Left-click on the image for a fuller view. You can also download this painting (3265 by 5000 pixels) here.
Happy New Years – indefinitely many of them! As we celebrate the arrival of 2019, we can find great inspiration in this painting by Ekaterinya Vladinakova. May we someday stand on worlds such as this distant cratered planet and observe nebulas like this one in glorious color.
Ekaterinya Vladinakova is an accomplished digital painter. See her gallery here and her DeviantArt page here.
Mountain in the Jungle: Habitable Exomoon – Painting by Ekaterinya Vladinakova
“Mountain in the Jungle: Habitable Exomoon” by Ekaterinya Vladinakova
Left-click on the image for a fuller view. You can also download this painting (5000 by 2636 pixels) here.
The terraformed surface of an exomoon – another illustration by Ekaterinya Vladinakova of the lush worlds that can be created as a result of our species’ colonization of the cosmos. Let humanity venture forth to both discover and create such splendid new environments!
Ekaterinya Vladinakova is an accomplished digital painter. See her gallery here and her DeviantArt page here.
“Shattered” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier
Commentary by Gennady Stolyarov II: “Shattered” is a print by Dr. Laura Katrin Weston, a.k.a. Katrin Brunier, the original exemplar which I received in November 2017 due to my donation to the successful MouseAge crowdfunding campaign by Lifespan.io. Along with the three other artworks that I acquired from Dr. Weston – “Teeming”, “Graceful”, and “Squeak” – this print is featured as part of my Longevity Wall.
This work depicts how the forces of ruin can lead once-ornate and beautiful things to become eroded and deteriorated. This process, unfortunately, afflicts human organisms and minds as well, causing much of value to be lost or at least faded with time. Even with age, there remain in everything and everyone traces of the former splendor that can yet potentially be reclaimed – if humanity reconsiders its priorities and decisively commits to the war on ruin, including the quest to overcome aging and death.
Artist’s Description: “Time ravages even the greatest of minds, shattering them into a chaotic cloud of misfired potential. Once simple tasks become impossible, we become unable to live without aid, to live for ourselves any longer.
“I don’t know about you… But I don’t want that future. We have the power to change that. All we need is more support.”
You can find more work by Dr. Laura Katrin Weston at the Katrin Brunier Gallery, an Ethical Investment-Grade Art Gallery for the Neo-Renaissance Era (see its Instagram page). Proceeds from art sales at the Katrin Brunier Gallery will go to support causes such as medical research and conservation.
“Graceful” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier
Commentary by Gennady Stolyarov II, Chairman, United States Transhumanist Party: “Graceful” is a watercolor painting by Dr. Laura Katrin Weston, a.k.a. Katrin Brunier, the original exemplar which I received in November 2017 due to my donation to the successful MouseAge crowdfunding campaign by Lifespan.io.
This vibrant watercolor image of a hawthorn tree in bloom illustrates that beauty and longevity are indeed compatible. Hawthorn trees can live for up to 700 years – another demonstration that there are no insurmountable obstacles to this kind of graceful longevity. Science and technology must, however, advance, to enable us to maintain vitality for centuries to come.
Artist’s Description: There is a cold, hard truth in humanity that we don’t often like to admit. There is no shame in wanting to remain beautiful, graceful, and vibrant for as long as we can. Yet these feelings are often belittled as being selfish or vain.
There is nothing wrong with being healthy for as long as possible. Perhaps we have grown so used to the frailties and sickness that come with time that we might not know how to react without it.
You can find more work by Dr. Laura Katrin Weston at the Katrin Brunier Gallery, an Ethical Investment-Grade Art Gallery for the Neo-Renaissance Era (see its Instagram page). Proceeds from art sales at the Katrin Brunier Gallery will go to support causes such as medical research and conservation.
“Squeak” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier
Commentary by Gennady Stolyarov II: “Squeak” is a print by Dr. Laura Katrin Weston, a.k.a. Katrin Brunier, the original exemplar of which I received in November 2017 due to my donation to the successful MouseAge crowdfunding campaign by Lifespan.io.
