscape depicting my vision and hope for the future progress of humankind. Artist Ekaterinya Vladinakova, a long-time supporter of transhumanism and life extension, was the evident best choice for this project.
The City of New Antideath represents a future society which has overcome death, disease, and today’s principal sources of material scarcity and discomfort. This city contains more than ample living space in ornate, radiantly illuminated skyscrapers. Smaller villas, domed towers, and other luxuriously ornamented buildings adorn the central walkways. There is ample room for pedestrian traffic and plant growth sculpted into geometrically complex patterns – including on the rooftop terraces of many of the mega-skyscrapers.
Flying cars and autonomous drones appear as streaks of light from the ground level. There is so much room for aerial transportation that no more traffic jams exist on the ground. One can opt for efficient transport, or for open-ended leisurely walking, and the two modes will not collide.
Over the years I have created a large number of building models using Sketchup, Minecraft, and even LEGO bricks. In my quest for permanence, they – or images of them – have been preserved and provided to the artist for inspiration. The first City of Antideath consisted of my Sketchup models. The City of New Antideath was not intended to be an exact replica, but rather a successor inspired by the prospect of juxtaposing the best architectural elements of all eras – past and yet to come.
I conveyed to Ekaterinya Vladinakova that the skyscrapers should exhibit a variety of bold colors and geometric shapes – but also be orderly and ornate. I have a great admiration for historical architecture from the 16th through 19th centuries – so while some of the buildings are geometric and futuristic, others borrow significant elements from Renaissance, Baroque, Neoclassical, or Victorian styles. Russian and Eastern architectural traditions find their manifestations in this cityscape as well. The idea is to portray a future of extreme diversity, where all of these elements will exist side by side and interact with one another in interesting ways. Far from cultural separatism or tribalism, the future needs to borrow and develop upon the best elements from all cultures, times, and places. The culture of New Antideath is rational, scientific, progress-oriented, universalist, cosmopolitan, and at the same time hyperpluralist and welcoming of all peaceful individuals.
The most significant vision I have for this artwork is that it will become the iconic vision of a techno-positive future. Accordingly, I am rendering it available for free download and distribution via a Creative Commons Attribution Share-Alike License so that it might be used by others who seek illustrations of a future we can all aspire for.
I still hope that I was not born too soon – that I may someday personally witness and experience a future of this sort. But for now, although the third decade of my life did not see such a future emerge, I am happy at least to have enabled its depiction so that others can be inspired to strive toward it. Given that our immediate world has become suffused by a pervasive, destructive malaise over the past two years, we will need visions such as this to overcome it and achieve better ways to be.
There are three versions of this digital painting available for free download (left-click on the links to open, right-click to download):
– Original Size (11250 by 18100 pixels – a vast canvas with immense detail. Note: This file size is immense as well – but you will be able to zoom in to view individual buildings and regard them as smaller-scale paintings in their own right.)
For those seeking musical accompaniment in viewing this painting, I recommend my Transhumanist March, Op. 78 (2014) (MP3 and YouTube) or Man’s Struggle Against Death, Op. 58 (2008) (MP3 and YouTube).