It is fitting for a project on mouse longevity to involve at least one image of mice – creatures whom life has unfortunately dealt a bad hand, due to their short lifespans (only 3 years for even long-lived mice in the absence of medical intervention), difficulty in getting along with humans, and unnecessary attrition due to disposal practices after lab experiments. “Squeak” invites the viewer to appreciate mice a bit more; if we can extend their lives significantly, we stand a decent chance of achieving dramatic extension of our own lifespans. Perhaps we can also give some of the mice a break by using photographic markers of aging in experiments, as the MouseAge project seeks to do.
Here, the mice are depicted scurrying along a narrow circular path. The golden circle, with rays emanating outward represents perhaps the great hope that these creatures unknowingly provide to us. One may wonder, as I have done over many months of reflecting on this work, whether these are mutant, two-tailed mice, or whether they each just have their ordinary curly tails, and the track along which they move might simply be painted in the same colors and textures as their tails. (Well, in actuality it is indeed painted that way!) Mutant or not, these mice are rather extraordinary in having become emblems of a species that has added much to our understanding. Unlike most of their brethren to date, these mice have earned their extreme longevity through Laura Katrin Weston’s brush.
You can find more work by Dr. Laura Katrin Weston at the Katrin Brunier Gallery, an Ethical Investment-Grade Art Gallery for the Neo-Renaissance Era (see its Instagram page). Proceeds from art sales at the Katrin Brunier Gallery will go to support causes such as medical research and conservation.
Space Seascape – Painting by Ekaterinya Vladinakova
Left-click on the image for a fuller view. You can also download this painting (4846 by 7000 pixels) here.
Tranquil and contemplative, this painting of an alien moon seascape by Ekaterinya Vladinakova evokes worlds that humans could one day discover or create through terraforming. The vivid colors and stunning imagery of Vladinakova’s work inspire us to strive toward a future where the exploration of these worlds could become a reality.
Ekaterinya Vladinakova is an accomplished digital painter. See her gallery here and her DeviantArt page here.
U.S. Transhumanist Party Discussion Panel on Art and Transhumanism
G. Stolyarov II Emanuel Iral Rachel Lyn Edler John Marlowe R. Nicholas Starr Leah Montalto Kim Bodenhamer Smith Laura Katrin Weston Ekaterinya Vladinakova
On November 18, 2017, the U.S. Transhumanist Party invited leading artists in a variety of media and styles to a two-hour discussion, moderated by Chairman Gennady Stolyarov II and Director of Visual Art Emanuel Iral, on the subject of Art and Transhumanism, delving into how and which works of art can help inspire humans to pursue the next era of our civilization – through promoting the advancement of science and technology, rationality, and/or a more hopeful vision of the future. The panel also explored various interactions between art and technology and ways in which art can improve human connection and understanding, while also comprising the very improved functionality that emerging technologies provide.
Panelists
Emanuel Iral
Emanuel Iral is Director of Visual Art for the U.S. Transhumanist Party.
Emanuel’s artwork ranges from traditional paint and pencil work to 3D digital work. Currently he is working on his VFX and animation skills, as he is producing short films for his music. He encompasses his art under the term Prismatis – Latin for prism. A prism refracts white light into the three primary colors: yellow, magenta, and cyan. Prismatis is all about the aesthetic of human expression, which can be separated into the art, audience, and artist.
Rachel Lyn Edler
RachelLyn Edler is an accomplished graphic designer with over 20 years of creative experience. Rachel comes from a diverse background of product development, packaging and web design. In her free time she volunteers for several scientific and secular organizations including the Planetary Society, Richard Dawkins Foundation for Reason & Science and the Secular Coalition for America.
John Marlowe
John Marlowe was educated in film theory and trained in film production at UC Berkeley. His outlook on film as a vehicle for social messaging has been largely influenced by his lifelong struggle with a genetic inborn error of metabolism, a type of disease that – until recently – was beyond the scope of medicine. Consequently, John feels it is his onus to emphasize the artist’s responsibility in shaping the conversation regarding medical research, to create a society more amenable to scientific progress, rather than one fearful of change.
Leah Montalto
Leah Montalto is a painter based in New York City and has maintained a successfully operating painting studio in New York for the past 12 years. Her paintings have been exhibited at the National Academy Museum of Fine Art in New York, and have been reviewed in the New York Times and the Providence Journal. Leah’s paintings have received awards including the National Academy Museum of Fine Art’s Hallgarten Prize in Painting and the NYC Cultural Commission arts grant. Leah is a former professor at Sarah Lawrence College, and has an MFA in Painting from Rhode Island School of Design. Leah is not affiliated with the Transhumanist Party, but her paintings explore related themes.
Kim Bodenhamer Smith
Kim Bodenhamer Smith is a single mother of two boys living in Chattanooga, TN. She is a founding member of Southside Abbey, a Lay Missioner in The Episcopal Church, and an Outdoor Wear Business owner of Chilliheads. She is a caver, unicycler, and an aviation enthusiast and creator of #helichurch. She has a BFA in Metals and also studied Graphic Design and Political Science. *She also has many Tesla Tales to tell and is a Social Media Manipulator (different from a troll)!
R. Nicholas Starr
R. Nicholas Starr is an audio engineer and multimedia artist whose work focuses on Earth’s dystopias of past, present, and future. Also a biohacker, researcher, and theorist, he immerses himself in the subjects surrounding these worlds and has published several non-fiction articles and interviews. With an education in electronic signals intelligence from the United States Air Force, and 15 years of digital art and audio production in the US and abroad, he has become a unique voice for science fiction, the U.S. Transhumanist Movement, and American policy.
Ekaterinya Vladinakova
Ekaterinya Vladinakova is an accomplished digital painter and professional freelance illustrator. Vladinakova specializes in fantasy and science fiction work, but is also interested in editorial illustration. Vladinakova spends most of the day painting in Photoshop, creating scenes related to fantasy, or science fiction, as well as brushing up older works. Vladinakova’s paintings have been featured by the U.S. Transhumanist Party – including the “City of New Antideath” – a vision of the future which was commissioned for Mr. Stolyarov’s 30th Birthday.
Laura Katrin Weston
Dr Laura Katrin Weston is from England and studied Fine Art before going on to studying Medicine. She is a trained pathologist with a specialism in medical biochemistry and inflammation-related disease. She has used her medical knowledge and professional painting career to support Lifespan.io – one of the biggest life-extension research and advocacy charities. Laura is also vocalist for symphonic metal band Cyclocosmia – a music act that will be trying to raise awareness of transhumanist and human mortality issues in their next upcoming album.
The YouTube question/comment chat for this Q&A session has been archived here and is also provided below.
Visit the U.S. Transhumanist Party Facebook page here.
Left-click on the image for a fuller view. You can also download this painting (3200 by 800 pixels) here.
This piece was painted by Ekaterinya Vladinakova in January 2016 as a tribute to Space X’s reusable rocket success. As a result of these pioneering steps, perhaps humankind will someday, hopefully during our lengthened lifetimes, establish settlements on Mars like the ones depicted in this painting. This painting is available for viewing and download on Ekaterinya Vladinakova’s DeviantArt page here.
Artist’s Comments: Being able to re-use a rocket has the potential to make space travel MUCH cheaper, by a factor of a hundred. The reason is because the fuel costs something around 200,000 dollars, while the rocket costs millions. The problem with today’s rockets is we use them once, and then they are thrown away. An analogy would be using a 747 aircraft for only one trip; think of just how expensive it would be. The significance of SpaceX’s second launch was that it was done on a floating platform. The benefit of such a platform is that it would save more fuel for the rocket, since the ocean platform can move, and less fuel overall is spent navigating the rocket back to base.
Ekaterinya Vladinakova is an accomplished digital painter. See her gallery here and her DeviantArt page here.
City of New Antideath – Painting by Ekaterinya Vladinakova, Commissioned by Gennady Stolyarov II
Commentary by Gennady Stolyarov II, Editor-in-Chief of The Rational Argumentator, Chairman of the United States Transhumanist Party:
For my coming thirtieth birthday, I have commissioned a colossal cityscape depicting my vision and hope for the future progress of humankind. Artist Ekaterinya Vladinakova, a long-time supporter of transhumanism and life extension, was the evident best choice for this project.
The City of New Antideath represents a future society which has overcome death, disease, and today’s principal sources of material scarcity and discomfort. This city contains more than ample living space in ornate, radiantly illuminated skyscrapers. Smaller villas, domed towers, and other luxuriously ornamented buildings adorn the central walkways. There is ample room for pedestrian traffic and plant growth sculpted into geometrically complex patterns – including on the rooftop terraces of many of the mega-skyscrapers.
Flying cars and autonomous drones appear as streaks of light from the ground level. There is so much room for aerial transportation that no more traffic jams exist on the ground. One can opt for efficient transport, or for open-ended leisurely walking, and the two modes will not collide.
Over the years I have created a large number of building models using Sketchup, Minecraft, and even LEGO bricks. In my quest for permanence, they – or images of them – have been preserved and provided to the artist for inspiration. The first City of Antideath consisted of my Sketchup models. The City of New Antideath was not intended to be an exact replica, but rather a successor inspired by the prospect of juxtaposing the best architectural elements of all eras – past and yet to come.
I conveyed to Ekaterinya Vladinakova that the skyscrapers should exhibit a variety of bold colors and geometric shapes – but also be orderly and ornate. I have a great admiration for historical architecture from the 16th through 19th centuries – so while some of the buildings are geometric and futuristic, others borrow significant elements from Renaissance, Baroque, Neoclassical, or Victorian styles. Russian and Eastern architectural traditions find their manifestations in this cityscape as well. The idea is to portray a future of extreme diversity, where all of these elements will exist side by side and interact with one another in interesting ways. Far from cultural separatism or tribalism, the future needs to borrow and develop upon the best elements from all cultures, times, and places. The culture of New Antideath is rational, scientific, progress-oriented, universalist, cosmopolitan, and at the same time hyperpluralist and welcoming of all peaceful individuals.
The most significant vision I have for this artwork is that it will become the iconic vision of a techno-positive future. Accordingly, I am rendering it available for free download and distribution via a Creative Commons Attribution Share-Alike License so that it might be used by others who seek illustrations of a future we can all aspire for.
I still hope that I was not born too soon – that I may someday personally witness and experience a future of this sort. But for now, although the third decade of my life did not see such a future emerge, I am happy at least to have enabled its depiction so that others can be inspired to strive toward it. Given that our immediate world has become suffused by a pervasive, destructive malaise over the past two years, we will need visions such as this to overcome it and achieve better ways to be.
There are three versions of this digital painting available for free download (left-click on the links to open, right-click to download):
– Original Size (11250 by 18100 pixels – a vast canvas with immense detail. Note: This file size is immense as well – but you will be able to zoom in to view individual buildings and regard them as smaller-scale paintings in their own right.)
For those seeking musical accompaniment in viewing this painting, I recommend my Transhumanist March, Op. 78 (2014) (MP3 and YouTube) or Man’s Struggle Against Death, Op. 58 (2008) (MP3 and YouTube).
Note: Left-click on this image to get a full view of this digital work of fractal art.
Inspired by the recently-discovered habitable exoplanet orbiting Proxima Centauri, this painting depicts a risk-taking space colonist/engineer overseeing the construction of a Hyperloop (with the aid of sentient drones!) in a bright, and hopefully near, future.
Wendy D. Stolyarov is an accomplished writer, thinker, artist, and graphic designer, who brings her immense talent and capacity for innovation to The Rational Argumentator and the wider movement for the advancement of Reason, Rights, and Progress. Mrs. Stolyarov uses computer technology masterfully to produce precise, realistic, life-affirming art. She has also contributed multiple essays to TRA and designed many of the magazine’s newer logos, including its banner and the New Renaissance top hat. Mrs. Stolyarov is married to G. Stolyarov II, the Editor-in-Chief of The Rational Argumentator.She is the illustrator for Death is Wrong, the children’s book on indefinite life extension written by Mr. Stolyarov in 2013.
Ekaterinya Vladinakova
“Happy New Years” by Ekaterinya Vladinakova
